Lounge Chairs

ABOUT Original French slopeback club chairs in light caramel leather with black piping throughout and burnished rivets in the back. Carved square wooden feet and rolled arms. All or...

Stunning danish baroque style high-backed ear-flap chair hand made in the 1930s The frame and armrests are made beautifully of turned and carved solid oak. Especially the armrests h...

A pair of Industrial iron and leather sling transat chairs from the 20th century. This pair of 20th-century Industrial iron and leather sling "transat" chairs embodies a seamless ble...

An amazing oversized lounge chair by Tomlinson, upholstered in a pinkish-red damask fabric. The custom-made pillows are included, as shown. The pillow's intricate trim work showcases...

A sculptural pair of comfortable highback lounge chairs crafted from high-quality materials, and their style is reminiscent of the work of Danish designer Henning Kjærnulf. Armrest c...

Lounge chair manufactured by Atelier Jean Prouve for Franco, U. S. Memorial hospital in Saint - Lo. From 1947 to 1949 Charlotte Perriand acted as interior architect consultant for al...

Extraordinary and exquisite set of original Louis XV salon gold gilded chairs with curved wood edges, intricately carved surfaces and Grey Green Pat...

Beautiful armchair taken over by an elite Venetian bourgeois family, whose design is also an inspiration. The armchair is made of gilded wood in the mighty frame, with 4 supporting f...

Pair of Tufted Cerused Lounge Slipper Chairs upholstered in a velvet fabric. The chairs have cerused oak legs with the front legs having casters.

Gorgeous Baroque throne armchair made of full nutwood in Italy. The armchair was completely new upholstered inside / outside with red velvet, the cushi...

Mid-century reclining outdoor sunbathing chair. Made out of sturdy wrought iron. This lounge chair features elegant scrollwork on wheels and base. Per...

This vintage executive lounge armchair was manufactured in Switzerland by De Sede, during the 1970s. It is a model DS-50. This is the first edition of this famous chair. De Sede is t...

Beautiful set of 8 industrial abstract iron steel with rebar tri-leg configuration dining chairs. Professionally made from car bonnets in France. Signed PO! ...

Beautiful solid set of chairs by Rohde in original untouched condition. A very important American designer who was instrumental in the making of the Herman Miller co.

Vintage French bergère lounge/ armchair in orange mohair Large, comfortable lounge chair with ornate gilted detailing throughout. Has buttons...

A large, vintage, country house, knole armchair upholstered in a kelim textile A Classic country house piece with the high back and wings creating a ...

This custom-made piece started its life as an authentic US Naval scuttle hatch that was then re-imagined in our workshop as a truly unique lounge chair. Hatch was cleaned, polished, and reconfigured into an ergonomic chair shape. A custom, nautical-inspired, wooden base was handcrafted of reclaimed timber. The over-all shape was inspired by 18th Century cannon...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

A pair of French 19th-20th century Baroque style carved walnut and needlepoint upholstered hall throne armchairs with raised carved armrests and fluted conjoint legs. The tapestries ...

Pair of Italian 19th century Baroque carved arm throne chairs. The pair with figural carvings and putti sleeping on beds of leafs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Andrea Brustolon (20 July 1662–25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-1680 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall Stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the 18th century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the Baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Armchair in the manner of Pierre Guariche 1926-1995. Remarkable by the inclination of the backrest and the advance of the seat ensuring comfort and aestheticism. Seat and backrest ...

Vintage Armchair, Italy 1970s A unique 1970s dentist reclining armchair. Product in Italy by Italian enterprise "SBISA - Italia - Firenze". The seat is covered in black sky and the s...