Frankenstein by Mary W. Shelley, Photoplay Grosset & Dunlap Edition, 1931

Lovelace, Delos W. King Kong. New York: Grosset & Dunlap, 1932. 8vo. Rebound in 1/4 green leather and cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a first edition of Delos W. Lovelace’s adaptation of King Kong. This printing was published by Grosset & Dunlap, in New York, in December of 1932, just months before the March 1933 film premiere of King Kong. The book has been beautifully rebound in handsome ¼ green leather and cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching green archival slipcase. RKO producer Merian Cooper and writer Edgar Wallace originally conceived of the story about a remote island inhabited by a huge silverback gorilla, among other creatures. After Wallace’s untimely death, the thrilling screenplay was finished by James A. Creelman and Ruth Rose. Just as the RKO film of King Kong was finishing production, Cooper asked his friend Delos Lovelace to adapt the film's screenplay into a novelization. On the novel’s cover, Lovelace’s name was overshadowed by the phrase, “conceived by Edgar Wallace and Merian C. Cooper.” The Grosset & Dunlap book was published later that month, on December 27, and served as part of the film’s advance marketing campaign. The book would go on to see numerous reprints, furthering King Kong's status as a cultural phenomenon. Alexander Grosset and George T...

Presented is a photoplay first edition of London After Midnight by Marie Coolidge Rask. This printing was published by Grosset & Dunlap, in New York, in 1928. The book has been beautifully rebound in striking ¼ green leather and cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching green archival slipcase. The book is illustrated with eight stills from the original silent film. One of the most collectible Grosset & Dunlap photoplay editions, this book was a novelization of the 1927 Metro-Goldwyn-Mayer mystery horror film of the same title, co-produced and directed by Tod Browning. The movie starred Lon Chaney in a dual role of Scotland Yard Inspector and vampire; this was his only movie role as a vampire. Due to the success of the film, Marie Coolidge Rask penned the novelization of the movie. Rask worked from Tod Browning’s screenplay as well as the original source material, Browning’s short story "The Hypnotist.” The book was published by Grosset & Dunlap in 1928 and included eight stills from the silent film. The last known copy of the film was destroyed in the 1965 MGM vault fire, along with hundreds of other rare early films, making it one of the most sought-after “lost” silent films. Copies of the film have never surfaced. This 1928 book is therefore important and collectible, as it is one of the few remaining records of the film’s content and storyline. Alexander Grosset and George T...

Byrd, Richard E. Skyward. New York: Blue Ribbon Books, 1931. Octavo. First edition, eleventh printing. In original hardcover boards and original pictorial dust jacket. Presented in a new archival slipcase. This is a 1931 first edition, eleventh printing of Richard Byrd’s Skyward. The book was published in New York by Blue Ribbon Books in 1931. This is the eleventh printing of Skyward, which was first published in 1928. The book is presented in its original hardcover boards and pictorial dust jacket, with a new archival slipcase. Rear admiral Richard E. Byrd (1888-1957) is celebrated as a pioneering American aviator, polar explorer...

Leroux, Gaston. The Phantom of the Opera. New York: Grosset & Dunlap, [1925]. Illustrated by Andre Castaigne. Signed by actress Carla Laemmle. 8vo. Rebound in black 1/.4 leather and cloth boards, with raised bands, gilt stamps, and gilt titles to spine. New matching archival slipcase. Presented is a photoplay edition of Gaston Leroux’s best-known novel, The Phantom of the Opera. This printing was published by Grosset & Dunlap, in New York, in 1925, to accompany the 1925 Universal Pictures film adaptation starring Lon Channey. It is illustrated throughout with scenes from that production, as well as with illustrations by Andre Castaigne. Additionally, the book is signed on the full title page by actress and prima ballerina Carla Leammle. The book has been beautifully rebound in handsome ¼ black leather and black cloth boards, with raised bands and gilt stamps and tiles to the spine, and a matching black archival slipcase. Partly inspired by historical, nineteenth century events that took place at the famous Paris Opera, the novel chronicles the masked Phantom’s obsessive love for a young chorus girl named Christine. The Phantom of the Opera was first published as a serial in the French Magazine Le Gaulois from September 1909 to January 1910. It was released in volume form in late March 1910 by Pierre Lafitte & Cie. The first American edition was published by Bobbs-Merrill in 1911. Due to its popularity, The Phantom of the Opera became the source for numerous adaptations, including the 1925 Universal Pictures film starring Lon Chaney and Andrew Lloyd Webber's Tony Award-winning 1986 musical. Alexander Grosset and George T. Dunlap first met while working for the American Publishers Corporation. In 1898, Grosset & Dunlap formed a new partnership with the goal to shift the focus of the publishing industry from expensive books for the few to inexpensive books for the masses. In order to avoid paying royalties and other publishing fees, Grosset & Dunlap started reprinting books that were already in print. With these profits, the partners purchased paperbound books in bulk to rebind them in cloth and resell. As the company grew, Grosset & Dunlap were able to purchase reprint rights from publishers before publication, including reprint rights from Edward Stratemeyer for the Hardy Boys...