1840s Furniture

A charming garden accent, this cast iron faux Bois bench has been radically weathered to perfection. A testament to Janes, Beebe & Co foundry, one...

Title: "The Noble Sport: A German Falconer in 'Costume du Moyen Âge'" Description: This lithograph from "Costume du Moyen Âge," produced in 1847, showcases a German falconer in the ...

This pine cupboard is faux painted to simulate quarter sawn oak. The left- and right-hand doors have secret locks only accessible through the middle door which has the original lock ...

Title: "The French Archer: Precision and Readiness" Description: This print depicts a French archer, possibly from the late Middle Ages, demonstrating his skill and readiness for combat. The archer is in a dynamic stance, captured in the moment of drawing his bow, a testament to his expertise and role as a crucial member of the military during this era. He is dressed in a red gambeson, a padded defensive jacket that was commonly worn under armor...

These are 19th-century equine prints depicting notable racehorses titled "Pandora," "Canteen," "Mulatto," and "Chateau Margaux." They are in the style of British equine portraiture, ...

The image is labeled "Arbaletrier," which is French for crossbowman. It depicts a medieval soldier equipped for battle. The crossbowman is dressed in a pink tunic with a blue collar...

Swiss alpine folk art escabelle from Lucerne village A 20.

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

The collage features a curated selection of marine gastropods and bivalves from the "Dictionnaire Universel d'Histoire Naturelle." Each image is a detailed, hand-colored engraving th...

"1844 Vibrant Indian Cultural Prints: Musician and Dancer Lithographs" Description: Explore the rich heritage of India with these 1844 handcoloured ...

Painted Swiss alp escabelle

A good antique French 'Grand Tour' bronze novelty inkwell modeled as a drum, circa 1850. The inkwell is finely & realistically cast as a French Revolutionary period drum. The inkwell...

A William IV Rosewood Library Table Writing Desk. Wonderful 19th century William IV Library Table with rosewood top with molded edge and skirt, having rosewood banded apron set on ...

A beautiful pair of 19th century French Louis XVI style Sevres cobalt blue and ormolu-mounted vases with rams heads and wreaths. The porcelain body is beautifully painted with the signature Sevres Royal cobalt blue. The square shaped base is decorated with ormolu acanthus leaves and ribbon wreaths beautifully hand chizzeled and detailed ormolu work. These vases can easily be turned into a fabulous pair of...

Title: "Clerical Dignity: An English Priest in 'Costume du Moyen Âge'" Description: This lithograph, part of the "Costume du Moyen Âge" series from 1847, depicts an English priest a...

Title: "Imperial Majesty: Emperor Frederick III in 'Costume du Moyen Âge'" Description: This lithograph from the "Costume du Moyen Âge" collection, printed in 1847, depicts Emperor ...

Title: 19th-Century Lithograph of Early Stone Tools from 'Der Rittersaal' Series Description: This unique monochromatic lithograph showcases a collection of early stone tools, met...

This silver presentation vase is a small replica of the classical Roman ‘Warwick Vase’. The body is cast and chased with fruiting vines below the rim. The central field has a continuous band with bearded Bacchic heads floating above a lion’s mask and pelt. The applied handles comprise gnarled twisted vine stems. The spreading stem is set on a square foot which in turn sits on an ebonised wooden plinth base. The plinth is applied with two vacant laurel wreath cartouches and two rectangular plaques, one finely engraved with the Royal Coat of Arms and the other inscribed “Plymouth, Devonport and Cornwall Races 1845, the gift of her Most Gracious Majesty Queen Victoria, Augustus Coryton Esqr, W. R. Fortescue Esqr, Stewards” and “Her Majesty’s Vase, value 100gs., for three-year-old and upwards – Heats, about two miles, starting at the T.Y.C. Starting-post, once round, to the Grand Stand Winning-post.” Fully marked and stamped on the side of the foot ‘Hunt & Roskell Late Storr & Mortimer 2225’. English, assayed for London 1845. Provenance: Her Majesty Queen Victoria. Sir John Barker-Mill, Baronet of Mottisfont.Thence by descent. John Barker (1803-1860) was created 1st Baronet ‘of Mottisfont in the County of Southampton’ on 16 March 1836. A noted racehorse owner, Barker won numerous prestigious trophies with Giantess, Cymba, Miss Ellis and Pugilist. His most prestigious horse, Leviathan, sire of Giantess, won 16 of 21 starts and was sold to George IV for 2,000 guineas. Plymouth, Devonport and Cornwall Races were held from 1828 until 1930. The racecourse was a flat, oval course of 12 furlongs with a straight run-in of 2 ½ furlongs. ‘Royal Plates...

19th-Century Hand-Coloured Lithograph of a Large Medieval Siege Tower with Details Description: This finely executed hand-coloured lithograph presents a massive 'medieval siege tower', complete with structural details and mechanisms used during large-scale sieges. Taken from the 1842 publication 'Der Rittersaal: Eine Geschichte des Ritterthums', this work by Friedrich Martin von Reibisch and Dr. Franz Kottenkamp highlights the engineering ingenuity of siege warfare during the Middle Ages. The central focus of the illustration is the monumental siege tower, meticulously depicted with wooden reinforcements, a sloped base, and numerous small windows for archers and infantry. Wheels at the foundation highlight the mobility of this immense structure, while a wooden floor plan in the top right corner provides an aerial view of its grid-based layout. Additionally, the inset diagrams on the left showcase key mechanical components, including pulley systems and structural beams used to assemble or operate the tower effectively. In the foreground, two smaller siege devices are displayed, likely for additional artillery or defensive support. The rolling landscape, complete with castles and distant hills, adds a scenic backdrop that complements the detailed technical rendering. Condition: This lithograph remains in very good condition, with well-preserved hand-colouring and sharp, clear lines. Minor age-toning and light foxing add to the print’s antique charm without diminishing its visual impact. Ideal for collectors of military history, medieval warfare, or engineering art...

19th-Century Hand-Coloured Print of Armed Horsemen Bearing a Heraldic Banner This original hand-coloured lithograph, produced in 1842, provides a captivating glimpse into the marti...

Title: "Cardinal of the Middle Ages" Description: This print depicts a cardinal from the Middle Ages, as part of the work "Costume du Moyen Age" from 1847. The cardinal is shown in ...

The image depicts Albrecht III Achilles, Elector of Brandenburg, known for being a significant figure in the early history of Brandenburg-Prussia. Albrecht is shown in a kneeling po...

Truly one of a kind and right out of a Southern antebellum home, this monumental sized mahogany sideboard features all the bells and whistles of the Rococo Revival furniture period. ...

Vibrant Depictions of 19th Century Japanese Costumes from Auguste Wahlen’s Masterpiece These prints depict various figures from Japanese society, ranging from a humble fisherman's family to a nobleman, a ceremonial samurai, and infantry musicians. Each figure is intricately dressed in traditional attire, reflecting their status and roles. The prints were created by the artist Auguste Wahlen as part of his celebrated work *"Moeurs, Usages et Costumes de tous les Peuples de Monde"* (Customs, Manners, and Dress of All the Peoples of the World), published in 1843. The vibrant colors and fine detailing were achieved using lithography, a printmaking technique that involves drawing on a flat surface with a grease-based medium and using a chemical process to transfer the image. The accuracy of the costumes and lively scenes make these lithographs especially appealing. The contrast between the vivid costumes and soft shading adds depth, capturing the essence of Japanese life during this period. Attraction of the Prints: The appeal lies in their historic and ethnographic value, showcasing detailed attire and customs from another era, accompanied by the richness of the lithography technique. The vibrant colors, clean lines, and the representation of both nobility and common folk offer viewers a rich visual experience, portraying a distant culture with authenticity and grace. Keywords: 19th-century prints, Japanese costume lithographs, traditional Japanese attire, Auguste Wahlen prints, "Moeurs, Usages et Costumes," ethnographic art, historic lithographs, ceremonial Japanese dress, Japanese fishermen prints, samurai art...

A delightful antique English Staffordshire pottery pig moneybox decorated in marble effect slipware glazes and dating from around 1840. The moneybox shaped as...

Title: "Striking 1844 Lithograph of a Formosan Warrior in Traditional Attire" This print is a handcolored lithograph from the "Moeurs, Usages et Costumes de tous les Peuples de Mond...

A mid-19th century English mahogany butlers tray on the stand features a rectangular tray with a surrounding gallery. On a folding X-frame stand with woven straps to accommodate the ...

An early Victorian armchair in mahogany with curved top rail, scrolled arms, turned front legs and saber back legs. Seat is upholstered in a tufted, beige/camel-colored leather with ...

Title: "Oleander Hawk-Moth Lifecycle" - Hand-Colored Natural History Plate (1846) Description: This beautiful hand-colored natural history plate from 1846 features the stunning Olea...

A unique and impressive 19th Century British mahogany military chest, the top lifts up to reveal a dressing station supported on brass rods, consisting of a mirror at the centre with...

We are delighted to offer for sale this lovely suite of eight original, early Victorian circa 1840, hand carved Jacobean revival dining chairs...

"1844 Persian Elegance: Exquisite Handcoloured Lithographs of Cultural Icons" Description: Delve into the opulence of Persian culture with these strik...

This unique and very well executed portrait of a mid 19th century couple done in silhouettes is adhered to glass as in Verre Eglomise with a very charming drawing of a parlor in the ...

The image shows a figure labeled as "Lord Beaumont," depicted in medieval attire. He is wearing a blue overcoat with a fur trim and a gold-patterned undergarment that extends to his ...

1947 Peder Pedersen, set of six dining chairs of mahogany, hereof two armchairs. Seat upholstered with light wool. Designed 1947. Made by cabinetmaker Peder Pedersen. Presented at th...

Paris porcelain white and gold open-work centerpiece, circa 1840.

Textile of the Royal Manufacture of Aubusson of the 19th century. Representation of some flowers. Perfect state of preservation. Reinforced by a fabric on the back of the work Dimen...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Maker's mark A.K., Moscow, 1844 ta...

The top of this serving cabinet has a shaped rear gallery. The two doors have recessed panels with raised carved scrollwork designs. The side stiles are turned with free standing col...

We present this fantastic Italian antique wardrobe from the mid-19th century, from the Louis Philippe period. A wardrobe with a timeless antique charm! Made of solid poplar wood in ...

A large and very impressive antique Victorian chest of drawers. This was made in England, it dates from around the 1840-1860 period. It is o...

The print portrays a Kurek, likely a member of a Siberian ethnic group. This print, part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" from 1844, high...

This is an original antique print that shows a figure labeled "Noble Provençal," which means "Provençal Noble," referring to a nobleman from Provence, a historical province in southe...

Yakut People in Traditional Attire, 1844 Handcolored Lithographs These 1844 handcolored lithographs feature individuals from the Yakut community, part of Auguste Wahlen's extensive ...

Great image of an eagle Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Publish...

This work is a hand-colored toned lithograph, likely created by Théodore du Moncel around 1840. It depicts a picturesque view of a fortified hill with a bustling waterfront and a var...

"Dame du XIIIe Siècle" (Lady of the 13th Century) Description: This delicate hand-colored engraving from the 1847 "Costume du Moyen Age" series depicts a lady from the 13th century....

The image is an antique engraving featuring two species of marine fish: Centriscus scolopax and Centriscus scutatus, also known as the Razorfish and Shrimpfish, respectively. On the...

We are delighted to offer for sale this early Victorian Military Campaign writing slope in the form of a Davenport desk circa 1840-1860 in solid mahogany I’ve only ever seen one o...

A Pair of Blanc de Chine (Chinese White Glazed) Ceramic Foo Dogs, Ca. 1840 DIMENSIONS Width: 5 inches Height: 11 inches Depth: 6.5 inches ABOUT SCULPTURES There is a small baby lio...

Glorious set of 18 prints of Gothic Architecture in Scotland Steel engravings. After R.W. Billings Published by William Blackwood & Sons, Edinburgh. Dated 1848 Unframed.

Title: "Elegance at the Court of Louis XII: A French Noble's Poise" Description: This delicate historical illustration depicts a French nobleman from the court of King Louis XII, elegantly attired in the fashion of the early 16th century. He stands with a composed and dignified stance, a walking stick in one hand, exuding the grace and refinement expected of someone from his esteemed position. His attire is a rich blend of colors and textures, indicative of his status. The nobleman wears a soft pink tunic, a color that during the time was often associated with nobility due to the expense of the dye required to produce it. The tunic is complemented by a deep green overcoat...

Title: Antique Hand-Colored Moth and Butterfly Prints by Blanchard and Fournier – Rare 19th-Century Natural History Illustrations This set of two exquisite antique prints showcases detailed hand-colored engravings of moths and butterflies, emphasizing the beauty and diversity of Lepidoptera. Created by Blanchard and Fournier in the 19th century, these plates are part of a larger series dedicated to natural history and entomology. They feature remarkable artistry and scientific precision, making them prized collectibles for lovers of natural history. 1. Plate 1: - Species Depicted: - Attacus grand paon de nuit (Saturnia pyri), also known as the Giant Peacock Moth, Europe's largest moth. - Attacus petit paon de nuit (Saturnia pavonia), the Small Emperor Moth. - These stunning moths are illustrated with their iconic eye-like wing patterns, used as a defense mechanism to deter predators. 2. Plate 2: - Species Depicted: - Sphinx tête de mort (Acherontia atropos), the Death's-head Hawkmoth, famous for the skull-like marking on its thorax. - Zygène de la filipendule (Zygaena filipendulae), the Six-spot Burnet Moth, known for its vibrant red spots. - Syntomeida phageo (Syntomis phageo), a colorful day-flying moth with a striking black and green pattern. - This plate highlights both the dramatic patterns and vibrant coloration of these species, showcasing their unique adaptations. These prints are perfect examples of the intersection of art and science, with meticulous detailing and vivid hand-coloring. They serve as a historical record of entomological studies and an artistic celebration of nature’s diversity. Keywords: Antique moth...

Pair of French porcelain chinoiserie figures, circa 1840.

The engraving titled "Newmarket in the last Century, Morning on the Warren Hill" dates to 1840 and was published by R. Ackermann, a noted London publisher based on Regent Street. Thi...

Louis Philippe marble top chest, the gray and white marble with beautiful veining, especially the unusual large white area near the back(see...

Old colored lithograph by Fairland after W. Nicholson, from "The Breeds of the Domestic Animals of the British Isles" by David Low, published in London, 1842. The lithograph depict...

"1844 Lithograph of a Bukharan Uzbek: Traditional Attire and Craft" Description: This 1844 lithograph captures a traditional Bukharan Uzbek man, from the renowned series "Moeurs, Usages et Costumes de tous les Peuples de Monde" by Auguste Wahlen. Published in Paris using the technique of handcoloured lithography, enhanced with Arabic gum on vellin paper, this print vividly portrays the rich cultural attire unique to Bukhara, Uzbekistan. The man's elaborate robe and distinctive headwear highlight the regional fashion and craftsmanship. The print’s appeal lies in its detailed depiction of historical dress and accessories, offering a window into the cultural diversity of Central Asia. Such prints are treasured for their historical value and intricate artistry, making them highly desirable to collectors and enthusiasts of ethnographic art. The lithograph depicting a man from Bukhara, Uzbekistan, offers several intriguing cultural and historical insights: 1. Traditional Attire: The attire of the Bukharan man, particularly the elaborate robe and turban, is a rich display of Uzbek textile craftsmanship. Traditional robes, often made from silk and cotton, are adorned with intricate ikat patterns—a dyeing technique where threads are dyed before weaving. This style is emblematic of Uzbekistan's well-known textile industry. 2. Turban Significance: The turban, known locally as a "doppa" or "tubeteika," is more than just practical headwear; it serves as a cultural symbol of status and identity. The style, color, and way it is worn can convey information about the wearer's social status, region, and even his clan affiliations. 3. Historical Context: Bukhara was a pivotal Silk Road city, making it a melting pot of cultures, languages, and religions. The diverse influences are reflected in the traditional clothing, which blends Persian, Turkic, and nomadic styles. 4. Artistic Technique: The use of handcoloured lithography in the 19th century allowed for high-quality, detailed prints that were more accessible to the European public. This technique involved drawing on limestone with a greasy medium, then using water and oil-based ink to print vibrant images, which were then painted by hand. 5. Cultural Preservation: Prints like this serve not only as artwork but also as historical documents that preserve and share the cultural heritage of regions less known to the Western world at the time. They played a crucial role in educating and influencing perceptions about distant cultures during the 19th century. This print, therefore, is not just a beautiful piece of art but a deep well of cultural history and craftsmanship, reflecting the rich tapestry of life in Central Asia during the 19th century. Keywords: - Antique Uzbek prints - Handcoloured lithography - 19th-century Central Asian costumes - Auguste Wahlen lithographs - Traditional Bukharan attire - Ethnographic art prints - Collectible cultural lithographs - Historical Uzbek fashion - Asian historical prints - Vintage Uzbek art...