Lacquered Stools

Chrome plated bent steel with lacquered plywood seat.

Art Deco style parchment covered stool in the manner of Jules Leleu.

Set of 3 1970s designed bar stools by Warren Bacon. Polished steel with solid oak.  

Set of four Italian midcentury bar stools with black lacquered vintage frames and new exotic upholstery. Very comfortable!

Wonderful French Art Deco set comprising of one circular occasional table and four stools. This French pub set is fabricated from ebonized mahogany and the sto...

Pair of Onassis bar stools in lacquered goatskin with hand-stitched black leather seats and brass foot rails by Karl Springer, American, 1980s.

Simple metal stole with original grey lacquer.

Sculpture stool by Jacques Jarrige work with his characteristic play on positive and negative spaces. These stools are hand lacquered and are very comfortable. The work of Jacques Jarrige is featured in Elle 2014, NYC&Garden 2004 , AD 2015 , Harpers'Bazaar 2015, New York Times, 2015, Ideat, November 2011, World of Interiors (May and September 2011), Architectural Digest France (July-August, 2011) and Maison Francaise (September, 2011) Jacques Jarrige was born into a Parisian family of art collectors and scientists in 1962. In his youth, growing up in neighborhood of St. Germain, he was struck by the intensity of the African sculptures on display in the many neighborhood galleries. How could they evoke such reaction deep inside; how could such seemingly simple objects emanate so much power? It was a question that stuck with him. As a young man, he enrolled in the department of architecture at the École Nationale Supérieure des Beaux-Arts but was frustrated in the narrow scope of the program. While he liked the functional aspects, he chafed at the monotony of the forms taught. Driven by the urge to make things with his hands, he abandoned the school in favor of making functional sculpted design objects. His interest in spatial relations led him to courageous explorations of void and volume in his art and design. The works of Moore and Calder, as well as the furniture of George Nakashima and  Alexandre Noll, encouraged him to trust his intuition and reveal the forms that he sensed within his reach. Instead of pursuing a decorative approach, he engaged in an ongoing dialogue with humble materials that he created — a practice he became known for — patiently shaping, carving, and altering them with simple hand tools. No master plan or elaborate drawing ever stood between him and the wood or metal that spoke to him, to his body. Each physical gesture informs the next, until the final piece emerges, embodying every gesture and impetus that brought the works into being, with a quiet meditative focus that the slow process of the craft demands. In 1991, Jarrige was invited to join Frederic de Luca’s influential avant-garde gallery "En Attendant Les Barbares." Recognizing his exceptional sensibility, de Luca encouraged Jarrige to relentlessly pursue his own voice. He began to show regularly in Europe, and found a devoted audience. The work of this period was primarily sculptural furniture and design objects. He found success combining his direct and meticulous process with a growing vernacular of organic and flowing shapes. In 2010, he gained representation by Valerie Goodman...

RICHARD MEIER for Knoll pair of High Stools Impressed signature to underside of each example: [Richard Meier]. LITERATURE: Richard Meier: Architect, Meier, pg. 234

Pair of benches/stools covered entirely in beautifully matched, deep red goatskin, retaining the color variations of natural goatskin. With a curved, semicircle seat and base config...