1840s Furniture

Almost certainly a kitchen table used for both work and meals, having a nearly square top with a lower level concealing two pull-out leaves transfor...

Pair of Black Forest carved walnut hall chairs Features inlaid panels showing medieval hikers, perhaps on some pilgrimage circa 1840 Bought from a private house sale in London's Belg...

An opulent hand hand-painted opaline glass vase probably made by Baccarat. Delightful handpainted with a rich flower bouquet of wild roses and forgot-me-not flowers, gilt lines and a...

Great images of deer and seals Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

American portrait oil on canvas of a young ship captain holding a spyglass with a sailing ship, crew in rowboat, and gulls in lower background mounted in the original decorative gilt...

We are pleased to present a stunning set of four antique Italian chairs from the Louis Philippe period, dating back to the Mid 19th Century. The...

Antique Victorian sterling silver cigar case Made in Birmingham, 1845 Maker: Edward Smith Fully hallmarked. Case has an inscription 'James Forbes Leith, From his Sister, 10th Decembe...

Antique Biedermeier ash and black lacquer wall mirror, circa 1840. Beautiful wood grain, original beveled glass.

The illustration is a collection of various shells, likely representing both gastropods and bivalves: 1. **Télescope vulgaire** - Possibly named for its elongated, tubular shape, re...

A pair of 18 inch floor standing globes by C Smith & Son, each set into a mahogany stand with a turned baluster support and three legs centred on a compass, on...

One drawer English pine cupboard has exposed peg construction, chamfered corners, the original turnbuckle and brass knob, the door has a raised panel. The top is natural scrub pine w...

Gorgeous hardwood finely carved Burmese chair on cabrio legs Circa 1840 Details to carving are incredibly intricate, definitely the work of a skil...

Antique Elm Wood Secretary from 1840 This exquisite antique roll-top secretary desk exudes timeless elegance with its rich, warm wood grain and intricate craftsmanship. The piece fe...

This print presents a fascinating collection of historical helmets and headpieces, each representing a unique style and period. At the top left, there is a helmet with a visor and ne...

Title: "Armaments of Yore: A Study of Medieval Helmets and Armor" Description: This pair of prints presents a detailed study of medieval combat gear, showcasing the intricate design...

Title: "Civic Pride: A Podestà's Robe in 'Costume du Moyen Âge'" Description: This detailed lithograph from the 1847 "Costume du Moyen Âge" collection features a Podestà, a chief ma...

Title: "Medieval Discourse: A Moment Between Officials in 'Costume du Moyen Âge'" Description: This vibrant lithograph, extracted from the 1847 publication "Costume du Moyen Âge," i...

This hand-colored engraving, titled "Sergent d'Armes," depicts a Sergeant at Arms from the Middle Ages, a role that historically combined duties of law enforcement, security, and ceremonial functions within the royal court. The figure stands in a poised and authoritative stance, dressed in a rich blue doublet with full sleeves, edged with a yellow patterned trim that denotes his official capacity. The doublet is belted at the waist, accentuating the length of the garment which falls to the mid-thigh, a typical fashion of the period for men of status. Over the doublet, he wears a cape that drapes over one shoulder, suggesting readiness for action. The cape, matching the doublet in color and trim, reinforces his dignified position. His hose are golden, fitting snugly and shimmering in contrast to the matte finish of the doublet, indicative of the esteem of his office. The sergeant...

Title: "Civilian Costume at the End of the 15th Century" Description: The image is a print from a series the "Costume du Moyen Age" dated 1847, and titled "Costume Civil de la Fin d...

Title: "Vigilance in Blue: 15th Century Military Garb" Description: This original handcolored historical illustration presents a military figure from the 15th century, clad in an or...

Title: "Le Chevalier Gifford de Léchampton: The Gallant Knight" Description: This print portrays the knight Gifford de Léchampton in full regalia, stand...

Title: "Isabeau of Bavaria: The Queen's Regalia" Description: This print is a depiction of Isabeau of Bavaria, Queen Consort of King Charles VI of France. She is shown in an ornate ...

This print presents a dignified portrait of Louis XII, King of France, known for his prudent and just reign. Standing in profile, the king is depicted in royal attire that is both la...

This illustration depicts three English soldiers from the reign of King Henry III, as indicated by the title "Soldats Anglais du Regne de Henri III." Each soldier is shown wearing di...

The image depicts a figure labeled as "Noble Allemand," which means "German Noble." The nobleman is shown kneeling on one leg, with his hands raised in what could be a gesture of exc...

The image for sale depicts a figure labeled "Fantassin armé," which translates to "Armed Infantryman." The infantryman is shown in a dynamic pose, holding a shield and a mace, indica...

This original antique print for sale shows a figure labeled "Plebeien," which is French for "Plebeian," indicating that this individual is a commoner. The person is depicted in a long, bright yellow robe with a hood, which drapes in wide folds to the ground, a style that might have been worn for warmth or work by common people during certain periods in history. The individual is gesturing outward with his right hand, perhaps in conversation or pointing towards something of interest. The expression on his face appears engaged and animated. The simplicity of the robe, despite its vibrant color, suggests practical clothing rather than the more ornate attire of the upper classes. The color could signify a particular role within the community, a trade, or simply be a choice of personal attire. The title suggests the active role of the plebeian within the community and the everyday setting in which he belongs. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

The image portrays a figure labeled "Chanoine," which is French for "Canon," referring to a clergy member who is part of a cathedral or a collegiate chapter. The individual is depicted in ecclesiastical robes that reflect his status within the church hierarchy. The canon is shown wearing a long, pink robe with a decorative stole over it, which is adorned with Christian symbols and patterns indicating his religious office. Over the robe, he wears a black mozzetta, a short cape that is typically worn by higher clergy in the Roman Catholic Church. He also has a white almuce, a fur-trimmed hood or shoulder cape worn by canons, draped over his left arm, and he is holding what appears to be a book of scripture or liturgy. His head is adorned with a biretta, a square cap with three or four peaks...

An original hand-colored lithograph showing the "Avocat des Eglises," which translates to "Advocate of the Churches." This title likely refers to a legal position within the church,...

This print from "Costume Di Moyen Age" (Costumes of the Middle Ages) published in Paris in 1847, depicts a scene from the medieval era. The image features a group of individuals in an indoor setting, likely a part of a noble class, given the richness of their attire and the elegant interior. A central figure in a blue cape with a red lining is in a dialogue or exchange with a person wearing a green and yellow patterned garment. They both are in the foreground and appear to be the primary subjects of this interaction. Behind them, there are other individuals who seem to be part of the scene, including a person in red robes who is possibly a clergyman, given the context and attire, which resembles ecclesiastical clothing. The background is adorned with Gothic architectural elements such as pointed arches and intricate detailing. Statues or figures are set within the architectural framework, suggesting a church or a similarly important building. The use of bright, primary colors is notable, and the attention to the detail in the clothing suggests a significant event, possibly a ceremony like a marriage, as indicated by the word "Casamiento" (meaning marriage in Spanish) at the bottom of the print. Overall, the print is rich in historical clothing...

This handcolored original antique print features a figure labeled "Gunther de Schwarzbourg, roi des Romains," which identifies him as Günther von Schwarzburg, a German king. He is depicted in a traditional gothic archway that frames the illustration, reminiscent of a church's stained glass window. In the illustration, Günther is clad in armor, with a chainmail coif and a helmet adorned with a crown, indicating his royal status. The blue tunic worn over his armor is embellished with a pattern of fleur-de-lis, a symbol often associated with royalty. He also has golden arm and leg guards, and his red belt stands...

Jug. Silver. SELLAN, Juan. Madrid, 1847. With contrast markings. Silver pitcher in its color that has a flat handle decorated with simple openwork plant elements between two smoo...

A good pair of English Derbyshire black marble and pietra dura candlesticks. On square moulded bases the front of each obelisk is decorated in leaves and flowers inlaid with marble i...

A fantastic antique Victorian satin wood writing table / desk. This was made in England, it dates from around the 1840-1860 period. It is of outstanding quality, with gorgeous satin...

Gore, Catherine Grace Frances. The Snow Storm, A Christmas Story. [and] New Year's Day, A Winter Tale. [and] The Inundation; Or Pardon and Peace, A Christmas Story. London: Fisher, Son & Co., [1847]. Three volumes, 12mo. All volumes illustrated by George Cruikshank. Uniformly bound by Zaehnsdorf Bindery in full red Moroccan leather boards with gilt titles, tooling, and raised band to the spine. Presented with a new archival slipcase with gilt candle stamp. Presented is a trio of uniformly bound, Victorian Christmas...

An early Victorian mahogany side chair in green velvet tufted upholstery, 1840s. 18 ½ inches wide by 25 inches deep by 36 inches tall

To place in front of the chimney.

Of ginger jar shape with outscrolled handles, surmounted by a pierced lid with knob-form finial; decorated with Court figures in a pagoda riverscape.

An exceptional, fine and impressive, antique Victorian English sterling silver parcel gilt Go-To-Bed candlestick; an addition to our silver candlestick / can...

19th Century Chart of New England Coast: the U.S. Coast Survey Sketch A - Section 1, a triangulation chart showing the progress of the survey and details along the New England coas...

This freshly reupholstered stool is adorned with golden silk/wool in traditional Biedermeier style.

A very fine antique repousse work & engraved sterling silver gilt castle top cigar/cheroot case, Nathaniel Mills Birmingham 1840. This very finely crafted silver case is made by the ...

19th century French Gothic oak buffet is a marvel of hand-worked craftsmanship and the sculptor's art, all in one piece! Rendered from old-growth oak...

There are shrinkage separations in top and sides of this chest.

In the Regency taste with serpentine arched caned back and scrolled out arms. carved seat rail with round discs over lion form legs and paw feet.

This is an amazing set of 12 rimmed soup bowls marked "Spode's New-Stone" dating to 1840 but in like new condition. The "Japonesque" transfer decoration is embellished with hand pain...

Introducing this fantastic mid-19th century Italian antique wardrobe, dating back to the Louis Philippe period. A wardrobe with a timeless antique charm! Made of solid poplar wood i...

A Pair of 19th Century Meissen Porcelain Models of Swans, After J.J. Kandler. The models are based on designs by Johann Joachim Kandler, the chief modeler at Meissen in the mid-18th ...

19th Century swedish folk art bentwood box, with nice patina. Owner marks at the top and bottom, KB 1848. Good antique condition with historic knocks, marks, scratches and wear as is...

A fine English early Victorian clear glass smoke bell probably dating from circa 1850. Used to capture the smoke from oil lamps the bell would be hung suspended from the ceiling abov...

An exceptional, fine and impressive, large antique Victorian English sterling silver mustard pot; an addition to our silver cruets/condiments collection. This exceptional and large ...

19th-Century brass and chrome French jardiniere.

Antique Danish or Scandinavian mangle board (clothing and bedding press) dated 1941. It has this text cut into it: KM JDR 1841 and a short text painted on both sides of the handle. I...

This exquisite ironstone plate by Francis Morley & Co. of Staffordshire features the intricate Zamara pattern in a rich deep pink, accented with touches of blue, green, and yellow. W...

Great images of Whales and dolphins Unframed. Lithographs after Cpt. Brown with original hand color. Published, 1847. The measurement is for 1 print Free shipping

The antique Senempire corner cabinet from Northern Germany, made of polished mahogany and dated to the 1840s, is a splendid representative of the elegance and sophistication typical ...

Two pairs of antique columns made out of bluestone from France. They are original columns that stood around a French grave.

A fine Empire Revival Gilt-Bronze Mounted mahogany pair of chairs. Whenever we look at an antique piece of furniture with bronze castings, we closely inspect the quality of the bronze details, which most often tend to be weak. The pair of French Empire revival chairs...

A Fine Burl Amboyna and Marquetry Centre Table Attributed to George Blake and Co and Probably Retailed by Edward Holmes Baldock English London made Circa 1845. An exceptional table of wonderful colour, utilising the finest amboyna veneers as a background for a complex pattern of floral marquetry on the stem, feet and table top. The tilt-top with segmented veneers and central floral inlay within an inlaid floral scroll surround and with a conforming inlaid outer border. The triform pedestal base with foliate inlay, carved leaf scroll feet with carved lateral flower head roundels with recessed castors. The basic design for this table comes from the work of the designer Richard Bridgens and was published in 1838 as plate 16 in his Furniture with Candelabra. As can be seen from the image of Bridgens' design, the outer scrolling border on the top of our table is very much in the style of that suggested in the design but the other marquetry is of a sophisticated floral type popularised slightly later, suggesting a date of c.1845 for our table. Marquetry of this sort was a speciality of the Blake family, marquetry experts and associates of the great dealer Edward Holmes Baldock. Baldock was responsible for building some museum quality collections of fine 18th century French furniture during this period for some of his famous aristocratic clients but he also supplied new furniture in the French taste, often incorporating marquetry by the Blake firm. The use of exotic amboyna as the ground for this marquetry is also in keeping with other pieces known to have been supplied by Baldock, for whom it appears only the best was good enough. The sinuous lines of this table and the exotic veneers give the piece a more timeless feel than many other examples from this period and the colour means that it would work equally well in a contemporary interior or alongside pieces of Art Deco furniture as it would in a more traditional room. This is a piece of sublime quality that somehow manages to be both decorative and yet understated and as such is exactly the sort of piece we enjoy sharing with our clients. Edward Holmes Baldock (1777-1845) Born on the 14th May 1777 he established his business in 1805 in Hanway Street which over the years he expanded at this location. He soon was a prominent London furniture dealer to several members of the Royal Family and is responsible for supplying French-fashioned furniture to the 5th Duke of Buccleuch. Edwards Holmes Baldock’s pieces have become a prized possession amongst collectors, museums and dealers alike. The use of a variety of specimen woods can often been seen on attributed and signed tables by Edward Holmes Baldock, reminiscent of those on the present table. Baldock was thought to have worked very closely to with the master of marquetry and inlay of the 19th Century Robert Blake who had workshops adjacent to Baldock’s retail premises. Pieces in public collections with likely links to the Blake Family include a piano in the Metropolitan Museum of Art, a writing desk in Goodwood House, a centre table in Syon House, a circular table in Alnwick Castle, an octagonal table in the Leeds City Art Gallery at Temple Newsam House and also signed works in the Victoria and Albert Museum. Baldock's works often imitated the important pieces of 18th-century French furniture that Francophile collectors including George, Prince of Wales, later George IV, William Beckford, Francis Seymour Conway, 3rd Marquess of Hertford and George Watson...

Beautiful chest of drawers made of pine and retaining the original red painted finish with polka dots in dark green and yellow. Period brass hardware. Pennsylvania, dated on inside, ...