Marble Umbrella Stands

1970s Solid Natural Marble Umbrella Stand Typically, marble elements of this caliber can only be found in the finest antique ateliers of Europe. Perfect for stately shafts of umbrell...

Stunning Bardiglio marble Umbrella stand . Solid Marble . Beautiful condition and style . 1970s Italy . Bardiglio is quarried in the Italian region of Tuscany .

Umbrella stand in worked metal, marble base, brass structure, worked metal containers, production end of 50s.

ART DECO HAMMERED & PATINATED IRON, MARBLE AND CAST GLASS LIGHTED HALL TREE Verrerie d'Art Degué, Paris, circa 1930 cast signature to reverse of glass "Degué, Frace" & numbered 716;...

Umbrella stand, brass and marble.

Italian Mid-Century Modern black umbrella Stand with round marble base, 1980s Black umbrella Stand with metal structure and round marble base, wi...

Amazing midcentury umbrella stands in travertine marble with three metal cylinders. This amazing piece was designed in Italy by Fratelli Manelli. This umbrella stand is incredible...

Make a statement large sculptural umbrella stand by Maitland Smith having black metal umbrella shaped form with lovely gold and orange painted decoration, caned shaped handle and fau...

This stunning umbrella stand by Massimo Vignelli for the Italian manufacturer Casigliani is made with a marble column shape. The marble column has a rough but tactile surface texture. This process rather beautifully reveals the innate structure, pattern and color of the stone used. The shape and intricate manufacturing technique make this piece a truly interesting and rare example of Vignelli's design ethic. In excellent condition with slight signs of wear due to time. For over 50 years, the married couple Massimo and Lella Vignelli have collaborated on a variety of design projects, now iconic, ranging from products, prints, interiors, exhibitions and industry. Massimo Vignelli was born in Milan in 1931. he studied architecture at the Brera Academy of Fine Arts in Milan from 1948 to 1950, and then continued his studies at the Milan Polytechnic (1950-1953) and at the University of Venice (1953-1957). ). During his studies he already began to design lighting for the famous Murano glassmaker Venini. Lella Vignelli (maiden name Valle) was born in 1934 in Udine, Italy. She studied architecture at the Massachusetts Institute of Technology (MIT) in Cambridge between 1955 and 1958, and, before returning to Italy, she worked as a junior designer for Skidmore and Owings & Merrill. In 1962 you graduated in architecture from the University of Venice. After getting married in 1957, the two founded the Lella and Massimo Vignelli Office of Design and Architecture in Milan in 1960, focusing on office accessories, home products, graphics, and furniture. The firm's clients include Pirelli and Olivetti, among others. In 1965 the Vignellis moved to Chicago and founded, together with six other designers, Unimark International (1965-71), specialized in corporate graphics - with clients of the caliber of American Airlines, Knoll, Bloomingdales, and Saks Fifth Avenue. As is well known, Massimo's prolific work in the field of prints promotes the Helvetica typeface, making it popular in the United States. In 1971 the couple founded Vignelli Associates (known since 1978 as Vignelli Designs) in New York; the two will continue to work together until Massimo's death in June 2014. The Vignelli can be credited with helping to bring contemporary Italian design to the United States. The aesthetic they share celebrates balance, elegance and simplicity, and embraces the philosophy that a designer should be able to design anything. Notable projects include, among others, the Knoll Handkerchief stacking chair (1982–1987); the colored plates Heller Stacking (1964) in molded melanin; and the 1972 New York subway map...

Umbrella stand designed and produced in Italy during the 1950s. Marble base, brass structure and umbrella holder cones in enameled aluminum.   

Italian brass and marble umbrella stand, 1950s.

This round umbrella stand is made of Carrara marble. This is an Italian work, in the style of Angelo Mangiarotti, circa 1970.