Ghanaian Furniture

This magnificent gold bracelet was made for Ashanti royalty. The Ashanti Kingdom's wealth was significantly based on gold-mining and trading in gold, as well as agriculture. The ki...

Set of 3 vintage hand-carved wood African wall masks, richly decorated with intricate tribal motifs and totemic animals (scorpion, salamander, owl). Unusual hand painted in shades o...

Grouping of Akan Ashanti cast bronze figurines. The Ashanti or Asante People from Ghana have a rich tradition of crafting bronze pieces to commemorate important figures from their cu...

Found in Ghana, this Ashanti carved stool dates from the 1980s. Hand carved and crafted from a single piece of wood, this stool has white painted and etched detailed design on the se...

In rather good condition, with a good variety of design elements.

Ashanti cast bronze ceremonial staff top in the shape of a hoe with 3 cast turtles, from Ghana. It is in good condition with a deep patina and polish from traditional use, appropria...

A beautiful bronze vessel, lidded ovoid pot on a circular support, made by the Asante People, Ghana. Nicely cast lid with 7 figures in the form of animals and reptiles are depicted o...

A wonderful small early 20th century Ashanti tribal stool, headrest. Carved from a single piece of wood. Well worn and genuine tribal stool or headrest.

An early to mid 20th century Ashanti tribal stool. An original piece which has been well used and not produced for the tourist industry. Carved from a single piece of wood.

Seated female figure on classic Akan stool holding a sword. From the Ewe people of Ghana, West Africa. Created as three separate pieces that fit together for display, figure, stool ...

Antique GHANA, ASHANTI "Queen Mother" type hardwood hand carved stool. Hand-carved stool made by the Ashanti People of Ghana, West Africa. It's carved from one piece of wood and has ...

A cast bronze group presenting a tribal chief (king) with his servants. A musician with a drum, a person with a palm leaf, another one holding an umbrella to give shade and two guard...

Akan Ashanti cast bronze figurine. The Ashanti or Asante People from Ghana have a rich tradition of crafting bronze pieces to commemorate important figures from their culture or peop...

Akan Ashanti cast bronze figurine. The Ashanti or Asante People from Ghana have a rich tradition of crafting bronze pieces to commemorate important figures from their culture or peop...

A beautiful bronze vessel, lidded pot on three legs, made by the Asante People, Ghana. Nicely cast lid with 4 reptiles and a bird. Several faces are depicted on the side of the vesse...

Carved wood Akuaba, sometimes known as an Ashanti doll or a Fanti doll. Untouched condition with a beautiful natural age-related patina. Akua'ba (sometim...

An antique Ashanti ceremonial stool, carved from a single piece of wood. The up-curved seat stands on five supports, the central one pierced with small semi circles and the outer four supports carved, fretted. In very good condition Length 46cm Height 34cm Width 24cm The origin of the Ashante culture can be found in the Akan ethnic groups that inhabited West Africa around Lake Volta and the Gulf of Guinea. The Asante formed a strong confederation that developed from the late 17th century, with the founding of the city of Kumasi, and whose economy was based on trade, gold mining and slave traffic. They are the most important and larger ethnic group in Ghana and was one of the few African states capable of resisting European imperialism. Within the material heritage and furniture of the Ashante people, some of the most outstanding pieces are the ceremonial stools, being the Golden Stool...

A well-loved traditional stool or seat from the Akan people of Ghana. The supports for Akan stools take many forms, they can be purely geometric or architectural with simple posts a...

The stool was loved by its owner, repaired in several places with decorated metal straps. It has an openwork, tiered lattice central post and four support posts. It has the older sty...

Created in the early to mid-20th century, by an anonymous artist of the Akan people of Ghana, probably Ashanti (Asante) or Fanti (Fante). What separates this stool from the standard ...

This is a "Mother drum", Asante, Ghana. with polychrome paints, Circa 1935. In the style of the well-known carver Osei Bonsu (1900-1977). Low relief imagery envelopes the body of t...

This prestigious Kente cloth was handwoven on small hand held looms. The fabric has all been hand sewn to form a marvelous textile. These were originally m...

A good example of an African Ashanti tribal headrest. Ghana. Early to mid-twentieth century.

In cedar wood. An African carved wooden stool having a curved seat raised on two intertwined carved wooden supports with a thin plinth base. Ghanaian tradition explains that the cen...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

Two Exquisite Yaka Figural Decorative Wooden Combs "Cisakulo". These remarkable antique wooden combs feature handles adorned with geometric carvings the top depicting a standing female and the other comb a male figure. The wooden hair combs are not only for the practical purpose of hair combing but also as items of decoration and adornment. Within the Asante Akan Kingdom of West Africa, these combs held significant cultural value. They were presented to women by family members and male admirers before and during courtship, and subsequently by husbands. Elaborately carved with symbolic designs, these combs symbolize beauty, status, and good fortune in a woman's life. Highly collectible pieces with minor signs of wear on the wood. Dimensions: 11" in height by 2.75" in width. Dimensions: 10" in height by 2.5" in width. Early tribal African wood comb...

Carved painted wood Ashanti Linguist Staff with bird top and twisted knots forms. A staff like this was the symbol of office for the linguist, a traine...

A fine example of a hand carved wooden stool from the Ashanti Tribe in Ghana, Africa, dating to the early 20th century in very good overall condition, with great patina, minor edge l...

Pair of 1960s Carved Hardwood African Ghanaian Tribal Benches A unique pair of 1960s Carved Hardwood African Ghanaian Tribal Benches, each a testamen...

Hand Painted Wooden African Mask & Snake Dimensions on the snake are as follows 25'' long by 6.25'' tall roughly 1.5'' thick

Ghana, 1980's Asafo flag in cotton applique patterns. Fante People. Asafo Flags are created by the Fante people of Ghana. The flags are visual representations of military organisat...

Early hand carved wood table and seats in an elephant motif, attributed to the Ashanti (Asante) or Fanti (Fante) tribes of Ghana, Africa. Circa early 20th century. Good structural co...

Rare Vintage 1950s Ashanti Throne Chair With Metal Studs Offered for sale is rare 1950s Ashanti throne chair created in wood with metal stud decorations. This 20th-century chair is ...

A highly decorative handcrafted Ashanti stool, made in West Africa(Ghana) in the 1970s. A unique design making it a one-of-a-kind piece for your home. A beautiful wabi sabi object w...

Ghana, Vintage Ewe ceremonial dance skirt made of raffia, textile and decorated with shells. H 45 x W 65 cm

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

Kwamina Amoaku Ghana, 1960s Asafo flag in cotton applique patterns. Fante People. Asafo Flags are created by the Fante people of Ghana. The flags are visual representations of mili...

A stunning Ghanaian throne chair, early 20th century. Wood (potentially mahogany) with iron studs and original cowhide seat. Curiously, part of the metal on the backrest reads «made...

19th century red wooden trencher bowl, hand carved. The red paint and whitewash interior are the original finishes to this piece.

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

Authentic African carved wooden elephant stool. Originates from the Ashanti Tribe of Ghana. It is of traditional form with the elephant stood on ...

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

A unique mask, handmade by artisans in the Punu region of Gabon. This mask has been crafted using wood carving techniques and adorned with polychrome tempera paint, giving it a dist...

Ashanti Headrest Stool Carved Wood Tribal Art Ghana Africa Carved from a single piece of wood, the African Ashanti head rest, Ghana, has a curved top raised on a pedestals depicti...

Ghana, 1930s-1950s Asafo flag “The train is always ready to go” in cotton applique patters. Trains were a dramatic expression of power, regularity and reliability and as such were ...

Stools indicated power, status, and lines of succession in traditional Ashanti culture. The tiered platform, curved seat, and ridged supports on this object reference the Ashanti Kin...

African Ashanti tribe chiefs chair. Highly decorated with brass tacks and pressed brass decorations. Hardwood with vellum back and seat. Ghana. Late 19th century.

Original ca. 2000s Ghanaian poster for the 1997 film Tomorrow Never Dies directed by Roger Spottiswoode with Pierce Brosnan / Jonathan Pryce / Michelle Yeoh / Teri Hatcher. Fair-Good...

Ghana, 1960's Asafo flag in cotton applique patters. Fante People. Asafo Flags are created by the Fante people of Ghana. The flags are visual representations of military organisati...

This impressive early twentieth-century stool, from the Ashanti culture in Ghana, depicts an elephant - an Ashanti symbol of power and strength. Finely carved from a heavy brown wood...

Ghana, 1970s Asafo flag in cotton applique patterns. Fante People. Asafo Flags are created by the Fante people of Ghana. The flags are visual representations of military organisat...

This is a very rare example of an Asafo Banner from the Fante people of the Cape Coast of Ghana . The Asafo have been a highly militarised society long before the Europeans set foot ...

Pair of late 20th century African Judicial Fang carved masks. Offered for sale is a pair of elongated carved Judicial Fang mask from Gabon. The long thin nose and white mineral pi...

Hand carved reclining Lobi chair with geometric details, West Africa, circa 1940s-1950s. Made from a single block of Molave wood. The Lobi people belong to...

A traditional Ashanti Chief’s velvet and giltwood Leopard crown Ghana, early 20th century Diam. 17 cm (crown) H. 27 cm (incl. stand) Provenance: Private collection, Paris The s...

An Ashanti Chief’s ceremonial gold and gilt-metal crown and sash Ghana, early 20th century Diam. 20 cm (crown) L. 128 cm (sash) H. 102 cm (incl. stand) Provenance: Private coll...