Jules Leleu, Yellow Upholstered Mahogany Art Deco Armchair, France, circa 1926

A designer and ensemblier, Jules Leleu was one of the key authors of the Art Deco movement. While he did not win the fame of such contemporaries as Émile-Jacques Ruhlmann and Jean-Michel Frank, Leleu had a longer career and was easily their peer in the conception of trim, refined furniture forms and in the use of the opulent materials — from lacquer and ivory to sharkskin and exotic woods — that were a keynote of haute Art Deco design.

Leleu was born into a family of artisans and decorators. Their firm, Maison Leleu, had existed since the 18th century and Jules would guide it through much of the 20th. (The business lasted until 1973, headed at the end by Jules's children.) He studied architecture, served as an aviator in World War I, and after the conflict took up design full-time. Leleu presented work at the 1925 exposition in Paris that gave us the term Art Deco, and the Metropolitan Museum of Art in New York purchased a burl amboyna wood commode by Leleu directly from the show.

As the desks, dining tables and other furniture on 1stDibs show, Leleu was a stickler for precision craft and preferred to let his materials do the talking — his furniture is generally spare and sleek; its presence is established by figuring (or patterning/graining) in the wood and the occasional marquetry medallion. He had a keen eye for currents in design, and an adaptable sensibility. Maison Leleu would embrace many of the starker forms of modernism after the 1940s, as well as new materials such as artificial lacquer and plastics (then considered cutting-edge rather than cheap). Jules Leleu is a guiding light of 20th-century modernism: a man whose work represents both a devotion to traditional handiwork and an appreciation for the next wave in design.

Jules Leleu founded Maison Leleu with his brother Marcel in Paris in 1910. The firm specialized in interior design projects and furnishings created in the era’s luxurious Art Deco style for residential and commercial spaces around the world. There were plush sofas, sleek walnut cabinets that featured marquetry and brass door pulls, and stately coffee tables with bases that terminated with substantial bronze sabots.

A designer and ensemblier, Jules was one of the key authors of the Art Deco movement. While he did not win the fame of such contemporaries as Émile-Jacques Ruhlmann and Jean-Michel Frank, Leleu had a longer career and was easily their peer in the conception of trim, refined furniture forms and in the use of opulent materials — from lacquer and ivory to sharkskin and exotic woods — that were keynotes of haute Art Deco design.

Marcel and Jules’s clientele included President Eisenhower, the Ecuadorian ambassador to France and Prince Pierre of Monaco, who favored Maison Leleu’s Directoire-inspired designs. Jules’s children, André, Paule and Jean worked at the family business expanding their reach to include projects that encompassed luxury passenger ship interiors and even so far as the United Nations office in Geneva, Switzerland, as well as the private residences of royalty. Maison Leleu would embrace many of the starker forms of modernism after the 1940s, as well as new materials such as artificial lacquer and plastics (then considered cutting-edge rather than cheap).

Maison Leleu closed its doors, somewhat mysteriously, in 1973.

Alexia, Jean’s granddaughter, pursued a career in pharmaceuticals but her family history always nagged at her. Why would such a successful company close its doors and walk away from it all? By meeting with her great-grandfather’s secretary, Françoise Siriex, Alexia discovered a contract between Maison Leleu and the Shah of Iran from 1969. Maison Leleu spent the subsequent three years designing and producing over 50 displays for an event that marked the anniversary of the founding of the Persian Empire, but in a devastating one-two punch, the Shah didn’t pay for the work and the Iranian Revolution put any hopes out of reach. To avoid bankruptcy, Maison Leleu disappeared.

As of 2018, Alexia has reignited the old flame and is restoring the company back to its former glory. With a strong focus on her heritage and qualities that rendered Maison Leleu exemplary — refinement and timeless design — the new Maison Leleu offers furniture, lighting and rugs and has secured partnerships with luxury brands Louis Vuitton and Cartier as well as Claridge’s Hotel. 

One 1stDibs, find a collection of antique Maison Leleu seating, tables and storage case pieces.