Hand-Carved Curtains and Valances

Pair of Custom Linen Drapes, Curtains and Valances, Lined, Tassels, A fine quality custom pair of Drapes with Valances. Each heavy lined weights with Linen exteriors in a subtle gol...

It does not come with an insert but a bag made to size to accommodate insert materials. Linen in the back. Zipper closure. Dry cleaning is recommended.

Pair Large 19th C. American Federal Empire Brass Curtain Tie Backs. An elegant pair of American Empire floral motif curtain tie backs. Large, 5 Inc...

It does not come with an insert but a bag made to size to accommodate insert materials. Linen in the back. Zipper closure. Dry Cleaning is recommended.

Fairy tales do come true, and here they are: Eleven brightly colored hand-painted panels with classic nursery rhymes. A group of 11 vintage folk art painted children's nursery rhyme panels in oil are classic. These early to mid-century nursery rhyme panels include "Simple Simon," "Jack Be Nimble," "Little Bo Peep...

Beautiful late 19th century French embroidery with silk, originally, seat cover element. Take a look at other Bobyrug items! , search by "Bobyrug" !

A captivating and intriguing early 20th century Southern American folk art panel, found in Mississippi, depicting a figure with what appears to be African tribal headgear, and wearing a white collared shirt with black suit jacket. The line work and attention to detail is extraordinary and mysterious, with the artist choosing to incorporate a natural knot in the board to form the mouth of the figure, and the left half of the drawing showing shading, but seemingly left unfinished. The frame is not terribly old, and is constructed from splatter-painted boards...

19th century Uzbekistani hand spun linen Suzani with silk embroidered floral motif and silk ikat border. Reverse side has original antique Fine hand printed cotton backing.  

Block printing in uzbekistan called ‘ chitgarlik’ and the block printer called a ‘chitgar’. Uzbek block prints unlike the most prints from Persia, and india are done on a coarse ha...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

Antique Uzbek wall hanging made of combination of hand embroidery Suzani squares, silk Ikat, antique velvet and other textile all together with decorativ...

Block printing in uzbekistan called ‘ chitgarlik’ and the block printer called a ‘chitgar’. Uzbek block prints unlike the most prints from Persia, and india are done on a coarse ha...