Missoni x Kalmar Vienna Adjustable Brass Tripod Table Side Lamp, Austria, 1950s

Missoni Home is an offshoot of the celebrated Italian fashion label Missoni. The company's home collection was introduced in the early 1980s. 

In 1953, Ottavio “Tai” Missoni (1921–2013) and Rosita Missoni (b. 1931) opened a small knitwear shop in Gallarate, Italy, paving the way for what would become an iconic style of colorful chevron knit.

Missoni began with a tracksuit, which featured zippers down the legs because, as Rosita recalls it, “Tai was too lazy to take off his shoes when putting them on.” The couple’s fashion really took off, though, once they discovered the Raschel knitting machine on a trip to a shawl factory. The machine enabled the Missonis to knit multiple colors in a zigzag pattern, a motif that would go on to become synonymous with the Missoni brand across everything from its alluring vintage day dresses and sweaters to its purses, seating and rugs.

Missoni held its first fashion show in Florence in 1967 and caused a bit of a sensation when the models’ Lurex dresses proved translucent under the lights at the Pitti Palace. Scandal aside, the show went down in history as a hit, and the Missonis soon made their debut in the United States with the help of legendary fashion editor Diana Vreeland, who gave the variegated Missoni stripe the Vogue seal of approval, saying, “Who says a rainbow has seven colors? It has many shades.” (It was also Vreeland who reportedly introduced the Missonis to Neiman Marcus president Stanley Marcus, effectively shepherding the brand to the American market.)

Missoni’s many-shaded rainbow would soon become an emblem of the 1970s fashion scene, earning the brand a permanent place in the fashion canon. In 1973, the New York Times proclaimed: “Missoni’s weaved garments have ended up universal materialistic trifles, as Vuitton sacks and Gucci shoes.” By then, Ottavio had been creating tapestries, and some of his knitted fabrics were shown in an exhibition at Galleria Il Naviglio in Venice in 1975.

The brand branched into the home market in 1983, with Rosita overseeing this new venture, Missoni Home, which included furniture, textiles and accessories. 

For its popular seating and other furniture, Missoni's partners have included Paolo Stella, Piero Lissoni, Kartell and Roche Bobois. One of the latter's best-selling furniture designs has been the modular Mah Jong sofa, designed by Hans Hopfer in 1971, and editions upholstered with Missoni fabric are dazzling in any interior.

Daughter Angela succeeded her mother at the helm of the brand, where she still serves as president and creative director today; her brother Luca is CEO, while her daughter Margherita is creative director of offshoot M Missoni.

Find Missoni Home furniture on 1stDibs.

In 1881, Julius August Kalmar founded Kalmar, a Viennese company that produced handcrafted objects of cast bronze. Kalmar developed a fine reputation and exhibited internationally often, but it was Kalmar’s son, Julius Theodor (J.T.) Kalmar, who took over in 1913 and made the company shine with its modernist lighting.

Having studied at the Birmingham School of Art and Design and under the Austrian architect Josef Hoffmann at the Vienna School of Applied Arts, J.T. was deeply inspired by the shift to modernity taking place in Europe and sought to work with the leading architects and designers of his time, including Austrian Werkbund architects Josef Frank and Oskar Wlach as well as Ernst Plischke, Clemens Holzmeister and Oswald Haerdtl. Similar to the Wiener Werkstätte cooperative cofounded by Hoffmann that prized materials, form and function, Kalmar viewed his company’s lighting fixtures as “quite humble things” meant to “fit in and serve their purpose of functionally illuminating spaces without glare.”

In 1925, Kalmar began selling in Haus und Garten, the forward-looking decor shop founded by Frank and Wlach. By 1931, a close partnership with the Austrian Werkbund association of architects, artists and craftsmen allowed the company to realize its vision of early 20th-century modernity — a distinctly Viennese pairing of traditional workmanship with contemporary technology. These collaborations included chandeliers and other fixtures using traditional materials such as glass, bronze and brass while focusing on function over ornamentation. As the company grew, so too did the scope of its projects, and soon Kalmar was installing extravagant chandeliers for the Vienna State Opera, the Burgtheater, Vienna stock exchange and other sites.

Under the guidance of Rudolf Calice, J.T. Kalmar’s son-in-law, the 1960s saw Kalmar’s popularity grow, thanks in part to the success of more decorative pieces like the ice-glass fixtures created with Austrian sculptor Karl Gruber. Thomas Calice, the great-grandson of Kalmar’s founder, led the company in the 1990s and its expansion to international lighting projects while shifting away from serial production. In 2009, Thomas’s son August Chalice established Kalmar Werkstätten to produce fixtures that reference the Kalmar archives but also feature updates on the iconic designs. Kalmar continues to produce bespoke fixtures while also working on custom lighting projects around the world, from cruise ships to the Burj Khalifa.

On 1stDibs, find a collection of vintage J.T. Kalmar lighting that includes chandeliers, wall lights, floor lamps and other fixtures.