Glass Table Lamps

Small unusual table light fashioned from lacquered/dark zebra wood and installed with a cylindrical shade in diamond pattern glass. Unknown Scandinavian maker circa 1970-80. Measurem...

Pair of pink Murano glass lamps with brass hardware. Restored and rewired with solid three way sockets Each lamp measures 31" H to the finial and 23" to the socket.

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

"Lampe Mazda" of 1930s Lamp made by the brand Mazda. Size: 77 cm high. Opaline lamp glass: 26.4 cm in diameter, 22 cm high. In very good, working conditio...

This striking funnel-shaped table lamp from the Vivia Collection features a distinctive amber color with dot decoration. It stands on a dark base with a gold-plated ring mount, addin...

This table lamp is part of the collection of the glass master Alberto Donà which includes three lamps of different sizes called "briolette". Their name derives from their faceted c...

A sleek Scandinavian table lamp, model B-015, designed by Bernt Nordstedt and produced by the Swedish manufacturer Bergbom & Co in the 1960s. Crafted from white glass with teak detai...

Laurel Chrome & Mushroom Frosted Glass Shade Lamp

Pair of table or bedside brass box lamps with Murano glass cube marquetry. Contemporary work from a small italian artisanal design workshop in a Mid-Cen...

A green and orange-coloured blown glass and brass table lamp designed and produced in Murano, Italy, c. 1940s. Dimensions of Lamp (inches): 13” H x 5.25” W x 3.75 D Dimensions of Sh...

A striking vintage table lamp designed by renowned Swedish designer Anne Nilsson for IKEA in the early 1990s. This medium-sized lamp features a vibrant red blown glass base, a hallma...

A very cool mid-century modern lamp with a black base and removable frosted glass globe to cover the lightbulb inside. Takes a regular sized light bulb and on/off switch is on the c...

Beautiful Vistosi Corba model table lamp, circa 1960, Italy. Murano stripped glass, chromed metal. Dimensions: 60 cm H, 45 cm diameter. One bulb lamp E...

Very rare Murano glass table lamp designed by Carlo Nason in the late 70s and produce by AV Mazzega A must have piece of Italian design

Art deco lamp circa 1930 in wrought iron decorated with ginkgo Biloba leaves and glassware by Daum Nancy electrify and in perfect condition. Signed on the base L Katona Signed on the...

Barovier influenced Murano glass lamps with a Classic design of a fluted teardrop body, orb and saucer base. Hand blown glass is a beautiful vibrant French Blue with a scattering of ...

Tiffany Studios "Colonial" Table Lamp early 20th century leaded glass, patinated bronze shade impressed "Tiffany Studios, New York, 1901" base impressed "Tiffany Studios, New York, 2...

A brass and white opaline glass table lamp designed and produced in Italy, c. 1960s. Dimensions of Lamp with Shade (inches): 12.5"H x 8.0"W x 8.0"D Bulb Specifications: E-26 (Stand...

Wonderful " Pop Art " like table lamp for a sideboard or sidetable etc. This Italian table lamp is from circa 1970/80 and its stylish and timeless sunflower design will look beautif...

These table lamps, very special, rest on a crystal base, but definira exclusively crystal, is reductive. Do you see the streaks that this lamp has? The technique used to make it, makes you understand the magic that can be achieved in Murano. Do you know the sponges for washing dishes...

The aurelia embraces andre’s personal curiosity for the ocean and the way the sea represents an unknown, infinite world. the jelly-fish-inspired design features a handcrafted fluted solid crystal paired with a billowing bronze base. Portable Wireless Charging Table Lamp LED with Crystal Glass, Description: Portable USB table lamp...

A rare and highly sculptural “Globula” table lamp by Poliarte, crafted in Italy during the 1970s. This distinctive design is composed of stacked, hand-formed glass rings arranged in ...

Pair of small table lamps, made of a brass cylinder foot topped with an opened top glass globe tinted in a tobacco colour. Ideal for a bedside use thanks to their small size and dimm...

The “technicity” of the metal element combined with the blown glass diffuser gives tread an “industrial” style. An object reminiscent of vintage electrical equipment for its particul...

Gorgeous table lamp made in a combination Murano glass and brass. This incredibly elegant lamp was designed by Ercole Barovier and made in Italy during the early '40s. The shade o...

"MILANO" Table Lamp by FABIAN FREYTAG STUDIO – Lava Edition Limited to just 16 unique pieces, the MILANO Table Lamp – Lava Edition by Berlin-based design studio FABIAN FREYTAG STUDI...

A pair of dark-stained wood, brass and white opaline glass table lamps produced by Einar Bäckström, Sweden, c. 1950s. Dimensions of Lamp (inches): 11.0"H x 4.25"W x 4.25"D Bulb Spec...

Antique Wilkinson Arts & Crafts 4-Panel Slag Glass Table Lamp Unsigned C1920 (20 3/8" x 10 3/4" x 10 3/4"). This exquisite antique table lamp, attributed to Wilkinson, features an ...

A stunning sculptural table lamp attributed to renowned Murano glass master Licio Zanetti, crafted in Italy during the 1970s. This unique piece features two hand-blown Murano glass fish—one in clear crystal and the other in amethyst with exquisite feathered detailing—mounted on brass supports and a glossy black lacquered wood base. A curved brass arm supports a cream fabric lampshade, bringing together Venetian glass artistry and mid-century elegance in a functional object of art. The lamp has been professionally rewired and is in very good vintage condition, with only minimal signs of wear consistent with age. The glass is pristine, the lacquered wood base shines beautifully, and the lamp is ready for use. This lamp is not just a light source—it's a collector’s piece and a rare example of Italian craftsmanship. Its sculptural quality, artisanal origin, and recent rewiring make it both a safe and stylish investment for interiors that appreciate originality and heritage. Murano glass lamp, Licio Zanetti fish...

Mid-Century Modern table lamp, designed by Albano Poli for Poliarte glass in Murano glass. Italy, circa 1960s. Measurements of the glass body (not including the bulb holder) are: ...

TIFFANY The first one, Audrey inspired the iconic Introducing Sabrina's breathtaking collection of Tiffany lamps. Year after year Sabrina Landini perpetuates its exceptional exp...

Tiffany Studios Empire Jewel Table Lamp Important and rare Tiffany Studios New York "Empire Jewel" Table Lamp, Only 2-3 known to exist and well documented in Alastair Duncans Tiffan...

Mid-Century Modern 5 Arm Lotus Lamp, 1970s . Base and arms are a polished brass. Lotus shades are glass petal design in smoky pink hues. Light switch are three-way so that two bulbs...

Antique Miller Arts & Crafts Slag Glass Table Lamp Signed C1920. Measures - 18"h x 10.5"w x 10.5"d. An example of early 20th-century design, this antique Miller Arts & Craf...

Opaline white blown glass shade Three different colored rings in red, orange, and yellow glass. Marble base. Perfect condition. Perfect working order.

Mazzega Table Lamp.

High-quality, elegant table lamp with a brass base and an Art Deco shade from the company Muller Frères, Lunéville, France. This company is known for its high quality. The shade date...

A light-blue-colored glass, metal and brass table lamp designed and produced in France, c. 1930s. Very light staining present on lamp. Dimensions of Shade (inches): 3” Top Diameter...

A Tiffany Studios 18” geometric lampshade with a wide circumferential Oak and Berry band just above the shoulder of the shade.The shade is signed "Tiffany Studios, New York” & number...

Gae Aulenti - Fontanat Arte Production Large "Giova" model table lamp - circa 1970 Chromed metal base supporting three blown glass elements. The last pink soaped element can be use...

Barovier and Toso Murano Art Glass Table Lamp, the gold-flecked fluted vasiform base with brass mountings, with pleated linen shade. Overall: 38" H x 18" Diameter. Provenance: From a...

Large Brass and Opaline Glass Floor-Table Lamp, Italy 1970s Discover the elegance of this striking opaline glass floor-table lamp, beautifully crafted in Italy during the 1970s. Wit...

1970 re-edition of the 1927 Art Deco Heinrich Hoffman art glass soap dish/ring tray in Peach by Sarsaparilla NYC. The art glass sculpture features a nude female figure bathing in a t...

Gilded historistic table lamp, circa 1890s with original glass shade Original condition.

A brass, black-lacquered metal and white opaline glass table lamp designed and produced in Italy, c. 1950s. Dimensions of Lamp with Shade (inches): 12.35"H x 5.75"W x 7.25"D Bulb S...

This is a nicely designed Arts and Crafts table lamp. It has a curved shade with 6 elaborate landscape themed cast filigree panels. Each slump glass (curved) panel features a cream -...

A wonderful pair of French lamps. The stands are handmade in wrought iron with black finish patina and hammered with floral pattern. The metalwork is of excellent quality. They are ...

A pair of brass and brown-colored blown glass table lamps designed and produced in Sweden, c. 1950s. Light oxidation present to brass necks. Dimensions of Lamp (inches): 12.5“ H x ...

A stunning pair of French Art Deco table lamps were created by Muller Frères in great condition. Each shade is enhanced by a typical French Art Deco geometric motif in frosted glass ...

A vintage teak and opaline glass table or floor lamp from Johansen Wood of Denmark. The base is in turned teak and the shade or defuser is in opaline hand blown glass. A great mid ...

Table lamp in Murano glass by Carlo Nason for Mazzega.As a descendant of a family that has specialized in making Murano glass for generations, it was Carlo Nason who changed his cour...

A gorgeous Arts & Crafts style stained glass table lamp In the manner of Tiffany Studios USA, Circa Late 20th Century Bronze base, with jeweled stained glass dragonfly shade. Mea...

Available now - Unique massive Murano glass table lamp in gold, Vintage Made in Italy in stock. Condition: virtually perfect condition and never used: no heavy scratches, no defects,...

THIS ITEM IS ELIGIBLE FOR FREE SHIPPING! A sleek stemlite table lamp made by Design Line. It features a cast aluminum main base in a sculptural tulip form. The lamp base is finished...

Marbro 1950s Italian Seguso Murano glass pineapple table lamp.

French Art Deco table lamp by Edouard Cazaux at Degue's, France, 1920s. Very thick molded glass shade with a typical geometric pattern. Superb wrought iron base. The best by Degué. N...

This pair of small french art deco glass and wrought iron lamps were purchased in Paris over 25 years ago. The wonderful French art deco table top lamps are fashioned in pounded wrought iron with colored glass shades. One is signed Schneider as is Charles Schneider on the top as is the one with orange and blue. They have been rewired with line switch for USA lighting...

Vintage French Style Hollywood Regency Gold Gilt Metal Cherub Crystal Glass Globe Table Lamp. Circa Mid 20th Century. Measurements: 27" H x 9" W x 9" D. {3-Way (No)}, (Location: Sect...

An elegant golden and chrome Mid-Century desk, table or side lamp from the 1970s — Model No. 520, designed by Luis Pérez de la Oliva and produced by the renowned Spanish lighting man...

A glass and brass table lamp, designed by Ture Berglund and produced by Skansen glas, Sweden, c. 1940s. Dimensions of Lamp (inches): 9.4"H x 5.5"W x 5.5"D Dimensions of Shade (inch...