Pierre Guariche Swivel Chair Upholstered in Christian Lacroix

The architect Pierre Guariche was one of the leading modern furniture and lighting designers of postwar France. Guariche can, in some ways, be thought of as the French version of Charles Eames: with his lean and angular chairs and slender, sculptural table lamps, he helped introduce a new aesthetic to the country’s interiors — and he was an eager pioneer in the use of new industrial materials and production techniques that emerged in the 1950s.

Guariche studied at the École Nationale Supérieure des Arts Décoratifs in Paris (the national design academy) under René Gabriel — a designer known for his quality, mass-produced furnishings, who served as a director of the postwar Ministry of Reconstruction. Two years after graduating in 1949, Guariche opened his own design firm, and he was soon creating pieces for numerous companies, including the lighting manufacturer Disderot.

Wood and metal were rationed in the years following the war and Guariche learned to do more with less. His chairs of the early 1950s include several designs with narrow, softly angular wooden frames; others, like the Tonneau chair, feature a single piece of molded plywood set atop metal legs. His lamps of the period are likely his best-known works. They include delicate compositions of slender steel tubes, and more flamboyant pieces such as the Kite lamp, with its curved metal reflector panel.

Always on the lookout for new materials, Guariche spent several years in the mid-1950s operating a firm making furniture in fiberglass and other plastics, along with Joseph André Motte and others. After 1957 — when Guariche was named head of design for the Belgian company Meurop and given a brief to create stylish, up-to-date chairs and cabinets — he began to look to America for ideas.

In the mid-1960s, Guariche produced several lines of deeply upholstered, rounded lounge chairs inspired by the Space Age look, and gave them names like Jupiter, Polaris and Luna. While Guariche always kept pace with his times, throughout his career he showed a consistent talent for producing elegant, eye-catching forms using a minimum of materials.

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At a time when sharp padded shoulders and crisp lines were trending, Christian Lacroix created venturesome clothing that was bubbly, flirtatious and exuberant.

The iconic French fashion designer, whose body of work includes handbags and purses, evening dresses, jackets and lots more, has always favored theater over fashion. He has long integrated corsets and bustles into his work, drawing on diverse cultures and citing epic historical dramas as inspirations. Today he is creating opera costumes, so it shouldn’t come as a surprise that his colorful and voluminous garments captured the excesses and defined the extravagant frivolity of the 1980s as well as the sensuality and boldness of the 1990s.

Lacroix studied art history at the University of Montpellier and museum studies at École du Louvre and the Sorbonne in Paris. He aspired to become a museum curator or costume designer but instead entered the world of fashion, specifically haute couture, with the support of his now-wife Françoise Rosenthiel, who helped get his sketches to Hermès. Lacroix was offered an assistant job at the legendary luxury brand and later worked as a designer at the House of Patou in 1981.

Lacroix’s career flourished and his profile soared from then on, as he established his own label in 1987, using layers of fabric and consistently clashing prints in his designs for opulent pouf skirts, vibrant floral maxi day dresses as well as jewelry and watches that commanded attention. He created a ready-to-wear line for Italian manufacturer Genny and dressed dancers at the American Ballet Theatre company.

Lacroix became the artistic director of Italian fashion house Emilio Pucci in 2002, and, over time, he continued to secure work in the fields of theater, opera and other performance art, designing costumes for a range of stage productions. Alongside designs by Stella McCartney, Karl Lagerfeld and others, Madonna wore a corset during her 2004 “Re-Invention World Tour” that was created for her by Lacroix.

Today, the maison founded by the designer in 1987 is owned by the Falic Fashion Group, but Lacroix continues to design womenswear for brands such as Desigual as well as for the stage. His larger-than-life aesthetic has also been translated into a range of accessories and fragrances as well as various interior furnishings such as tableware and household linens. Lacroix has completed interior design projects at a number of hotels and has partnered with the likes of Christofle and other firms over the years. In whatever form it takes, the sumptuousness and glamour of a Lacroix design is unmistakable.

Find a range of vintage Christian Lacroix clothing, jewelry and accessories on 1stDibs.