Sculptural Hand-Built Three-Legged Ceramic Table Lamp in Matte Earth Tone

One of a kind ceramic lamp. Made of three hand formed (not turned or molded) ceramic elements of different shapes and colors. The glazes are thick and textural. The light bulb goes o...

White painted stoneware with a blue painted and incised ribbon Stoneware ,live brass, off white twisted cord, shown in custom shade in Scribble by artist Kiki Slaughter Ceramic he...

Hare & Ballerina sculptural table lamp, hand crafted, moulded and cast. This whimsical table lamp features a playful hare dancing alongside a ballerina by a tree trunk, blending charm and function in a delightful piece of sculptural art. It brings warmth to any space and is sure to bring a smile to your face. The soft glow highlights gold leaf accents on the ballerina's dress and other parts of the lamp, creating a gentle sparkle when illuminated and adding elegance to its delightful design. Hand crafted Hare and Ballerina table...

Kerry Hastings has hand built this unique ceramic table lamp in a stoneware clay to which she has added black volcanic sand for a distinctive stone-like speckling throughout the piec...

Beautiful peacock in ceramic from the 1960s with brass stem. European wiring

A beautiful whimsical sculptural table lamp titled 'Horse and Boy' is hand crafted, molded and cast. The intricate design features a boy and his hors...

'The Girl and the Giraffe' sculptural table lamp, hand crafted, molded and cold cast . A whimsical sculpture lamp of a young girl and a giraffe, engaging in a conversation and capti...

Brown glazed “Scraffito” Table lamps. Base size only 16x10x4.

Vintage ceramic table lamp in earth tones with small dots of colours by Raphael Giarrusso in the 1960s. Topped with a new lampshade with Dedar Milano fabric. Raphaël Giarrusso (1925-1986) Canadian painter, sculptor and ceramist who established himself in France since 1948 until his death in 1986. Best known for his ceramics creations, he started his artistic formation in the School of Fine Arts in Montreal. Considered a promising student, he obtained a scholarship from the Canadian government to study in Paris in 1948. In Paris encountered some financial difficulties and moved to Accolay, a town of ceramists, in the region of the Yonne where some of his friends were living and producing ceramics. In August 1953, Giarrusso started working for André Boutaud at the Poteries d'Accolay. He stayed there for ten years working as a decorator. He became familiar with the world of ceramics, working with Daniel Auger, Turner, Fedor Iodtschine, a chemist assigned to enamels, but also with the ceramist Georges Pelletier, the sculptors François Brochet...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...