Plywood Lounge Chairs

Bangu lounge chair is the result of the merging of the Japanese concept of Ma Ga Warui and Mexican-Zapotecan ideologies. Inspired by these two culture’s architecture and philosophica...

Pair of ‘Model 5016’ lounge chairs by Junzo Sakakura and Daisaku Cho for Tendo Mokko, Japan 1957 (1960s production). Sturdy Oak plywood frames and elegant curved seat and backs. The ...

A pair of lounge chairs. Designed by George Coslin Italy, 1960s. Metal frame, plywood, and fabric.

Armchair structure base in cast aluminum. Structure base in tubular steel and painted. Seat, backrest are in plywood with exteriors in walnut nature effect NG EN2. Various fabr...

A set of lounge chairs by French designer Philippe Starck, designed during the mid-1980s for Driade. The armchairs have a very distinctive sharp and clean look, but are still relativ...

Afra & Tobia Scarpa "925" easy chairs for Cassina, plywood and red leather, Italy, 1966, set of two. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The low chair is inspired by a sketch made in 1943...

Modern molded maple plywood and steel tube armchairs by Brunswick from the 1950's. This is a wonderful example of how cutting edge mid century mode...

One of two "interlocking" lounge chairs designed by Joe Colombo for Kartell, Italy, manufactured in midcentury. Joe Colombo's iconic 4801 armchair was designed in 1963-1964. A modern chair with striking visual appeal by the master of Italian Space Age design. A limited number of wood 4801 chairs...

"Overdyed" is a lounge chair, designed by Diesel Creative Team and manufactured by Moroso, featuring a shell in aniline dyed ash plywood (color options are Indigo blue or weathered g...

Very rare pair of the first edition of the "Big Tulip" chair, model F551 Just Married! Designed by French designer Pierre Paulin in 1959 for Artifort, The Netherlands Reuph...

The authenticity comes from the uniqueness of items belonging to this collection: EVE Collection, with its "Hold-All" armrest, evokes the female spirit and emphasizes it through one ...

Mid century lounge chair This is the iconic armchair named "Bratislava" as it was originally produced for the airport in Bratislava city. Designed by Ludvik Volak, this armchair w...

Pair of easy chairs having a sleek, streamlined design of beautifully clever simplicity made for the modern British home, circa 1960. In bent plywood featuring continuous one piece a...

Iconic "Kleinhans" armchairs, designed by Charles Eames and Eero Saarinen, early chair, collaboration of two modern masters, designed for the Mary Seaton room at Kleinhans music hall...

Iconic pair of Eames for Herman Miller LCM's in later orange and black paint finish. These chairs are structurally sound and sturdy, both have a later, but not new, orange paint surf...

Cassina Ciprea Lounge chairs by Tobia and Afra Scarpa, 1970s, Italy Beautiful lounge chairs made in Italy by Tobia and Afra Scarpa for Cassina in Italy...

Only a handful of tectaform chairs showed up on auctions the last 10 years, but this version with arms is quite unknown. We own the only before known chair...... It´s a very rare ver...

Rare, early Alvar Aalto model 31/42 cantilevered armchairs, Finland, 1930s, designed and produced in the 1930s. Painted birch-veneered bent plywoo...

Pair of Poul Kjaerholm PK27 easy chairs with leather upholstery, 1950s.

Magnificent pair of very comfortable and strong lounge chairs or armchairs mod. S3001 designed by Christoph Zschocke in 1990s and produced by Thonet...

Armchair or fireside chair by Russian designer Dmitry Samygin Plywood and metal structure. PU foam for backrest and seat covered with wool (green and blue). Possibility to choose ...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Pair of Woodline armchairs designed by Marco Zanuso. Italy, Arflex, 1964. Vintage chairs with plywood frame and newly upholstered in subtle green leather. Literature: Repertori...

Two Rare Organic Modernist Sculptures that also function as lounge chairs and attributed to the European-American artist, sculptor and designer, Frederick Kiesler (born in Ukraine, 1890-1965). The pieces are hand crafted and composed of thick, layered and molded oak plywood and then hand lacquered. The works are important and signify the development of post-war design into abstract biomorphic sculptural forms. They occupy a curving, organic space and their negative space conveys transparency, lightness and airiness.They represent the continuity between art and life, movement and sculpture. The artist, Frederick Kiesler designed variant sculptural "Multi-Use Chairs" for Robert Motherwell's home in Provincetown circa 1947. The pieces are priced and sold individually but can also be purchased as a pair. An accompanying sculptural, organic form bench...

This chair is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beac...

Pair of Modernist "Jetson's" plywood and chrome armchairs, Classic Mid-Century design. Plywood seats and backs, retain original plaid wool seats. Excellent original condition.

Pair of very nice Mid-Century Modern chrome bases, white lacquer shell body, ribbed upholstery lounge chairs.

Swivel and tilt “Mrs. Chair” and ottoman designed by George Mulhauser for Plycraft, c. 1960s. Constructed of a molded walnut ply shell and a wood wrapped base. This smaller scale var...