Armchairs

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

Armchair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 2020. Manufactured by Cassina in Italy. The LC3 implements the logic of modernity s...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, f...

Beautiful Bentwood Seating set designed by the world renowed Austrian architect and founder of the "Wiener Werkstaette" - Josef Hoffmann for Jacob & Josef Kohn around 1907. Extraordinary shaped of Fine bentwood (=beech was bent under steam and high pressure), the bench and the chair carry the unique handwriting of Josef Hoffmann - the so-called "Fledermaus" design which was designed for the famous Cabaret Fledermaus in Vienna - a very own design that has made his creations famous and wanted all-over the globe. Both pieces have been newly upholstered with a fantastic looking, high quality Backhausen fabric. A small pillow upholstered with the same fabric is included as a nice addition to this gorgeous Art Nouveau seating set...

Trone-armchair designed by Charles Rennie Mackintosh in 1904. Relaunched in 1973. Manufactured by Cassina in Italy. This throne-like armchair is a new iteration of the model that...

These stylish and chic ebonized arm chair takes their form and use of materials from a chair designed in 1904 by Charles Rennie Mackintosh. The actu...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Prices vary dependent on the color/material of the chair. Armchair designed by Marco Zanuso in 1951, relaunched in 2015. Manufactured by Cassina in Italy. An icon of 1950s Italian ...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Available in many different colors.

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Bench designed by Pierre Jeanneret circa 1955, relaunched in 2020. Manufactured by Cassina in Italy. Cassina continues its study of the furniture of the city of Chandigarh and ad...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magi...

Gerrit rietveld Bauhaus red blue chair by Cassina. Early production. Authorized by Rietveld estate. Made in Italy. Labelled and numbered 556. In the red blue chair, Rietveld manipula...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini design...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, f...

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary archit...

Set of six swivel arm chairs. Designed by Le Corbusier, Charlotte Perriand & Pierre Jeanneret, 1927/1928. Manufactured by Cassina probably in 1970s, Italy. All chairs are marked. Makers mark / label and production number beneath the seat of each chair. Executed in dark blue leather and navy blue enameled metal base. Condition: Wear consistent with use and age. Two of the chairs repaired...

Postmodern armchair in black leather on a chrome frame with independently movable seat, headrest cushion and satellite ottoman. The backrest has tilting adjustment.

Prices vary dependent on the chosen material of the chair. The base is available in walnut or in black stained ash. The seat is available in fabric or leather. Charlotte Perriand Indochine Armchair...

Extremely rare armchair in bentwood, original condition, original fabric, manufactured by Jacob & Josef Kohn. Enclosed an image from the Exposicion Internacional de Centenario in...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognisable in Chandigarh’s Capitol Complex, foun...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

Charlotte Perriand Indochine Armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubular ...

Chair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. This chair is one of the most recognizable in Chandigarh’s Capitol Complex, f...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Bench designed by Pierre Jeanneret circa 1955, relaunched in 2020. Manufactured by Cassina in Italy. Cassina continues its study of the furniture of the city of Chandigarh and ad...

1960s armchairs Mid-Century Modern from Cassina, It is very confortable and gives style and decoration to any type of environment and room ... sitting room, study bedroom, and hall ...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair...

Model 930 armchair for the Carimate Golf Club-House, Cassina production design Vico Magistretti year 1963. Structure in brown beech wood, seat and back in white bouclè upholstery. Manufacturing label under the frame. Cassina Spa is an Italian company operating in the contemporary furniture sector, founded in 1927 in Meda (Milan) by Cesare and Umberto Cassina. The main activity is woodworking, within the company, for the production of coffee tables. Over the years the company expands, especially after the war, also thanks to collaborations with external architects who bring their expertise and research. In the 1950s, Cassina switched from artisanal to serial production, adopting the logic of industrial design. A change also induced by the commission for furnishings for the interiors of large cruise ships. In addition, some of the company's best-known products took shape during this period: chair 646 and chair 699, known as the "Superleggera", both designed by Gio Ponti. In 1963 Vico Magistretti joins the company team of designers, creating the Carimate armchair...

*Consult shipping price, personalized, we will give you the quote as soon as possible In original condition,, Very good conditions. Painted molded plywood and beechwood Josef Hoffmann bentwood cane dining armchairs, Set of four designed for Classic Bauhaus Side Chairs 6010 Designed by Josef Hoffmann/ Oswald Haerdtl Josef Hoffmann was an architect and designer. Austria (December 15, 1870-May 7, 1956).  Thonet Chairs The MOMA exhibits...

Rare authentic pair of labeled leather Kubus armchairs or lounge chairs designed in 1910 by Austrian Vienna secession designer Josef Hoffmann (1870-1956...

The price given applies to the piece as shown in the first picture. Prices vary dependent on the chosen color and finish. LC1 white Outdoor chair by Le Corbusier, Pierre Jeanneret, C...

Cassina Model 684  "Tentazione" leather armchair design by Mario Bellini in 1973. Good conditions, wears coherent with prior use and age. Measurements: D 66 cm x H 84 cm x L 81 cm.

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Baby version. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the U...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real...

Designed by Jean-Marie Massaud for Cassina in 2005, the 277 auckland chair is a modern reinterpretation of the timeless lounge chair. The glossy blac...

Charlotte Perriand Indochine Armchair Manufactured by Cassina in Italy This swivel armchair is a re-working of the LC7, whose frame was in tubul...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Armchairdesigned by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architectu...

The AEO chair was the last product from the Archizoom group, and was designed by Paolo Deganello in 1973 as an unconventional interpretation of a contemporary armchair. Using experim...

Armchair designed by Pierre Jeanneret circa 1950, relaunched in 2019. Manufactured by Cassina in Italy. Included in UNESCO’s 2016 Cultural Heritage list, the extraordinary architecture of Le Corbusier’s Capitol Complex...

A matching pair of LC1 armchairs designed by Le Corbusier, Pierre Jeanneret and Charlotte Perriand during the late 1920 and built up using chromed metal tubes and leather. Our set...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real...

Armchair designed by Charlotte Perriand in 1947. Relaunched in 2020. Manufactured by Cassina in Italy. The Doron Hotel armchair was designed in 1947 by Charlotte Perriand, a real mo...

Armchair model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Elephant desk chair by Josef Hoffmann for J&J Kohn professionally stained and repolished.

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key IDEA of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Set of two Armchairs model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of ...

Kohn catalog no 423 on the 1st picture chair which is already sold. The chair is still in original condition (pic.2,3) so you have the possibility to choose the color of the wood and fabric or leather. The price incl. shellack polish and traditionally upholstery with "Backhausen" fabric or leather. Delivery time about 4-6 weeks Lit. Giovanni Renzi, Il mobile moderno, Gebrüder Thonet Vienna, Jacob & Josef Kohn, Milano 2008, S. 226; Julio Vives Chillida, Jacob & Josef Kohn, Catalogo (estratto) dei mobili in legno curvato, ca. 1912, o. O. 2008, S. 2, Nr. 423 F u. C.; Ausst. Kat. Josef Hoffmann und sein Kreis, Galerie Alt Wien...

Bergère armchair, Alata Mod. 820 armchair, designed by Gio Ponti for the Royal Hotel in Naples and produced by Cassina, Italy, 1950. Completely restored and recently upholstered in v...

Armchair designed by Franco Albini in 1959. Relaunched in 2009. Manufactured by Cassina in Italy. In 1952, working with Franca Helg, his long-time assistant, Franco Albini designed Tre Pezzi...

First presented at the Salone del Mobile in 2014, the Vico seating collection was designed by Jaime Hayon for Cassina and named after his son. Inspired by the Cassina archives, Hayo...

Set of two armchairs model 905 designed by Vico Magistretti in 1964. Manufactured by Cassina in Italy. A modern chair with a cultural heritage, expression of the creative genius of Vico Magistretti who designed it in 1964. 905 is an elegant chair made of solid wood and cowhide, where design translates to practical simplicity. Produced by Cassina until 2000, this chair has now been relaunched, the finishes and details having been updated from the original archive model. The sophisticated elegance of the frame, which features cylindrical legs and curved arm-rests, has been rejuvenated thanks to Cassina’s extensive experience in handling leather, not to mention the company’s high quality carpentry skills. The complex nature of this piece is expressed in a design that looks simple but fully reflects the genius quality of the original concept, a veritable masterpiece of the crafts tradition proper to Meda, in the Brianza area north of Milan, the trademark registered by Cassina and a guarantee of utmost quality. The frame, in finest quality wood, bespeaks the perfect combination of the artisanal tradition and premier CNC technology, while the overall design stands out for the self-supporting seat crafted from one single piece of saddle leather, curved and slotted into the frame. The decorative stitching has been discontinued, while the rear of the chair still features the leather belt that lends support to the back and enhances its comfort quotient. The 905 chair features a solid wood structure with cylindrical legs and curved armrests, joined to a self-supporting cowhide seat, the quintessential expression of the time-tested experience of the Cassina joinery and saddlery. A masterpiece of complexity, this cowhide chair symbolizes the company’s talent at perfectly blending traditional artisan craftsmanship and the cutting-edge technology of latest-generation 5-axis CNC machines. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: In 1920 Magistretti was born in Milan, the city in which he graduated in architecture in 1945, and where his professional career has spun its story ever since, chiefly in the fields of architecture, town planning and industrial design. The first recognition of his work came in 1948, when he won the Gran Premio at the 8th Triennale. After that came almost forty years of activity with other prizes and awards in recognition of Magistretti’s work in various sectors in different countries. Giving lessons and lectures in various faculties of architecture and schools of design in Italy and abroad, from Milan to New York, from Paris to London, a city to which he is particularly devoted, he has been an “Honorary Fellow” of the Royal College of Art since 1983. Furniture, lamps and other objects that he designed may be found all over the world and the most important design museums have given exhibitions in his honour and kept examples of his work in their permanent collections. Magistretti’s research has been continuous - into design, the culture of the project and innovative experimentation with materials and space solutions, not to mention shapes and functions far from the rigours of fashion that they have passed through during the years. He started designing for Cassina in 1960, and from that date on his signature is to be found on very many products. We recall in particular the Maralunga sofa of 1973 and the Nuvola Rossa...

Armchair designed by Ronan & Erwan Bourroullec in 2019. Manufactured by Cassina in Italy. A low-armed dining chair that is as comfortable as an armchair proper, elegantly extends ...

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