Vintage sheepskin and leather and cane easy chairs attributed to Rohe Noordwolde

An exceptional pair of early 1970s vintage Vatne Møbler, Sigurd Ressell Falcon chairs in beautifully patinated brown leather with chrome frames. Known for its distinctive and striking chrome frame and suspended sling seat the Falcon Chair stands out as one of the most instantly recognisable pieces of vintage Scandinavian design. Originally designed by Ressell in 1970 the first chairs were produced in chrome and leather, and had a more industrial aesthetic which aligned with a trend that had started in Denmark in the late 1960s and early 1970s – using metal bar to create chair structures was popularised by the key Danish designers of the time; most notably, Poul Kjærholm, Preben Fabricius and Jørgen Kastholm. The chair has undergone several refinements and as consumer preferences shifted towards warmer, more organic materials, the Falcon Chair followed suit. In the mid-1970s, Vatne Møbler transitioned the chair’s frame from steel to bentwood, replacing the original chrome structure with a laminated beech or rosewood frame. This change softened the chair’s industrial edge and aligned it more closely with the naturalistic elements of Scandinavian furniture design, but also helped lower transportation cost to the USA which proved to be the largest market for export Falcons. All that said, for most purists seeking a vintage Falcon the original chrome framed version, which is as Ressell initially envisioned it, is often the first choice as it not only makes more of statement but it’s proven to be more durable – as such the chrome frame Falcons command higher prices and hold their value well. This pair are presented in very good vintage condition with light wear commensurate with age and use. There is the usual light cracking of the leather on the top of the sling belt supports but no holes, cracks or tears in the main leather upholstery, and no loss in integrity of the cushion padding. The stone coloured canvas slings are virtually unmarked (as they are in such great condition it’s possible that they may have been refreshed at some point) and the steel frames have only very light tarnish and no rust, pitting or flaking of the chrome. Sigurd Ressell Born in Norway in 1920, Sigurd Ressell studied at the National Academy of Craft and Art Industry in Oslo, where he developed his keen sense of industrial and furniture design. Ressell’s work was defined by strong geometric lines, practical aesthetics, and a deep understanding of materials. His career gained momentum in the 1950s, working for Sørlie Fabrikker, before he eventually collaborated with Vatne Møbler, the company that brought the Falcon Chair to life. Ressell also drew inspiration from the sleek, organic lines of nature, something deeply embedded in Scandinavian design philosophy. The Falcon Chair’s curved frame mimics the movement of a bird in flight, while its suspended leather seat cradles the user, offering both visual lightness and physical relaxation. The Falcon is his most famous work, but his broader body of work showcases a consistent dedication to comfort, function, and timeless design. Vatne Møbler Founded in 1946, Vatne Møbler is a Norwegian furniture manufacturer known for its commitment to producing high-quality, handcrafted furniture. The company gained international recognition during the 1960s and 70s, particularly with the Falcon Chair, which became a best-seller. Vatne Møbler's approach has always emphasized quality craftsmanship, using durable materials and skilled techniques to create furniture that lasts for generations. Even as trends shifted, the company continued to produce and refine the Falcon Chair, ensuring that it maintained its place in modern homes. Today, vintage Falcon Chairs...

A pair of vintage original Le Corbusier, Perriand and Jeanneret LC2 Chrome and Ivory Leather lounge chairs for Cassina with labelled upholstery and serial numbers. The price shown is for both chairs. The LC2 chair, designed in 1928 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, is a key piece in the evolution of modernist furniture. Originally part of a series created for the Villa Church (a private residence for a client in the Paris suburb of Ville-d'Avray), the LC2 epitomizes the collaborative spirit of the three designers. Its tubular steel frame and free form cushions marked a break from traditional designs, combining minimalist form with unexpected comfort. It was first presented in 1929 at the Salon d'Automne in Paris as part of a collection that would later be called the Equipement Interieur d’une Habitation (Interior Equipment for a Living). Alongside the LC2, the trio designed other iconic pieces, such as the LC1 Sling Chair, the LC3 Sofa, and the LC4 Chaise Longue. The LC4, in particular, is often considered one of the most innovative pieces in the collection, with its curved steel frame and adjustable reclining mechanism it was not just a chair, but a piece of furniture designed to enhance relaxation. As such it became a symbol of the modernist ideal—furniture that was as much about living comfortably as it was about making a design statement. The LC designs were created not just as individual works but as a broader vision for modern interiors, where furniture wasn’t just decorative but integrated into the living environment, serving both aesthetic and functional purposes. While the LC2 chair was part of this vision for the Villa Church, it wasn't designed specifically for that one space; rather, it was a part of an overall shift towards modernist furniture that transcended any one project. When compared to the Bauhaus metal chairs...

A set of 4 Danish Mid Century vintage leather and steel PK9 chairs designed by Poul Kjaerholm for E. Kold Christensen with additional bespoke, later designed, optional seat height extensions. These are a beautifully crafted set of chairs with a simple but striking form that have often been cited as Kjaerholm’s finest work; and for good reason… as the story goes Kjaerholm was inspired by a sand imprint of his wife’s behind from a day at the beach. Later, during the design process, Hanne Kjærholm sat in boxes of clay to find the most optimal and comfortable solution; so now you know. These also have the additional benefit of expertly crafted seat height extensions that can be used or not, depending on the height of your preferred table. Note that these are not original extensions as the chairs didn't ever have such additions as they were designed at a lower height to match Kjaerholm’s PK tables...

A beautifully sculptural set of 4 Vintage Danish Mid Century Arne Hovmand-Olsen MK310 teak dining chairs with original black vinyl upholstery for Mogens Kold, 1950s. Originally designed by Olsen in 1951 and manufactured by Mogens Kold, Denmark, these chairs stand out as one of the very first chair designs Olsen created. The chairs feature a sculptural organic back shape that is constructed with a feature insert of plywood and solid teak. Olsen was recognised as being one of the forerunners of using this technique to add strength and durability to his designs as well as creating beautifully sculptured forms that appear as carved from solid wood. This is a design and construction style also adopted by many of his contemporaries including Niels Otto Moller, and many of the designs created by them both are often misattributed as each other’s as they share many similar details and characteristics. These particular chairs were produced with two options of seating style and fabric: one was the famous Danish paper cord seat that was widely used in the 50’s and 60s, and the other, as here, in simple black vinyl. The vinyl used on Mid Century Danish seating is very durable and impressed with a realistic grain that actually makes it very difficult to tell it apart from leather. The other advantage of the vinyl is that as it is intentionally used without a foam insert it accentuates the clean, crisp angular line of the seating base which acts as a counterpoint to the softer more flowing lines of the wooden structure. Plus it’s a lot easier to keep clean and in good condition compared to paper cord! The set is in very good vintage condition with light marks in the wooden frame and on the seats here and there commensurate with age and use – all the joints are solid and sound. Three of the four chairs maintain both the Danish quality control and the MK manufacturer’s metal labels as shown in the pictures, the other is missing in action, maybe eaten by a tiny cockapoo... The chairs are very much in ‘found’ condition and have just had a simple rub down and application of wax to bring them up to a soft sheen. Note that it is a hard seat as there is no foam underlay, but they look good with such sharp lines and are, in any event, very easy chairs to upholster...

Reupholstered in honey colored sheepskin. Produced in Sweden, 1950s. Please note: Listed price is for a single, set of 2 available.  

Beautiful period 1950s armchairs upholstered in Scandinavian sheepskin. Very minor wear and stunning in its shape and proportions.

1940's Scandinavian Curley Long Hair Sheepskin Lounge Chair. NOTE: CHAIRS ARE PRICED SEPARATELY. ONLY ONE CHAIR AVAILABLE.

Danish Modern Vintage Lounge Chair in the style of Fritz Hansen. Imported from Denmark. Faux sheepskin.