David Hockney, My Window Artist's Book

From his humble beginning selling comic books in his native Cologne to his rapidly expanding book publishing empire, Benedikt Taschen has been all about living large — literally. Sumo, a 464-page, 66-pound compendium of Helmut Newton’s photography is one of the largest and heaviest books ever produced — it comes with its own display stand — and among the most expensive, too. The first copy in a limited edition published in 1999 and signed by many of the celebrities whose images appear in its pages sold at auction for $364,000.

TASCHEN’s success derives from his personality: he publishes books that reflect his own diverse personal enthusiasms. TASCHEN’s lavishly produced art books run the gamut from the ridiculous (The Big Book of Breasts) to the sublime (17th-century naturalist Albertus Seba’s Cabinet of Natural Curiosities).

The TASCHEN catalog includes scholarly examinations of cultural icons such as Muhammad Ali, gorgeous monographs on painters like Hieronymous Bosch, exquisite books of photography like Sebastião Selgado’s Genesis and portfolios of muscle cars. In addition to his 11 bookstores located in the United States and Europe, TASCHEN recently opened an art gallery in Los Angeles devoted to photography.

As you can see from the titles available on these pages, you are more than likely to have an interest in common with Benedikt Taschen — and his marvelous books give you a way to explore it fully.

The art of David Hockney is always engaging in its pleasant ambiguities: his prints, drawings and paintings are warm but somehow aloof; filled with light yet often dark and brooding in subject; simple, frank and mundane, but also ethereal and complex. The artist’s stature in the contemporary art world is such that, in a 2011 survey of one thousand British painters and sculptors, he was named the most influential British artist of all time.

Hockney grew up in Bradford, in the northern English county of Yorkshire, studying at the Bradford School of Art from 1953 to ’57, and at the Royal College of Art in London from 1959 to 1962. Though he was educated in art at a time when abstraction dominated the field, Hockney stuck resolutely to figurative painting and drawing.

Hockney's early paintings suggest a search for a style, veering from Expressionism to a grotesquerie suggestive of James Ensor. But Hockney found himself almost the moment he arrived in Los Angeles, in 1963. The move from the gray and rainy Britain to a world of bright sunshine and sparkling water brought Hockney a sense of freedom and an artistic epiphany. He would spend most of the next five years in L.A., painting luminous pictures, such as A Bigger Splash (1967), of things that made him happy: swimming pools, manicured lawns, palm trees, stucco buildings and luxuries like shower stalls. Hockney also painted people, almost always his friends. His California portraits such as Beverly Hills Housewife (1966) are considered to be his finest work. They are at once grandly scaled, intimate and poetic.

In the 1970s, Hockney moved back to Britain and spent much of his time on photography and printmaking. He returned to painting in the 1980s, and to subjects like still lifes, seascapes and portraits. Hockney has always been fascinated by the use of technology in art — he’s credited with inventing the technique of joining Polaroid photos in a collage to form a panoramic picture — and has been using the Brush app to paint on an iPad. Because he is prolific and works in a wide range of mediums, Hockney’s art is available at many price points. His consistently striking and provocative work should have a place in any comprehensive collection of contemporary art.

Find original David Hockney art on 1stDibs.