Churchill's Salute 1945 over Westminster, the Spitfire MK XVI's by Roy Huxley

Roy Lichtenstein designed the cover for this April 1964 issue of Art in America, depicting a “pop panorama” of the New York World’s Fair. A must have 60s Pop Art collectible. Medium...

Catalog of a pioneering exhibition of postwar Italian lighting collected by Philip Cutler of New York and Ingrid Zerunian of Vienna, with assistance from Italian architect and design...

AUTHOR: CHURCHILL, Winston. TITLE: Lord Randolph Churchill. PUBLISHER: London: Hodder & Stoughton, 1906. DESCRIPTION: FIRST EDITION. 2 vols., 8-11/16" x 5-7/8", illustrated with ...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...