Wood Office Chairs and Desk Chairs

Louis XV style walnut and black leather armchair or desk chair. Arm height is 27 inches.

Wonderful mid-century Industrial set of 4 dining or office chairs comprised of chrome frames, black vinyl seats and backs, and wood arms by Superior Chaircraft. Beautiful condition, ...

Pair of office chairs from the administrative offices of Chandigarh (PJ-SI-28-B).  

Set of four iconic Italian Modern DSC 106 stacking chairs, designed 1965 by Giancarlo Piretti for Castelli. This set features black lacquered seats and backs, they are in very nice c...

Very sturdy with worn black lacquer makes this chair a great companion for a desk or in a corner of a room, Original finish.

A vintage Traditional style office side chair by Gregson Manufacturing, of Liberty, North Carolina, USA. Solid walnut frame with black faux leather (...

Wonderful Arne Vodder designed armchair / desk chair by Sibast, circa 1960, Denmark. Fully reupholstered in steel white Italian leather. Extremely ...

This is a very stylish mid century desk chair. This has a stained beech frame with great patina. The whole design sets this chair off p...

Scriba is a seemingly simple, delicate dining or desk chair; made by traditional Japanese wood joinery, and artisanal saddlery: two disciplines where texture, craftsmanship, and the ...

E W Godwin, style of, An Anglo-Japanese Old English or Jacobean ebonized armchair. Professionally upholstered in a quality hide.

Mid century italian chair by Carlo Ratti beech wood, oak wood, black suede leather , steel , brass . We have carried out a complete restoration along with some light restying on thi...

Klismos customizable dining chairs with saber legs, black lacquered wood and black woven leather seats. Available in other colors and upholstery. Klismos are walnut wood chairs wi...

Handsome Scandinavian Modern Arne Jacobsen Series 7 black & chrome office chair designed by Fritz Hansen. Beautiful condition, keeping in mind that this is vintage & not new so will have signs of use and wear. There are a few dents & nicks as you would expect with age & wear. It has been touched up & has a new coat of urethane. Please see photos & zoom in for details. We attempt to portray any imperfections. Circa 1993. Note: Shipping is possible via parcel which may reduce shipping costs Sculptural, functional, and comfortable! The Series 7 chair was designed by Arne Jacobsen for Fritz Hansen in 1955 and is an icon in modern furniture history. The Fritz Hansen website states that the chair is made from 9 layers of pressure molded veneer for strength, flexibility, and durability despite its slender form. This one was made in 1993 and it is comprised of a molded black painted plywood seat which is uniquely shaped for the human body. Ergonomically enjoyable!! It has the chrome four-star leg base with chromed hooded wheel casters. It’s incredibly versatile, with unique character and unmatchable comfort. It is manually adjustable in height, and it swivels! It will make the perfect office or desk chair in your Scandinavian Modern or mid-century modern style home office or den. Fritz Hansen was founded in 1872, when Fritz Hansen, a Danish carpenter, founded his own furniture company and in 1915 introduced his first chair in steam bent wood. In 1934, Fritz Hansen began his collaboration with Arne Jacobsen resulting in some of the famous, classic icons of Danish Design including the “Ant” in 1952, the Series 7 in 1955, the Grand Prix in 1957, the Swan in 1958, and the Egg in 1958. Other famous collaborations have resulted in Piet Hein’s super-elliptical table from 1968 and in 1982 Fritz Hansen acquired the rights to a major part of Poul Kjaerholm’s furniture collection. Since the 1980s continuing into the new millennium, Fritz Hansen has added new designs to the collection including the Essay table...

Set 6 Pierre Cardin Roche Bobois Italian black lacquer dining conference chairs. If you are in the New Jersey , New York City Metro Area , please contact us with your delivery zip co...

Six black leather armchairs manufactured by Bulo Belgium circa 1980s. The chairs feature a wooden base with Leather upholstery. They remain in a good and sturdy condition with some w...

Office chairs from the administrative buildings of Chandigarh (PJ-SI-28-B).  

Easy chair with Brazilian rosewood frame. Seat, sides and button fitted back upholstered with black leather. Made by cabinetmaker Thorald Madsen. Literature: Grete Jalk [ed.]: “40...

Black leather executive chair, Wim Den Boon, The Netherlands, 1950s.

Armchair Buckingham with structure in solid wood in black lacquered finish and covered with black velvet.      

pair of french bridges from he art deco period original upholsteryr Original condition

Rosewood desk / armchair in original black leather in the style of Niels Vodder. Measures: Seat is 16.5" high, arm is 25" high.

French Art Deco darkened beech wood bridge armchair with a Tartan fabric.

Art Deco desk armchair, solid oak wood and oak veneer, french polish, restored seat with leather uphostery. Belgium c. 1930

Pair of black and gold cane back armchairs, Fauteuils attributed Maison Jansen. Each ebonized frame with fine gold decorative high lights. The pair having cushion seats with drapery ...

Midcentury Mauser armchair with original leatherette grey and black.

A very fine pair of palatial Venetian walnut carved mid-19th century Baroque figural throne armchairs, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolon (1662-1732). The ornately carved thrones, each flanked with figures of standing males supporting a branch-carved armrests with vines. Raised on cabriolet scrolled legs. Provenance: The Castello di Giove in Umbria, Italy, circa 1870-1880. Height: 54 1/4 inches (137.8 cm.) Width: 37 1/4 inches (94.6 cm.) Depth: 32 inches (81.3 cm.) Andrea Brustolon (20 July 1662 – 25 October 1732) was an Italian sculptor in wood. He is known for his furnishings in the Baroque style and devotional sculptures. Biography He was trained in a vigorous local tradition of sculpture in his native Belluno, in the Venetian terraferma, and in the studio of the Genoese sculptor Filippo Parodi, who was carrying out commissions at Padua and at Venice (1677). He spent the years 1678-80 at Rome, where the High Baroque sculpture of Bernini and his contemporaries polished his style. Apart from that, the first phase of Brustolon's working career was spent in Venice, 1680–1685. Brustolon is documented at several Venetian churches where he executed decorative carving in such profusion that he must have quickly assembled a large studio of assistants. As with his contemporary in London, Grinling Gibbons almost all the high quality robust Baroque carving in Venice has been attributed to Brustolon at one time or another. In the Venetian Ghetto, at the Scola Levantina, Brustolon provided the woodwork for the synagogue on the piano nobile, where the carved, canopied bimah is supported on Solomonic columns, which Brustolon had seen in Bernini's baldacchino in the Basilica of St Peter's. His furniture included armchairs with figural sculptures that take the place of front legs and armrest supports, inspired by his experience of Bernini's Cathedra Petri. The gueridon, a tall stand for a candelabrum, offered Brustolon unhampered possibilities for variations of the idea of a caryatid or atlas: the familiar Baroque painted and ebonized figural gueridons, endlessly reproduced since the eighteenth century, found their models in Brustolon's work. His secular commissions from Pietro Venier, of the Venier di San Vio family (a suite of forty sculptural pieces that can be seen in the Sala di Brustolon of the Ca' Rezzonico, Venice), from the Pisani of Strà, and from the Correr di San Simeone families encourage the attribution to him of some extravagantly rich undocumented moveable furniture. Andrea Brustolon's elaborate carved furniture aspired towards the condition of sculpture, such as the Dutch bases for console tables which look like enlargements of the work of the two Van Vianens, Paulus and Adam, perhaps the greatest Dutch silversmiths of the period. These carved pieces display the baroque tendency to develop a form three-dimensionally in space. Brustolon's walnut, boxwood and ebony pieces transcend ordinary functional limitations of furniture; they are constructed of elaborately carved figures. The framework of Brustolon's chairs, side tables and gueridons were carved as gnarled tree branches, with further supports of putti and male figures carved in ebony. Backrests of the chairs, which were never touched in the rigidly upright posture that contemporary etiquette demanded, were carved with allegories of vanity, fire and music, etc. The most extravagant piece delivered for Pietro Venier was a large side table and vase-stand of box and ebony, designed as a single ensemble to display rare imported Japanese porcelain vases. The eclectic allegories include Hercules with the Hydra and Cerberus, males and reclining river-gods (see ref.). For the Correr, less extrovert chairs bear female nudes extended along the armrests. For the Pisani, he carved a suite of twelve chairs (now at the Palazzo Quirinale) with flowers, fruit, leaves and branches to symbolize the twelve months of the year. Work by Brustolon is at the Villa Pisani at Stra. In 1685 Brustolon returned to the house where he was born at Belluno, and from that time devoted himself mainly to tabernacles and devotional sculptures in walnut, boxwood or ivory. His polychromed ivory Corpus from a crucifix is in the Museo Civico di Belluno, which preserves some of Brustolon's preparatory drawings for frames to be carved with putti displaying emblems. A pair of boxwood sculptures, The Sacrifice of Abraham and Jacob Wrestling with the Angel...

A pair of fine French Art Deco upholstered walnut visitor / lounge armchairs by Leleu.

A very beautiful and chic Italian modern style or Postmodern period black lacquer wood and leather side or desk chair(s), circa late 2...

Kaare Klint armchair designed in 1927 and produced by Rud Rasmussen.

Very beautiful and chic Italian Modern style or Postmodern period black lacquer wood and leather side or desk chair(s), circa late-20t...

19th Century French Empire style ormolu mounted mahogany open swivel base arm chair with black leather seat and back.

A fine pair of carved and water gilded library armchairs designed by Robert Adam and made by Thomas Chippendale for the great room at Arlington Street London. The serpentine scrolled...

Mid Century Modern vintage desk chair designed by Egon Eiermann. The desk chair features a chromed metal base with 4 wheels. Also the seat and back,...

Rare Elmar Flototto Rosewood Side Chair. This bentwood chair is stamped and signed on the chair by Elmar Flototto and has a beautiful rosewood grain. Gr...

Believed to be one of only three chairs remaining that were designed for the cabinet of Deutscher Bundestag the first democratic Germany, circa 1949. Design elegance and exceptional ...

Elegant Art Deco desk and chair set, in ebonized wood, carved with bold foliate motifs. The desk has three front drawers and two sets of shelves on ...

Mid century modern vintage black swivel office chair, which is an early model, designed by Arne Jacobsen, 1950s, Denmark and executed by Fritz Hansen. The swivel chairs is labeled FH...

A Rare French organic and sculptural solid wood desk and chair.  

Mahogany and leather visitor armchair by Jules Leleu. Marked with model number.

An early German modernist desk chair with seat and back rest composed of intersecting layers of leather straps. This chair is original but can be reproduced to meet your specifica...

Pair of chairs designed by Rudolf Wolf for Elsrijk, re-upholstered in black leather. Netherlands, mid-20th century. The chairs have a simple minimal design with the bent metal rod b...

Early Charles and Ray Eames for Herman Miller dining chair metal (legs) DCM.

Pair of high back armchairs, located in New York. Original condition.