Sofa designed by Birger Hahl for A. Salmi Huonekalutehdas, Finland, 1931

Sofa ‘Colonial’ designed by Ole Wanscher for P. Jeppesen, Denmark, 1960s. Brazilian rosewood and black leather. Measurements: H: 60 cm/ 1' 11 5/8" W: 123.5 cm/ 4' 5/8" D: 66 cm/ 2...

Sofa BO64 designed by Finn Juhl for Bovirke, Denmark, 1940s. Savak wool upholstery and stained wooden legs. Provenance: Acquired by current owner at Bovir...

Sofa designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden, 1930s. Velvet Upholstery. Dimensions: H: 73 cm / 2' 4 3/4'' W: 168.5 cm / 5' 6 1/4'' D: 68 cm / 2' 2 3/4'' Depth of the corner side: 136 cm / 4' 5 1/2'' SH: 43 cm / 17'' Provenance: Fredrik Anderzon who was the manager of the brewery Nässjö Bryggeri commissioned a modernist summerhouse in 1936 and this sofa formed part of the interior. Literature: A high back chair that matches this model, Christian Björk, Thomas Ekström...

Armchair 42 “Small Paimio” designed by Alvar Aalto, Finland, 1931. Bent birch and lacquered plywood. Dimesnions: H: 63 cm/ 2' 1" W: 60 cm/ 1' 11 1/2" D: ...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as mid-century modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

Sofa Ateljee designed in 1959 and produced in 1964 by finish designer Yrjö Kukkapuro for Haimi, Finland. Early edition in hardwood and wood legs with ori...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as Mid-Century Modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic Mid-Century Modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “Classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

Carl-Johan Boman for Oy Boman AB rare loveseat/compact sofa with elegantly curved back and tapering stained legs, Finland, 1940s. This exquisite sofa has a classic Scandinavian Moder...