Polished Seating

Todd Merrill Studio has been the exclusive representative of Alex Roskin since 2017. Roskin’s works blend functional design with modernist sculptural references. A natural successor of innovative artists such as Richard Serra, Jean Arp, and Constantin Brancusi, Roskin’s cast bronze, stainless steel, and carved wood works reflects the artist’s modernist and primitive influences. Beginning with a series of quick sketches, Roskin captures the movement of a basic form. By sculpting in foam and wood, Roskin translates that movement into a structural model that is then 3D scanned so that it can then be cast in bronze, aluminum or steel, and finished with carved wood elements. All chairs are offered COM/COL. His works often feature a mammalian physicality with heaving sinuous forms and legs that extend from the body in a bowed fashion. Rejecting outright anthropomorphic mimicry in favor of subtle, sculpted muscular forms, Roskin notes: “I try with each piece to create a stance and a presence, some with more contrapposto. I aim to give each piece a feeling it is inhaling or ready to make a move...

Todd Merrill Studio has been the exclusive representative of Alex Roskin since 2017. Roskin’s works blend functional design with modernist sculptural references. A natural successor of innovative artists such as Richard Serra, Jean Arp, and Constantin Brancusi, Roskin’s cast bronze, stainless steel, and carved wood works reflects the artist’s modernist and primitive influences. Beginning with a series of quick sketches, Roskin captures the movement of a basic form. By sculpting in foam and wood, Roskin translates that movement into a structural model that is then 3D scanned so that it can then be cast in bronze, aluminum or steel, and finished with carved wood elements. His works often feature a mammalian physicality with heaving sinuous forms and legs that extend from the body in a bowed fashion. Rejecting outright anthropomorphic mimicry in favor of subtle, sculpted muscular forms, Roskin notes: “I try with each piece to create a stance and a presence, some with more contrapposto. I aim to give each piece a feeling it is inhaling or ready to make a move...