The Boys of '76 by Charles Carleton Coffin, 1876

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Walton, Izaak, with Charles Cotton. The Complete Angler or the Contemplative Man’s Recreation… Edited by Sir Harris Nicolas. London: Chatto and Windus, 1887. Fourth Nicolas Edition. Small 8vo. Presented in modern full brown Moroccan leather with raised bands, gilt titles, and tooling to the spine, stunning illustrated gilt title to the front. Top edge gilt. Illustrated throughout. Presented is a 1887 printing of Izaak Walton and Charles Cotton’s famous treatise on fishing, The Complete Angler, or the Contemplative Man’s Recreation. Published by Chatto and Windus in London, this beautifully bound volume was the fourth edition to be edited by Sir Harris Nicolas. The book is presented in modern full brown Moroccan leather boards with gilt titles and illustrated throughout with wood engravings from 27 of the most prominent artists of the time. The Complete Angler was first published in 1653 by Richard Marriot of St Dunstan-in-the-West out of London, UK. Izaak Walton continued to add to the original book for a quarter of a century. A significantly enlarged edition appeared in 1655, and the last edition supervised by Walton, published in 1676, included additional fly-fishing material written by his friend Charles Cotton. The 1676 edition has been among the most often reprinted books in English literature. The Compleat Angler...

Imray & Son 1876 Nautical chart of the Coast of Brazil between Cape Frio and the River Plate. Nicely framed. Overall Dimensions: 46" H x 56" W.

History of the Fifteenth Pennsylvania Volunteer Cavalry Which Was Recruited and Known as the Anderson Cavalry in the Rebellion of 1861-1865 by Charles H. Kirk. Reprint of the 1906 or...