Hand-Painted Chairs

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1960s. The author of this project is the Danish architect Steen Østerg...

Farmhouse chair in the style of Black Forest. Painted in green-blue with a white swan in the medaillon. Original painting, No restaurations. A second matching chair is available.

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

10 Mid-Century Modern Black Painted Bar Stools in Worn Patina Wood. The stools has signs of an earlier yellow paint that has be overpainted by ...

Ogdens of Manchester, in the style Dr Christopher Dresser. Aesthetic Movement ebonized and parcel gilt walnut nursing chair, with a carved lotus f...

Sedia Anonima Castelli, mod dsc 106. Sedile di legno riverniciato con smalto bicomponente molto resistente all'usura. Colore caffè, gambe e piedini riverniciat...

We at Old Plank, have been forever trying to locate a “comfortable, by American standards” Louis XVI side chair. The French Louis XVI style chair you see listed here, was copied from...

Armchair Swedish Gustavian 1790-1810 Greenish Frame with Black Upholstery Sweden. A single armchair made during the Gustavian period 1790-1810 in Sweden. Frame in original paint. Uph...

Have a seat on this wonderfully upholstered empire side chair by Modenese Gastone Interiors featuring a wood frame gold leaf applied in details, upholstered with a premium floreal sa...

Chairs Assembled Baroque Style Set of 10 Dining Chairs Black Sweden. An assembled set of 10 dining chairs in the baroque style made during the 18-19th Century. Refinished in our Lase...

Chairs dining room chairs Swedish Baroque black Sweden. An assembled set of six chairs made during the Baroque period in Sweden. Refinished in our Laserow Black and upholstered in a ...

The room for Irregularities collection focus on highlighting unconventional shapes and promoting irregularities. The side chair, a six-legged industrial animal with bent horns often ...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1960s. The author of this project is the Danish architect Steen Østerg...

Polish production chairs from Plastics Factory 'Krywald' in Knurow have embossed signatures. They come from the 1970s. The author of this project is the Danish architect Steen Østerg...

Armchair Captain's chair black Swedish 19th century Sweden. An armchair made during the end of 19th century. Painted in our signature Laserow Black.

An armchair made during the late Gustavian period and early part of the 19th century. Most likely later added blackened ball feet. Repainted in our custom paint "Laserow Black".   

Pair of English Regency black lacquered arm chairs with a carved spiral ringed bulbous crest, flanking filigree splat backs, sweeping carved scrolled arms, cane hole seats, and termi...

Hand-carved Swedish Baroque Captain's chair in black with gold trim and Swedish flag. Arms are covered in distressed leather with nail head trim. The chair is covered in gold design with motifs including leaves and shells. Exact provenance and meaning of symbols and letters is unknown. It is believed that this chair was created for the captain of a ship, making it a unique conversation piece for your space. Could be recovered or reupholstered with new leather or left distressed to highlight the age, patina, and history of the chair. This captain's chair would work well as an accent chair, side chair, or a statement dining room head chair...