Antique 17th Century Antiphonal Religious Sheet Music Roman Catholic Vellum

An exception Early Thomas Edison Model A Cylinder Phonograph with original horn, tube cabinet & 93 records. Phonograph box and cabinet are made from oak in Late Victorian manner wit...

Pair of rare hand colored maps from the 1770's, depicting "America Septentrionalis" (North America), engraved by Georg Friedrich Lotter and America Meridionalis (South America), engr...

A beautiful English Charles II era sideboard or server, circa 1660s. Reminiscent of the Jacobean era Court Cupboard. Made from quartersawn oak with intric...

Theodore Alexander Medieval Suit of Armour. Styled after an original 16th Century German suit that sold at auction for well over $50,000. Retai...

Ancient Religious Painting From The 17th Century 17TH CENTURY RELIGIOUS PAINTING. SANTA CATARINA. LATIN WRITING. MEASUREMENTS: 116X80CM

A very important painting by the great artist of the Florentine school, Onorio Marinari. Dr. Silvia Benassai has confirmed Marinari’s authorship of the Saint Margaret of Antioch; available on demand, a historical-artistic fact sheet prepared by Dr. Silvia Benassai Onorio Marinari (1627 – 5 January 1715) was a very important Italian painter and printmaker of the Baroque period, active mainly in Florence. His father, Sigismondo di Pietro Marinari, was also a painter, and he trained with his cousin, Carlo Dolci, later being also influenced by Simone Pignoni and Francesco Furini. His fresco in the Palazzo Capponi, Florence, is dated 1707. He worked mainly in Florence for Florentine and Tuscan clients, but he did not devote himself only to painting. In fact, in 1674, he published an essay on astronomy entitled Fabbrica ed uso dell' Annulo Astronomico. Bartolomeo Bimbi was one of his pupils. St. Margaret of Antioch July 20, Martyr Margaret, known as Margaret of Antioch in the West, and as Saint Marina...

This 17th-century Baroque painting, in oil on copper, captures a serene portrayal of the Immaculate Conception, draped in yellow silk robes w...

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...