New in Bookcases

Part room divider, part bookcase, part screen, the "30/30" series is an extremely versatile shelving system. Named for the degrees of the alternately angled dividers which give the p...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

1950s bookcase with black painted iron uprights and brass feet. The bookcase consists of 6 adjustable-height wooden shelves 25 cm deep. Fully restored.

American cast iron and mahogany two-drawer copying press with a turned bulbous cork screw handle, floral decorative pressure plate, flanking fluted decorati...

This Classic Scandinavian bookcase was designed by Danish master carpenter Johannes Sorth for Nexø Møbelfabrik, Bornholm in 1956. The idea was to combine a cabinet and a book case, ...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

Wonderful pair of early 19th C French glazed bookcases. 1830. Reference: 8022 Dimensions 61 inches (155 cms) Wide 25 inches (64 cms) Deep 98 inches (249 cms) High

Part room divider, part bookcase, part screen, the "30/30" series is an extremely versatile shelving system. Named for the degrees of the alternately angled dividers which give the p...

'Naturoscopie I' is a spectacular design piece that takes its organic inspiration from basic structures found in nature. From the cell to the star and planetary systems, the universe is formed of elements in networks and interconnected materials. The piece’s structure is built in carbon fiber, covered with a specific varnish very soft to the touch. The five shelves are made of honeycomb aluminum upon which the sprayed copper powder gives a matte pink golden effect. "Naturoscopie I" is part of the 'Naturoscopie' collection, exclusively designed in 2012 for Galerie BSL...

Beautiful and large shelving wall system/ bookcase with multiple possibilities of display. Designed by Tjerk Reijenga for Pilastro in The Netherla...

Large bookcase restored Art Deco circa 1925 oak display cabinet Features: Solid oak shelves, height adjustable Original fittings Original rod locks Subtle, abstract carving ap...

This beautiful walnut armoire features a central door front flanked by two doors, which open to shelved storage. (Two shelves).