Belgian Chairs

Vintage set of Chinese in Ming style dining chairs in solid wood. Glossy redwood frames - two with arms, and four without. Includes teal color...

In the tumultuous design landscape of mid-20th century Belgium, this pair of chairs emerged from the hands of skilled craftsmen during the 1970s. Crafted from the dense and unyieldin...

In the series of functional objects entitled 'BRUTALISTA', the designer takes over the tool from the craftsman, more specifically, the handsaw. One sheet of timber-based material and...

Impressive set of Belgian brutalist dining chairs. Made of a solid oak base and a seat of rush straw. With some nice details in the wood joints of the backrest.

Set of five antique theater chairs, with a nice patina! Original upholstery in red velvet! they come from an old theater in Bruges (Belgium).

A set of wooden dining chairs made in 20th century Belgium. With swooping seat backs and gracefully bent legs, these chairs exude the grace of simplicity. The high-backed form gives ...

Set of 4 Brutalist DePuydt (attr) heavy oak dining chairs with pointed footing that compliment the matching dining table( T416-316), listed sepa...

Set/6 solid oak dinning chairs, France 1950s. These chairs are made of oak and crafted by hand. The craftsmanship is still visible, they are made of solid oak wood and constructed wi...

A set of six 20th century metal chairs manufactured in Belgium by the company Tubax, one of the largest Belgian manufacturers of metal furniture. Made of industrial powder-coated steel, this design is one of the best known Tubax chairs. Simple and gracefully solid, the piece has always been very popular as a school and canteen chair...

A set of wooden dining chairs from Belgium, circa 1960. Gently rounded chair seats, offset mortise and tenon spindles, and gracefully arche...

Data stool in solid Oregon by Atelier Thomas Serruys Dimensions: H 44 x D 32cm Materials: A hand turned stool in solid oregon. A hand turned stool in solid oregon. Trapezoid s...

Small Traaf Bench by Tim Vranken Materials: colored oak (oiled), granite Dimensions: 105 x 60 x H 46 cm Variations available.  Tim Vranken is a Belgian ...

The SL58 chair was designed by Belgian architect Léon Stynen in 1958. It was made in collaboration with Stynen his assistant; architect Paul de Meyer. The ...

Maarten Van Severen studied architecture at the Art Academy in Ghent. As a designer he was devoted to the examination of basic furniture types: chair, table, chaise lounge, shelving,...

Set of 6 radar chairs often attributed to Willy van der meeren. Published many times in books like for instance « «intérieurs 50 » Painting is redone but originally they were also...

Our barh armchair was made for those who desire just that little bit of extra comfort. It is an updated version from our original barh chair 01 with its classic contemporary design a...

A pair of antique ladder back wooden side chairs. Green stripe upholstery. Dimensions: 45W x 82H x 43D cm Seat: 47cm high

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Chair by Dom Hans van der Laan, Netherlands, 1960s. The chair was designed by the Dutch Benedictine monk and architect, Dom Hans van der Laan for the Abbey Church of St. Benedictu...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Stunning and extremely rare pair of sculptural outdoor chairs made of concrete. Hand made in the 1940s in Belgium. Club chair design with a ho...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

This gorgeous pair of leather chairs date from the early 1990s. Designed by Olivier De Schrijver, the Belgian contemporary artist, who was born in 1958. This model is called 'Holl...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Manufactured in Belgium circa 1950, this set of four metal chairs exude a Bauhaus air. Functional and stylish, they feature a metal tubular base that supports wooden seats and backre...

A De Coene Frères Art Deco armchair. Mahogany with patinated bronze sabots.

Sit in My Valley II Sofa by by Belgian artist Lionel Jadot, renowned for his unique assemblage of various historical elements into captivating and uni...

Armchair in yellow fabric. Stamped Knoll. Wear due to time and age of the chair (see photo) Seat height: 47cm.

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Prototype model "Sexibiti" chair by Bieke Hoet - Belgium 2004.

Set of six chairs produced by the Belgian manufacturer belgo chrom in the 80s. Structure in silver metal and golden medallion. Good general condition, consistent signs of wear with a...

Set of four brutalist chairs in blond oak, Belgium, 1960s. A set of four wooden dining chairs. These chairs are made of blond oak and sculptur...

STUNNING AND RARE LATE 19TH CENTURY TARRACOTTA THRONE CHAIR IN THE GREEK STYLE BY MANNUFATURE DI SIGNA FROM THE MANNIFATURA DI SIGNA WORKSHOP MADE IDENTICAL TO THE ANCIENT THRONE OF ST. GREGORY (church of san gregorio, italy) WHICH USED TO STAND AND WAS RECOVERED FROM THE IMPERIAL AREA WITHIN THE COLLOSEUM IN ROME AND COULD WELL HAVE BEEN THE CEASARS SEATING DURING THE SPECTACLES. Spectacular Greek Style Throne Chair with imposing fabulous beasts with rams heads armrests and a rounded back decorated with a mythical greek siren...

Chairs; dining chairs; Bossche School; Dom Hans van der Laan; Jan de Jong; The Netherlands; Dutch Design; 1960s; Minimal Brutalist Style; Six remarkable dining chairs in minimal b...

Set of 12 dining chairs, Louis XVI Style, Belgium.  

Set of four brutalist chairs in patinated oak, Belgium, 1960s. A set of four wooden dining chairs. These chairs are made of oak and sculpturally crafted by hand. The craftsmanship...

Our barh chair 01 is a classic contemporary design with the finest details. Inspired by the Art Deco movement, the chair looks familiar, making it timeless and fitting for almost eve...

Three legs, a seating and a backrest are the basic principles to form the base for each chair of the “P60” series. During the creation process, each piece gets its own, unique charac...

Three legs, a seating and a backrest are the basic principles to form the base for each chair of the “P60” series. During the creation process, each piece gets its own, unique charac...

Set of six radar chairs by the Belgium designer Willy Van Der Meeren for Tubax, Belgium, 1950s. Chairs made of a black painted metal structure with lacquered wooden seats, seat hight...

A set of 4 brutalist oak chairs attributed to the Belgium designer de Puydt.

Pair of "Livourne - série 800 luxe " Armchairs by Jules Wabbes.

Set of 4 antique liegoise chairs with embossed leather seats are perfect for the breakfast room, game room, or for use as occasional chairs anywhere in the home or office! Sculpted f...

A set of mid-century brutalist dining chairs. Belgium, c1960s.

Lionel Jadot; Stools; Everyday Gallery; Contemporary; Belgian design; Belgian Art; Gesmonite; Presented at Art Basel 2021, Everyday Gallery is thr...

Organic studio sculptural tree trunk root chair from Belgium. Offered for sale is an organic and rustic artist-crafted sculptural tree trunk wood spec...

Set of 8 brutalist oak chairs - 1940s.

Collectible design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Beautiful large lot of sculptural solid pine chairs in the style of the brutalist work of Charlotte Perriand from the 60s. The designed chairs are handmade with craftsmanship for a p...

This wooden stool was made in Belgium and features a slightly tilted square seat with a cane center. It is supported on four turned legs with scalloped stretchers. With its warm tone...

Beautiful 'Osaka' chair designed by Emiel Veranneman and manufactured by De Coene, Belgium 1968. The Osaka dining chair was designed by Emiel Veranneman and usd at the Belgian pavili...

Sculptural Brutalist coffee table and chairs set has been handmade from solid pine slabs by Mobichalet in Belgium in the 1950s, Made from soldi...