A very fine 19th century Grand Piano by Joseph Emmanuel Zwiener

A fine 19th century French Louis XV kingwood and marquetry marble top commode. In the manner of Linke Fine fire gilt bronze dore mounts. Breche ...

A fine 19th century French Louis XVI kingwood parquetry and gilt bronze writing desk . Fine quality signed Paul Sormani

A fine and rare small jewel like 19th century mahogany and gilt bronze mounted vitrine table attributed to Francois Linke . The finest gilt bronze mounts and stem base. Velvet lined.

Argentina ,molded breche Orientale de Baixas marble top, mahogany and burlwood ,the case set with three frieze drawers, the center drawer applied with garlands, the flanking drawers ...

This Erard parallel-strung grand piano, crafted in Paris in 1845 (serial number: 18725), has been extraordinarily well-tended, restored and maintained, enduring today as not only a spectacular example of the pinnacle of 19th Century piano design - characterized by its innovative construction and exceptional sonoral qualities - but also as a premium instrument by the most advanced modern standards, concert-ready for world-class, discriminating performers and their audiences. Erard was a renowned piano manufacturer established by Sébastien Erard, and for much of the 19th Century, the company produced some of the most exquisite and innovative European pianos of the era. The sound produced by this parallel-strung grand piano is characterized by a clarity and transparency that distinguishes it from its contemporaries. The parallel arrangement of strings contributes to a more direct transfer of sound energy, resulting in a balanced and articulate tone across the instrument's registers. This piano's tone is beloved for its sweetness in the treble range and a robust quality in the bass, while also allowing for an especially nuanced and expressive interpretation of the musical repertoire of its era. The ebony and ivory keyboard is a testament to the meticulous attention Erard paid to the tactile experience of playing. Each key is precision-weighted, providing a responsive touch that allows the pianist to articulate a wide range of dynamics and expressiveness. An interior faux tableau latches to the outer case lid in an open position for maximum concert volume, and rests in a lowered position to maintain a softer, more muted experience. The year 1845 places this Erard instrument in the heart of the Romantic era, a period marked by a surge in musical creativity and emotional expression. Composer/performers like Chopin and Liszt were drawn to Erard grand...

This beautiful grand piano was built by Erard in Paris in 1895. With irreplaceable original cabinet art created and signed by an artist named Finel - specifically commissioned by th...

An 1899, Bluthner grand piano with a rosewood case, decorated with Art Nouveau and Empire style elements. It was showcased at the 1900 Paris Exposition Universelle. Piano bought by King Edward VII and Queen Alexandra in the Coronation year of 1902 to be situated in the ballroom of Malborough House. It was sold in 1936 to Major Maconochie in Bath. This piano is in great original condition having only had two previous owners. A rare opportunity to acquire a royal piano. The piano cheek side panel is inlaid with an Art Nouveau design featuring a stylised female head surrounded by whiplash lines and foliage. Musical instruments sit centrally in the design. Columnar, Empire style gilt mounts stand each side of the inlay. Napoleonic emblems of stars, palmettes and foliage feature here. Symmetrical female heads with flowing tresses and floral...

A spectacular French mid-19th century, circa 1855, Louis XVI st. tulipwood parquetry and ormolu mounted, Model 2 Concert Grand Piano, signed Pleyel...