European Table Lamps

A high quality and most elegant pair of French 19th century Louis XVI st. Baccarat Crystal and Ormolu lamps. Each lamp is raised on a square Ormolu plinth displaying a Coeur-de-Rai b...

A stylish and very well made vintage Murano glass mushroom lamp by Peil and Putzler. This is hand blown Italian Murano glass, imported to Germany and made by Peil and Putzler in the ...

Faraday & Sons arts and crafts Pullman lamp. Stamped F&S - see photo. Original switch, which will be bypassed when re-wired but will remain on the lamp. Exceptionally nice patina....

Height: 23 cm. Width: 23 cm. Depth: 11 cm (= Ø glass shade). Glass shade height: 17 cm. Origin: Germany, 1920s. The chrome has some signs of wear (see detailed photos). The lamp can ...

A surrealist rope table lamp with hessian shade. Circa 1980's France.

This icon of 20th century design was created in 1970 by Japanese engineer and designer Isao Hosoe for Valenti, Italy. Structure in flexible metal that can be twisted in every direc...

Lampada modello Febo Di Roberto pamio e toso Leucos Originale 1970 Design lab Vetro di Murano fatto a mano e marmo

Ikea balloon-shaped lamp discontinued vintage , table , bedside , wall mount. All plastic , accompanied by a long telephone wire, 25 cm wide x 30 cm high 12 cm

Beautiful iconic table lamp 'Rubus' designed by the Swedish ceramic artist and designer - Gunnar Nylund. This pretty lamp in ceramic glaze has warm soft and brown tones inspired by t...

Beautiful Swedish table lamp with 3 soft blue glass blocks. The lamp was made in Malmö, Sweden in ca. 1960. Including new high quality hand made lampshade. Height of the lamp is mea...

Genet et Michon Art Deco table lamp circa 1930 electricity checked

A cute classic mushroom table lamp by the Dutch brand Herda in white/beige colour. The classy white mushroom shade produces a nice and warm light. The lamp requires one E27 (standard...

Rare 'C9 105 LP' marble light sculpture by Nerone & Patuzzi for Forme e Superfici, Italy 1970s. The lamp is crafted out of solid Carrara marble showing an artistic engraved graphic l...

The Galdino Table Lamp, designed by Carlo Urbinati for Harvey Guzzini in the 1970s, stands out as a truly unique and special piece that encapsulates the essence of the era's design e...

The Bumling Table Lamp by Anders Pehrson for Ateljé Lyktan, dating back to the 1970s, presents an irresistible opportunity to enrich your ...

A stunning 1970’s very large pair of brass Swedish table lamps with conic lamp shades. The shape of the shades cast a really warm and beautiful diffuse ambient light. These structura...

Height: 32 cm. Width: 26 cm. Depth: 14.5 cm. Ø glass sphere: 14.5 cm. The lamp has a large bulb holder (E27). Origin: Belgium, 1930s. Material: steel / glass.

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

A beautiful zoomorphic lamp signed H.O... In a beautiful satin black. Very good original condition. A masterpiece by an unkown ceramist... France, 1950s

Modernist table lamp in Bauhaus style by Heinz Pfaender for Hillebrand Leuchten in 1961. Great (original) colour combination of black, chrome and red. The metal shade can be turned...

The sleek flat base, a hallmark of mid-century aesthetics, provides stability and a sense of balance to the lamp's unique form. Adding a touch of elegance to the design is the beauti...

The neutral tones of brushed aluminium make the "Manhattan" lamps versatile additions to a variety of interior styles. Whether adorning a mid-century modern living room, accenting a ...

If you are thinking about purchasing this great piece, feel free to ask for an additional video to be absolutely sure of your choice.

A very impressive late 19th century French Sevres style porcelain and gilded ormolu vase / lamp. Having classical putti mounted on each scrolling foliate handle, raised on Palm tree ...

Pair of Antique French Parcel Gilt and Repousse Brass Oil Lamps, Circa 1830-1840.

Pair of circa 1920's French blue opaline glass table lamps. Measurements: Height of body: 14" Height to shade rest: 23" Diameter: 5.25"

Poul Henningsen 3/2 Glass and Copper Table Lamp

Great Condition

French Art Nouveau Desk Lamp A beautiful and elegant swan-shaped desk lamp, featuring flowers and leaves, which are classic motifs from the Ar...

Sonover stands for: Societe Normande de Verrerie. The sphere can be loosened from the base. Height: 18 cm. Ø: 14 cm. Height of sphere: 13 cm. This lamp has a bayonet bulb holder wit...

A beautiful and finely detailed pair of French 19th century Louis XV st. light green fire glazed Porcelain, Ormolu, and Giltwood lamps. Each lamp is raised by a square Giltwood platf...

Iconic table lamp produced by the Franta Anýž Company and designed by Jaroslav Anýž, his son in early 1930s. This desk lamp is renowned for its distinctive joints, patented to allow the lampshade to pivot in any direction, with adjustable height. Franta Anýž, an influential figure in Czech design, studied at the Academy of Arts, Architecture, and Design in Prague. His notable achievements include work at Pragotron, camera design for Flexaret, and winning a gold medal at the Salon International des Inventions in Geneva in 1965 for his Beta 21 watch...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

A stunning and very large vintage Italian chrome table lamp by Franco Albini and Franca Helg. This was manufactured in Italy by Sirrah, it dates from the 1970’s. This is the very ra...

Flygsfors Glass Factory Flygsfors Glasbruk was a glass factory in Flygsfors in Nybro municipality, founded in 1888 and closed in 1979. It was started in Flygsfors in 1863 as a hammer...

Rare fractal resin table lamp, 1970, France Similar to Pierre Giraudon, Marie-Claude de Fouquières, Henri Fernandez, François Godebski...

A stylish and extremely well made pair of vintage brass table lamps with velvet shades. They were made in France, they date from around the 1970’s. The quality is outstanding, the s...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

Mid-Century Modern Table Lamp,Metal and Glass, Italy, 1950s

An elegant table lamp made from layered and blown Murano glass and a circular cast iron metal base. Signed. A single piece of glass forms the shade, connecting to the fluted glass s...

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Postmodern table lamp produced by Brilliant Leuchten AG in the 1980s magnetic eyeball. Very original table lamp produced by Brilliant Leuchten AG in black and white plastic materia...

Fase Model Anade Table Lamp, 1980s Halogen lamp with 12 v bulb. Measures 70 cm. length 43 cm. height 13 cm. broad

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

In excellent condition. Very unusual. Hand painted with custom parchment shade, which is 7' in diameter.

Philips desk lamp dating from the 1950s. Inspired by Charlotte Perriand in the way she designed objects that met the needs of life and were accessible to the greatest number of peopl...

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...

An original ship's oil lantern that has been converted to electricity, which can be used either as a table lamp or hanging lamp. The glass has bubbles and inclusions consistent wi...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Mid-Century Modern Travertine fish table lamp by Fratelli Mannelli, Italy, 1970s.

A most impressive and high quality pair of French 19th century Louis XIV st. ormolu and Portoro marble candelabra lamps signed Maison Bagues. The ...

Italian Art Deco desk lamp. Chromed metal and black enameled shade. Italy, circa 1940.

A fabulous vintage brass desk lamp, this was made in England, and dates from the 1950-60’s. It is very well made with a lovely design. The e...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

A stunning and extremely high quality pair of French 19th century Louis XVI st. rock crystal and ormolu girondoles lamps. Each two arm Marie Antoinette lamp is raised by a pierced sc...

A striking large scale true pair of French 19th century Louis XVI st. Belle Époque period ormolu candelabra lamps. Each seven arm lamp is raised by an elegant triangular shaped base ...