Seating

PAIR of American Mid-Century armchairs with polished chrome flat bar frames, upholstered in a textured tan fabric with removable seat cushions. (MILO BAUGHMAN FOR DIRECTIONAL)(PRICED...

Oversized large scale swivel chair designed by Milo Baughman for Thayer Coggin. Original upholstery is present, recommended to be replaced. Chrome base is present. Piece retains orig...

C. 1960, simple architectural design energized with exaggerated proportion, in a modern interpretation of a classic Japanese chabudai. Retains paper Thayer Coggin label to underside.

SET of 10 American Mid-Century dining / side chairs with flat bar polished stainless steel frames, upholstered in a textured purple fabric with button tufted backs. (MILO BAUGHMAN) (...

Seldom seen 1960s Architectural "Ez Rider" Lounge Chairs .Milo Baughman for Thayer Coggin, Impeccably reupholstered,,Stunning stripped high quality fabric,, Chrome frames in nice ori...

Milo Baughman for Thayer Coggin Rosewood Case Sofa. rosewood veneer with lacquer finish, chrome tubular feet reupholstered with nubby cotton-pol...

American Mid-Century lounge armchair with a polished chrome flat bar frame, upholstered in a pinstriped raspberry purple velour fabric. (MILO BAUGHMAN)(Similar chair in beige / taupe...

Milo Baughman's iconic T-Back lounge chair upholstered in Kelly Wearstler's iconic Sereno velvet stripe. The fabric is 92% cotton and 8% polyester and retails for approximately $470...

Oversized Milo Baughman for Thayer Coggin circular swivel lounge chair. This wonderful chair measures 27.5"t x 40" in diameter with a seat heigh...

Milo Baughman Mid Century Green Scoop Lounge Chairs – Pair This chair measures: 25.25 wide x 25.75 deep x 31.5 high, with a seat height of 17 and arm height/chair clearance 24.5 inc...

Vintage chrome dining chairs designed by Milo Baughman and manufactured by Thayer Coggin in the United States circa 1970s. These dining ch...

Marvelous Milo Baughman circular swivel lounge chair. This piece retains its original ultra-suede which does show some stains and wear. We do re...

Amazing pair of large 1970s walnut case with Bouclé fabric club chairs by Milo Baughman, fully restored and newly re-upholstered with minor wear and patina due to age and use.

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

A pair of midcentury modern 1188 '"Thin Line' armchairs by Milo Baughman for Thayer Coggin. Designed in 1970’s, these chairs feature Baughman’s signature style; thin, airy, squared off tubular chromed steel frames which support the seat. The seat pad, seat back, and seat arms have been reupholstered by The Selby House...

These chairs are stunning! Originally introduced in the 1950s, Milo Baughman's Thin Line dining chairs are a Classic Mid-Century Modern design that is highly regarded for its sleek and Minimalist aesthetic. These chairs quickly became a popular choice for interior designers and homeowners alike and have since been a staple of modern design-- absolutely timeless and chic. The Thin Line dining chairs feature a slim, tubular metal frame and this set is in a polished chrome finish. The seat and backrest are upholstered in a performance bouclé by Kravet, which only adds to the luxurious feel of these sleek modernist chairs. One of the defining features of the Thin Line dining chairs is their Minimalist design. The chairs have a clean and simple Silhouette that is free from any unnecessary ornamentation, making them an ideal choice for modern and contemporary interiors. Despite their Minimalist design, the Thin Line dining chairs are also very functional. The chairs are lightweight and easy to move around, and they can be stacked for convenient storage when not in use. Today, Milo Baughman's Thin Line dining chairs remain a popular choice for those seeking a Mid-Century Modern aesthetic in their home or commercial space. They are often seen in stylish restaurants, hotels, and high-end residences around the world. These chairs would look stunning in any Mid-Century Modern, modern, or contemporary home. With their sleek, clean Minimalist design, they're an excellent choice for accompanying a bold Paul Evans style...

Outstanding pair Milo Baughman chrome dining/ lounge chairs, Mid-Century Modern, classic, elegant lines. Retains original blue/grey velvet upholstery. Extremely comfortable. Hand del...

An eye catching Parsons style chair attributed to Milo Baughman for Thayer Coggins, circa 1970s. Features a cubed frame upholstered in a posh pink...

Inviting pair of matching Tear Drop swivel-tilt chairs by American modernist Milo Baughman and manufactured by Thayer Coggin, circa 1970s. Revolutionary construction featuring an env...

This beautiful pair of vintage swivel club chairs feature the stylish Mid-Century design of Milo Baughman for Thayer Coggin. Unique floral p...

Milo Baughman loveseat with swivel arms to transform from a loveseat to a tete-a-tete. This 20th century Thayer Coggin classic sofa has been newly restored in a dark teal mohair with...

Pair of Cornaro 140 armchairs designed by Carlo Scarpa. Solid hardwood structure (iroko). Polyurethane padding. Upholstery in original chenille velvet. The one-unit side and back cus...

Milo Baughman for Thayer Coggin Flatbar Lounge Chairs, 1970’s. Original upholstery, shows some sun fading on back. There was a small tear on side of one arm.

Milo Baughman for Thayer Coggin midcentury swivel lounge chair - pair Each chair measures: 22.5 wide x 25 deep x 28 high, with a seat height of 14 and arm height/chair clearance 1...

Milo Baughman for Thayer Coggin midcentury Chrome Tufted Arm Chairs – Pair Each chair measures: 25.75 wide x 28.5 deep x 31.5 inches high, with a ...

Incredible Navy blue velour fabric, great color and wonderful sculptural shape on these original vintage Parsons ottomans. Excellent vintage condition ...

Original Milo Baughman Chaise for Thayer Coggin, recently reupholstered in beautiful ivory fabric, base has a black finish. Ready for a new home.

Mid Century Modern Milo Baughman for Thayer Coggin High Back Dining Chairs Newly Upholstered in a Black Cow Hide Front with Holly Hunt Black Patten Leather Back - Set of 6 A spectac...

Swivel chair and Ottoman by Milo Baughman for Directional. Swivel and rocking chair with a ottoman on castors. Original label attached. Ottoman meas...

Rare scoop form lounge chair and ottoman designed by Milo Baughman, produced by Thayer Coggin, circa 1970's. The chair is upholstered in faux leather vinyl, with button tufted surfac...

Pair of Mid-Century Modern cube chairs by Thayer Coggin. Designed by Milo Baughman with wide polished chrome bars that warp around and angle at the t...

Pair (we have four available) of small / petite rocking swivel chairs designed by Milo Baughman for Thayer Coggin. Rare and highly desirable design made even more rare with Brazilian...

Milo Baughman for Thayer Coggin midcentury Chrome Tufted Arm Chairs – Set of 6 Each chair measures: 25.75 wide x 28.5 deep x 31.5 inches high, with a seat height of 17 and arm hei...

A Pair of Milo Baughman for Thayer Coggin Chromed Steel And Rattan Dining Chairs On Sledge Feet Made In USA 1970s The chair seats are upholstered in red fabric with piped edging. ...

This is one of our favorite designs by Milo Baughman. These dining chairs have a beautiful architectural base of polished chrome square stock steel supporting an upholstered seat and...

A swiveling and tilting slipper chair by Milo Baughman circa 1980s. It features the original blue fabric with a brass base. Fabric is original and could be further used.

Set of six Classic and elegant 'Thin Line' dining chairs designed by Milo Baughman for Thayer Coggin, circa 1979. Polished stainless steel frames are as sleek and minimalistic as their name evokes, making the seats look as if they are floating. Seats and backs are upholstered in new, 100% cotton velvet in a vibrant French Blue. Also known as the model 1187...

Fabulous Milo Baughman for Thayer Coggin 5 piece curved back cube sectional sofa. This sectional has some wear to the original fabric and will need to be reupholstered. The sofa meas...

A pair of rare lounge chairs by Milo Baughman. Features a black iron frame. Manufactured by Pacific Iron Products 1950. The frames have been repainted at some point. While the red...

Fabulous two piece circular sectional sofa by Milo Baughman for Thayer Coggin. The original cream colored fabric seems to be an ultra suede. There are no flaws to the fabric. It is ...

This is a more recent production two seat sofa / loveseat / love seat designed by Milo Baughman for Thayer Coggin. Light grey original fabric with walnut conical legs. Signed with bo...

Set of six Milo Baughman chrome dining chairs.

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Striking sophisticated pair of iconic Milo Baughman for Thayer Coggin black leatherette club chairs having subtle quilting to the leather everywhere but the seat. Black casters on th...

Burnt orange ultra suede fabric chaise lounge on gray powder coated base designed by Milo Baughman in 1953 and produced by Thayer Coggin, circa 1970s.

We are very pleased to offer a statement piece by modern furniture designer Milo Baughman for Thayer Coggin, circa the 1970s. A reinvented; forward-thinking chesterfield stretches ou...

Magnificent Milo Baughman rosewood case sofa by Thayer Coggin. This sofa has been reupholstered in the past and still looks good-some fading to the back pillows. To look its best we ...

We have reupholstered and refinished these scoop chairs designed by Milo Baughman. Great lines and very comfortable. Chairs are sturdy and look great in a handsome black with cream w...

Six Thayer Coggin chrome dining room chairs designed by Milo Baughman. circa 1982. Square chrome tubular frames with orange suede covering. Original tags. Very solid and in great con...

An original Carlo Scarpa Cornaro loveseat / armchair, original fabric, Italy. Produced by Gavina in the 1970s. We can reupholster in COM at additional cost. Fast shipping worldwide. ...

Stunning Milo Baughman rosewood loveseat with Jack Lenor Larsen Caravan velvet fabric. This piece is magnificent to see in person with its original Jack Lenor Larsen velvet. The upho...

Mid-Century Modern Milo Baughman Chrome Flat Bar Oval Rocking Chair Newly Upholstered In High End Silver Mist Mohair Velvet Blend Gorgeous Milo B...

Timeless style and exceptional tailoring distinguish this beautiful pair of swivel chairs model 1170 designed by the esteemed American designer Milo Baughman for Thayer coggin. His s...

A lovely pair of black leather and steel T chairs deisgned by Milo Baughman for Thayer Coggin. The design originates in the 1970's although these were produced sometime in the 2010's...

Offering an incredibly rare pair of accent chairs, designed by Milo Baughman for Thayer Coggin. The octagonal shaped chrome frames are covered in the original creamy chenille velvet ...

Iconic midcentury chairs, from Milo Baughman, for James Furniture Inc. These lounge chairs feature a voguish, and sophisticated design, angular and architectural, while still being r...

Beautiful large set of of 14 iconic Milo Baughman Model #1187 thin line polished stainless steel dining chairs for Thayer Coggin freshly reupholste...

Milo Baughman “Fred” chaise lounge chair for Thayer Coggin in black leather on a brushed stainless steel base. This was one of Milo Baughman’s initial desi...