Vitra Magazine Rack Stand Mid-Century Modern Styling Sori Yanagi
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Vitra Magazine Rack Stand Mid-Century Modern Styling Sori Yanagi
About the Item
- Creator:Sori Yanagi (Designer),Vitra (Maker)
- Dimensions:Height: 14 in (35.56 cm)Width: 14 in (35.56 cm)Length: 14 in (35.56 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2000s
- Condition:
- Seller Location:West Hartford, CT
- Reference Number:1stDibs: LU3072314863932
Sori Yanagi
Sōri Yanagi was a Japanese product designer. Born in 1915 in Tokyo, Japan. His father was Yanagi Sōetsu, founder of the Japanese folk crafts mingei movement, which celebrated the beauty of everyday objects, and the Japanese Folk Crafts Museum (Nihon Mingeikan). Yanagi entered Tokyo Art School in 1934, where he studied both art and architecture. He played a role in the Japanese modern design developed after the Second World War to the high-growth period in the Japanese economy. Yanagi was both a representative of the wholly Japanese modern designer and a full-blown Modernist, who merged simplicity and practicality with elements of traditional Japanese crafts. He designed the official torch for the 1972 Winter Olympics in Sapporo, Japan. Yanagi died in 2011 at the age of 96.
Vitra
Design house Vitra has garnered international recognition for more than 70 years — the Swiss family-owned furniture company has outfitted public spaces as well as residential properties and offices worldwide. It has been a proponent of modernist design since the 1950s. While the brand is heralded for its collaborations with mid-century modern icons such as Verner Panton, Charles and Ray Eames, Alexander Girard and others, Vitra’s German campus is also home to buildings designed by legendary architects Zaha Hadid and Frank Gehry. Among them is the Vitra Design Museum, an independent cultural institution that displays two centuries of design today.
Vitra was established in Weil Am Rhein, Germany, in 1950 by husband and wife team Willi and Erika Fehlbaum. On a trip to New York several years later, Willi Fehlbaum encountered the work of design polymaths Ray and Charles Eames in a furniture store and immediately knew that he had found his bliss.
In 1957, Vitra entered into a licensing agreement with Herman Miller, which saw the company producing designs by George Nelson, the Eameses and others. Later, Vitra partnered with Verner Panton and created the Panton chair, which was the first chair ever crafted from a single piece of molded plastic (it was also the first piece to be independently developed by Vitra). After 27 years of establishing the Vitra brand, the Fehlbaums passed control to their two sons, Rolf and Raymond Fehlbaum.
When a fire destroyed the factory in 1981, the brothers developed the Vitra Factory Campus, subsequently taking the opportunity to redirect the architectural landscape of the company. They created a masterplan with Nicholas Grimshaw, and together they erected four buildings in just a few short years.
In 1988, with the passing of Ray Eames and the disbandment of the Los Angeles Eames office, Rolf and Raymond acquired the furniture design portion of her estate, including the Eames prototypes and experimental models, housed today in the Vitra Design Museum.
Rolf and Roy opened the Vitra Design Museum in 1989. This began a period rich with design relationships, including collaborations with Antonio Citterio, Jasper Morrison, Maarten van Severen, Philippe Starck, Alberto Meda and others.
In 2012, leadership passed to Nora, the third generation of the Fehlbaums. Nora Fehlbaum has, like her grandparents, expanded the company and brought it into the 21st century with the acquisition of Finnish furniture manufacturer Artek. Nora has turned the company’s focus to sustainability yet still maintains its international and cultural relevance legacy.
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