Foam Sofas

Postmodern Camaleonda seating elements by Mario Bellini for B&B Italia, 1970s. set of two C&B Camaleonda sofas in the original iconic orange fabric.The set is in fair vintage condit...

Wonderful vintage MCM (a.k.a.) Mid-Century Modern to modern tuxedo style custom sectional sofa by Classic Gallery. This listing price is for frame only. It...

Archizoom vintage original white "Superonda" sofa for Poltronova, Italy, 1960s An icon of Italian Design of the Post-modern Radical design era. The Superonda was a symbol of the new...

3-seat sofa model GE 375 by Hans Wegner for Getama in the 60s (label under the seat, see picture). Structure in patinated oak who can be separate in 3 parts Cushions for seats, bac...

Bernard Govin is a French designer and interior architect, born in 1940. During his life, he has created a range of pieces which, fluid in appearance and with audacious, futuristic c...

cognac leather Le Bambole-seater Sofa designed by Mario Bellini for B&B Italia in 1978. Price per sofa, second matching sofa available. The Bambole series today is a true icon amo...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

Unique and out of production functional seating elements by Belgian designers Serge Haelterman and Steven Brouns. These elements are made of high end foam covered with an elastic coated fabric that can be cleaned easily and feels like a latex rubber. This seating elements can be turned into a sofa, bed or seating island with your own imagination. NIKE purchased several of these JZUZ Elements for their shops in Europe Measures: Green element 82.67inch/210cm x 27.55inch/70cm x Height 27.55inch/70cm Orange element 55.12inch/140cm x 55.12inch/140cm x Height 27.55inch/70cm Orange block element 27.55inch/70cm x 27.55inch/70cm x Height 27.55inch/70cm I taken this text from Serge Haelterman's website: Right after I graduated as an Industrial designer back in 1999 I started a furniture brand together with my friend Steven Brouns. We felt there was a need for a new type of furniture that was able to adjust itself to the ever changing life situations. Hence the name Livingelements. The name JZUZ was conceived because we believed we had to spread the message of this new kind of living. The first elements were a u and a square shaped seating element. They were in fact a deconstruction of a regular sofa. This deconstruction led to a whole range of new possibilities. When combining both elements you could construct all kinds of different 'living' setups. After this followed the room devider...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

Iconic Lara sofa designed by Noti Massari, Roberto Pamio and Renato Toso for Stilwood, Italy – 1968. The sofa consists of two pieces that come together in the middle. It is comple...

Togo modular sofa, designed by Michel Ducaroy and manufactured by Ligne Roset in 1974. The set is composed of 2 modules. Purple cotton upholstery. Ex...

Original condition.

Original condition.

Gorgeous vintage mid-century modern turquoise Lawson style 4 cushion sofa attributed to Milo Baughman for James Inc. Comprised of four loose zippered seat cushions, six tapered walnut legs, and turquoise hopsacking fabric with back button detail. This piece has been attributed based upon archived research including online sources, vintage documentation and catalogs, designer literature, and other materials. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. The sofa deck has new fabric plus a new dust cover. It also has its original arm covers. We repaired a button with fabric found on bottom. It has been professionally shampooed. Legs were refinished. The foam in the cushions is soft, however it could use some more padding and new zippers. We have priced accordingly. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Mid-20th Century. Tremendous style and TERIFFIC-LY TURQUOISE!!!! Wow!!! This is a gorgeous vintage mid-century modern Lawson style four cushion sofa Attributed to Milo Baughman for James Inc. It wears its original hopsacking fabric which is comprised of lovely turquoise and green threads that create a gorgeous dark turquoise hue. It’s a phenomenal color with back button details!! It has four loose seat cushions with soft foam, but they could benefit from a bit more padding which would be easily achieved as they have zippers. And the four-cushion feature gives it an extra-long width, so a taller person can stretch out nicely. This marvelous blue...

Le Bambole leather pouf or foot rest, designed by Mario Bellini for B&B Italia. Price for the foot rest only ! The Le Bambole Sofas are available i...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

1980s curved sofa daybed Price is for the set of 2 Wooden frame upholstered in red fabric supported with five black painted globe-shaped wooden ...

Le Bambole two-seater Sofa designed by Mario Bellini for B&B Italia. The Bambole series today is an icon of 1970s design furniture and won Mario Bellini the "Compasso d'Oro" award...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features seven modules with backrest (four big modules and three small ones) and one armre...

Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precision. With over 17 years of artisanal exper...

Pianura sofa, designed by Mario Bellini and manufactured by the Italian brand Cassina in 1970. The set is composed of six modules. It features an an...

intage Soriana 2 seater with original textile from the 70ties designed by Tobia Scarpa for Cassina. This original fabric can't be found similar w...

“Camaleonda” sofa, in red cotton upholstery, designed by Mario Bellini and manufactured by B&B Italia in 1972. Fully restored and reupholstered in Italy. The sofa is very comfo...

2-seater sofa with foam padding, alcantara upholstery and enamelled metal and brass frame.

Afra & Tobia Scarpa “Soriana” chaise longue, leather and metal, Italy, 1969. The Soriana lounge chair is low and soft and invites the sitter to sink in. Its peculiar feature is the ...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new...

Pair of Alky Armchairs by Giancarlo Piretti for Castelli. Produced by Anonima Castelli in 1972. Base in brushed steel, padding in foam rubber, cover...

Fantastic vintage MCM (a.k.a.) mid-century modern Broyhill Furniture flared tuxedo style sofa with light yellow floral tapestry fabric by Lenoir...

Iconic modular sofa designed by Mario Bellini and produced by C&B since 1970. Padded in polyurethane foam, covered in original fabric in excellent condition, 70s edition branded B&B...

Mario Bellini “Le Bambole” living room set for B&B Italia, two-seater sofa and pouf, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 19...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

3 seater sofa, foam padding, leather upholstery. Good conditions, with small signs of usage.

Two-seater “Mantilla” sofa, designed by Kazuhide Takahama for Studio Simon in 1973. It is made of wood and polyurethane foam structure, with white velvet upholstery. Kazuhide T...

Lara sofa by Roberto Pamio & Renato Toso for stilwood in New Bouclé fabric 1958. Incredible so-called 'Lara' sofa designed by Roberto Pamio, Noti Massari, and Renato Toso and manufactured by Stilwood, Italy, 1958. This beautiful puzzle-shaped sofa has a lovely geometrical shape and exists of 2 pieces that fit into each other like a puzzle. This sofa can be freely placed into the room as it's nice and different looking from every angle. The design is made of organic curved lines, alternating with straight, clean lines and curves for an aesthetically beautiful piece from every side. The sofa is recently newly upholstered in an adorable and high-quality white Bouclé fabric. These unique lounge sofas...

Gorgeous Roche Bobois vintage postmodern off-white ultra-suede sofa. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There are stains several places on sofa, but we have not attempted to clean, we leave that to you. The lower right front corner has some wear as well. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, Late 20th Century Oooooh LA LA… Roche Bobois!!!!! What a fabulous vintage French postmodern sofa we have to offer to you!! Roche Bobois is an elite French...

Spectacular postmodern Italian Molto + Di maroon leather sofa by Tittina Ammannati & Vitelli Giampiero for I4 Mariani. Beautiful condition, keeping...

Original early B&B Italia Organic Modern 2-piece Camaleonda sectional sofa by Mario Bellini in orange cord fabric. Consists of two lounge chairs of the largest 3x3 format in the seri...

Camaleonda sofa, designed by Mario Bellini and manufactured by B&B Italia in 1972. The set features two modules with backrest and two armrests. Green linen velvet upholstery. Fu...

Soriana two-seater sofa, designed by Afra and Tobia Scarpa, and produced by the Italian manufacturer Cassina in 1969. It features its original brown leather upholstery. Winner of t...

The “Camaleonda” (Chameleon) sofa is Mario Bellini’s contemporary classic. The playful, modular design offers endless options for the user, which also inspired the model’s name. C...

Iconic set of two seater sofas by Mario Bellini for B&B Italia, originating from the 1980s. We have selected Musco, a dark blue mohair from De Ploeg, the Netherlands: Mohair has ...

Salivasofá: First prototype sofa designed by Salvador Dalí & Oscar Tusquets, 1972. The measurements are: 175 x 110 x 80 cm Comes with a Certif...

2-seat sofa by Roche Bobois in the 60s Structure in bamboo linked by leather laces, cushions covered with terry fabric

Awesome vintage Scandinavian Modern khaki hopsacking fabric 4-piece modular sofa made in Sweden. Beautiful condition, keeping in mind that this is vintage and not new so will have si...

Sumptuous and extremely rare 'lady' living room set designed by Marco Zanuso for Arflex ,Italy in 1961. The set consists of a super rare and extremely elegant , three seat elliptical form, 'Lady' sofa ,the largest size produced complete with a matching pair of very early (artisan wood frame) production 'Lady Chairs '. Please note the coffee table is not included with this set. This set has been recovered in an extremely elegant high quality 'Musco' 00 mohair fabric by the famous Dutch textile manufacturer 'De Ploeg' . The fabric creates a warm luxurious organic glow as the mohair pile...

Rare Sculptural sofa by Edoardo Landi for Nikol Internazionale, Italy 1971 With this sofa you not only get comfort in your home, but also a great work of Art. The sofa creates a shell-like environment that cocoons the sitter. With your own imagination, the sofa can be set up in different ways. This sofa would look beautiful in a Mohair or bouclé Fabric Each sofa is 230 cm in length, 100cm width, the hight is 60cm, seat height 35cm. When setup like a corner 230cmx330cm Born in Modena in 1937, Italy, Landi studied architecture in Venice and attends the School of Industrial Design in Venice between 1962 and 1964. In 1959, he founds Group N with Alberto Biasi, Manfredo Massironi, Toni Costa and Ennio Chiggio. Landi’s work is based on the use of geometric shapes with programmed inclinations or separations, through which he manages changes in the viewer's perception. The artist develops retinal fatigue and optical illusions in some of his works, causing a closer relationship between the viewer and the work. In 1963, he participates with Grupo N at the IV Biennale Internazionale d'Arte di San Marino, where they receive their first prize. Since 1968, his works have been present in international exhibitions in Rome, Oslo, Tokyo, Budapest, Bologna, Paris, Milan and other cities. Since 1971 he has been interested in graphic design and the use of Industrial objects in interior design. Often this sofa is sold as an Ennio Chiggio sofa but is not from his hand, however the sofa was produced by Nikol wich Chiggio also designed for. They were also both a member of the art movement Gruppo N...

This is a rare and stunning Modular sectional sofa designed by Jo Otterpohl in 1969 for german manufacturer COR. It is a pure 70ties design. It consist 5 ...

Cinna / Ligne Roset Sofa Daybed Model GAO designed by Jean Paul Laloy. Rare Daybed Sofa in very good condition. The colour of the fabric is brown and...

This large modular seating group / landscape sofa is designed in the style of Pierre Cardin and manufactured in Italy around 1970. Newly upholstered in beautiful moss green and cr...

Midcentury Gerard Van Den Berg 'Corvette' sofa in Bordeaux leather with short stubby wood legs. In original condition with visible wear and scratching consistent with age and use. An...

Corner sofa designed by the Japanese Taichiro Nakay for La Permanente Mobili Cantù in Italy, 1955. It is a rare sofa with unique and sinuous lines supp...

This wonderful Michel Ducaroy for Ligne Roset, 'Togo' Sectional Sofa is has deep and rich plum color. This particular one is a Three-piece 'Togo' sectional sofa, circa from the 1970s The sectional is made with Leather and Polyurethane foam and Manufactured by Ligne Roset, France. Ligne Roset is a French modern furniture company that was founded by Antoine Roset in 1860 in Montagnieu, France as a small business manufacturing bentwood walking sticks. In 1936, the company started manufacturing upholstered furniture[2] and presently they design and manufacture household furniture, lighting, accessories, and textiles from a team of 50 European designers. Among Ligne Roset's most recognized pieces is the Togo line of seating, designed by Michel Ducaroy in 1973. It features ergonomic designs with five densities of foam combined to make the frame, and quilted covers. The back seam has the manufacturer's tag and underside with branded decking. This beautiful sofa sectional Comprising two settees...

Beautiful vintage brown 1970s modular sofa from Germany. The fabric is a brown velours in good condition. It consists 6 elements. 6 Seating elements 1 corner cushions 4 normal c...

This stunning Leather Sofa was designed 1968 by Design Team Gionatan de Pas , Donato d’Urbino and Paolo Lomazzi. They´ve created one of the most iconic objects in italian Design h...

California Modern sofa with coffee table set by Martin Borenstein. ________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing hi...

This is a absolutley rare design by Bernard Govin for Ligne Roset. Bernard Govin is well knowned for his Asmara living Room suite landscape. This is a design after 1970.The Model n...

This stunning Modular sectional leather sofa was manufactured in Germany. It is a pure 70ties design The frame of every element is made of wood and it is covered by foam and black...