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Danish Pair of Teak Armchairs Model 227 by Børge Mogensen, 1960s

$6,567.40per set

About

Lovely pair of Børge Mogensen armchairs model 227 for Fredericia Stolefabrik, 1960s, Denmark. The chairs are made of oak and have newly upholstered back and seat cushions in cream wool fabric dal 'Hallingdal' from GU Norway. Nicely tilted and soft seats. Lovely details as the sculpted arm rests and backrest bars. Perfect vintage condition! Measures: 70 cm H x 76 cm D x 75 cm W and circa 37 cm seat height.

Details

  • Creator
    Fredericia (Manufacturer),Børge Mogensen (Designer)
  • Dimensions
    Height: 27.56 in. (70 cm)Width: 29.53 in. (75 cm)Depth: 29.93 in. (76 cm)Seat Height: 14.57 in. (37 cm)
  • Sold As
    Set of 2
  • Style
    Scandinavian Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1960s
  • Condition
    Reupholstered. Wear consistent with age and use. Newly upholstered.
  • Seller Location
    Stockholm, SE
  • Reference Number
    1stDibs: LU3090320829712

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Stockholm, Sweden
  • Return Policy

    A return for this item may be initiated within 14 days of delivery.

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About Børge Mogensen (Designer)

Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved.

     Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 “Spokeback Sofa,” with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s “Shell chair,” designed in 1949, can be seen as a novel take on early 19th century Empire side chairs.

     Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used chrome steel for the frames and legs of their pieces. The brawny oak frames and slung leather seats and backrests of Mogensen’s “Hunting chair” (1950) and “Spanish chair” (1959) display the same hefty construction and appreciation of natural materials seen in the work of Charlotte Perriand and Sergio Rodrigues. As you will see from the furnishings on these pages, Børge Mogensen designed for function more than sculptural effect. While his chairs may not be the first pieces in a décor to draw the eye, they are often the first to draw in those looking for a comfortable seat.

About the Seller
5 / 5
Located in Stockholm, Sweden
Platinum Seller
This distinction is for experienced sellers who continually surpass customer expectations.
Established in 2017
1stDibs seller since 2017
85 sales on 1stDibs
Typical response time: 1 hour
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