Veneer Cabinets

Wooden cabinet / TV console made in Denmark in the 1960s. The cabinet has two doors, behind which are shelves to hide a small TV. "Superphone" mark inside the top flap. Key included.

Ribalta Antica Italiana della metà del secolo XVIII di origine trentina, la regione a nord vicina all' Austria. Lastronata in legno di noce, decorato con filettature geometriche in ...

Designed to be a focal point when opened or closed. The contemporary case has doors of unusual matched end grain veneer concealing a fully outfitted bar interior. The honey-toned oak...

Large two-door Louis Seize cabinet with bevelled corners and profiled and curved cornice. The cabinet stands on moulded ball feet and is veneered i...

20th century lacquered bamboo, pen shell and eggshell cabinet Absolutely stunning two door cabinet made with a array of natural materials, wove bamboo doors and sides, sliced lacque...

A fine quality pair of late 19th century amboyna 'Sevres' style porcelain mounted plaques, each having wonderful gilded ormolu swag decoration to the doors, column supports to the si...

The FLORAL Cabinet by R’Kan is a celebration of texture and hue, combining solid wood, multicolor veneers, hand-made glass, and solid brass accents to deliver a visually stunning cen...

Handsome vintage modern Campaign style oak Gentleman’s chest by Founders Furniture Patterns 35. Comprised of book matched oak veneer, six drawers and two double doors with brass toned hardware, and brass plated beading detail. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. Specifically, it was missing a handle & we had a custom duplicate replacement produced. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1970-1980’s. Just what the Gentleman ordered!!! Although, it is suitable for a lady as well!! This Founders Furniture tall Gentleman’s chest is comprised of gorgeous book matched oak veneer and features six full width drawers and two double opening doors, one drawer above the doors and five below. Each drawer is fitted with unique campaign style brass-toned inset handles with brass plated beading around each drawer opening. And the doors have a picture framed border with mitered corners and are inlaid with brass plated beading. It’s a lovely detail! This modern beauty has ample storage for linens...

A fine French 19th century Louis XV Style gilt bronze-mounted and "Vernis Martin" style bombé tulipwood veneered vitrine cabinet with a Breche d' Alep marble top. The serpentine fron...

Black Patinated Monolithic Sideboard by Tino Seubert Dimensions: D 160 x W 45 x H 50 cm. Materials: Walnut carcass, patinated brass cladding, walnut burl veneer. Tino Seubert W...

The Marot cabinet A Magnificent Walnut Burr Cabinet on stand or 'kruisvoetkabinet' in the style of Daniel Marot Circa 1720, probably made for George Clifford III in Amsterdam or the Hague The cabinet is one of the rarest examples of a so-called Kruisvoetkabinet, which is translated to Cabinet on stand. The cabinet is raised on a stand with eight legs and tree drawers. Below the drawers and on the sides are five carved ornaments. The hollow formed corners are mounted with carved ornaments too. The upper part of the cabinet has two doors decorated with panels and on each door two carved ornaments in Marot style. The cabinet has a double dome top.The interior of the cabinet has tree shelves and five drawers. The brass fittings and handles are original and finished with gilt lacquer. The cabinet is made of oak and veneered with burr walnut. The carvings, turned parts and the ball feet are made of solid walnut. This cabinet is a unique piece of Dutch furniture. Cabinets on stand became popular in the third quarter of the 17th century and were made until the second quarter of the 18th century. Most of the dutch cabinets on stand...

A light-brown, vintage Mid-Century Modern Italian chest with a trapezoidal body and an imbedded glass top, made of hand carved veneered Cherrywood in good condition. The small rectan...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

Add timeless elegance to your home or office with this original Baroque cabinet featuring a built-in secretary desk, crafted in Germany circa 1750. This exquisite piece originates fr...

A fine quality pair of Sheraton-style side cabinets, showcasing a bow-fronted design, crafted from fine satinwood and adorned with intricate classical marquetry inlay. The elegantly ...

Lapiaz cabinet takes exceptional craftsmanship and design to a new realm. Finding beauty in the most unexpected places, this contemporary design piece i...

Discover the timeless charm of this exquisite Louis Philippe/Late Biedermeier half cabinet, crafted around 1850. This remarkable piece features a single drawer and two doors, offerin...

Antique German cabinet on stand in walnut veneer with plumwood inlays. Straight, single-drawer frame on strongly curved scrolled legs. Above, a...

The cabinet Navajo Canyon reinvents the glorious majesty of Arizona cliffs with their twists and turns along the Colorado River. With the identical proportions and tones of the rock ...

A mid century mahogany Beithcraft drinks cabinet or linen cabinet There's a cupboard with a mirror back and shelf, along with three drawers.

Cabinet Dresser Tarius Large with wooden structure with solid walnut veneer in matte finish. With polished solid brass details and with brushed aged brass base. With 2 doors and 2 dr...

Armour, 21st century modern unique polished aluminum 2-doors cabinet When we design and create our pieces, we always imagine their soul. In ARMOUR cabinet we sense the spirit of an immortal samurai. The doors remind us of an ancient armor...

The depth given applies to the cabinet/secretaire being closed. The desk top measures 80cm in depth. Rampa, a multifunctional station on wheels from 1965, was inspired by the traditional florist’s display...

1950s Art Deco cabinet upholstered in mahogany burl with maple profiles and lacquered feet. It can be used in different contexts, as a small dresser in the room or in the hallway an...

Wood key cabinet made from Oak wood dyed with Black ink. This wall cabinet is wonderfully unique in it's design with it's patchwork veneer and brass dowel...

A very fine and rare French 19th-20th century Louis XVI style Belle Epoque ormolu-mounted satine, kingwood and burlwood two-door cabinet, the mounts by Ferdinand Barbedienne, fitted with a shaped Breccia Colorata marble top above a Vitruvian scroll frieze, centered by two doors flanked by putti and griffin mounts, the interior with two shelves, on four tapering fluted legs, the backs of the mounts stamped 'FB'. Paris, circa 1890-1900. Ferdinand Barbedienne (French, 1810-1892) Was a highly important and prolific bronze founder of furniture mounts and more commonly, bronze sculpture including figures, animals, urns, clocks and candelabra. His signature Varied from hand written capitals to stamp in capitals,- Bronzes cast bear...

Early 20th century Venetian Serpentin buffet cabinet in walnut hand-carved, walnut veneer with light wood threaded inlays. Period Art Nouveau, 1910s. Measure in cm.: H 94 x W 87 x D...

Proportion and compositional elegance for a timeless piece of furniture. Satin-finish brass embraces the deep black of the ash wood like a line of light, while a disc of Calacatta marble shines ethereally on the top. Each element is in harmonious balance. Features: Double-sided entrance cabinet...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

The Symphony Cabinet is inspired by the movement and evolution of music, from the natural flow of sound, to it’s various epochs and styles. Re-interpr...

Bar Nova Walnut with structure in walnut wood vennered, with 2 doors, with 1 drawers with easy glide system and with clear glass back inside. Also available on request with other ...

Wonderful Art Deco Cabinet designed by Maurice Dufrene and manufactured by La Maitrise around 1940. The cabinet is made from rosewood and has mother of pearl inlays. Rosewood-vene...

A custom ordered mahogany dry bar and storage cabinet from Blackwelder's in 1975 delivered to Newport, R.I. In good vintage condition.

Bar cabinet Allan with wooden structure in walnut matte veneer. Bar with 2 doors and 4 storage parts inside. Bar with 2 drawers with easy glide system. Base ...

Strata Cabinet by SNICKERIET Dimensions: D 40 x W 125 x H 115,7 cm. Materials: Oak veneer, solid oak, lacquer and wax. Smaller size adjustments are accepted without additional cost. Larger adjustments can be discussed as long as the furniture archetype is maintained. Please contact us. By manipulating wood grain patterns, Strata captures an expression in between the organic and the man-made. The surface consists of tangential layers of oak, veneered at an angle on top of each other, and carefully sanded down into a pattern inspired by the veining of sedimentary rock. The combination of wood grain patterns and stone vein formations creates a mesmerizing texture that draws the mind toward root or burl wood, yet is distinctly different through its repetition and distortion. The technique developed has its roots in conventional intarsia inlay, but in order to find an expression more organic and naturally occurring, the graphical nature of cut-out veneering has been replaced by an extensive process of sanding down transitions between overlapping veneers. Continuing the approach of interpreted nature; all angles, shapes, and proportions of the cabinet relate to pi and the golden ratio. The subsurface of Strata is prepared to compensate for the irregularities caused by the sanding, resulting in a perfectly flush surface. The cabinet is finished with a glossy lacquer and a wax coating. SNICKERIET is a furniture studio with an explorative approach to traditional woodworking craft and philosophy. Projects are initiated as research into topics revolving technique, construction, decoration and material properties. The findings are released in the form of individual pieces of furniture. The studio was founded in 2011 and is based in Stockholm and Gothenburg. Karl-Johan Hjerling, designer, creative director, founder Gunnar Dahl, Production manager, founder Hannu Hietamäki, Lead cabinet...

Scandinavian made cabinet veneered with teak. Top part with roll-up flap, bottom with two sliding doors, behind which are storage compartments with a shelf. Key included.

Black Brutalist bar cabinet in black lacquered oak, Belgium 1970s. Sideboard features three graphic patterned doors. It provides plenty of storage which makes it both very functio...

Probably the tallest cabinet on the market. A breathtaking neoclassical palisander cabinet from the 19th century. Presumably of French origin. Solid rosewood and veneered on oak. ...

Book-matched Macassar ebony drinks cabinet. The hand-sculpted legs in ebonised walnut and waterfall veneer edging encase a beautiful Irish stone top. The interior of the cabinet is made from ripple sycamore...

Mid century veneer cabinet with 4 drawers and a single door by Meurop, Belgium, 1960s. Beautiful veneer, nice handles and chromed legs. 1960s - Belgium Very good condition Dimens...

A pair of English George II style cabinets in burled walnut and pine from the 19th century. The pair of nicely carved cabinets have cabriole legs and have of two drawers and doors ...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

A Swedish modern cabinet with squares of contrasting figured mahogany veneer. The three cabinet doors concealing three shelves and three drawers. The body supported by four squared a...

19th century French empire influenced mahogany cabinet circa 1890. This cupboard was constructed using a flat pack technique, with panels held in place by bolts. Central door with ...

A 18th century "Hamburg Schapp". Walnut veneered on oak. In the second half of the 18th century, the first "Schapp" were created in northern Germany for the entryways of wealthy m...

Norm Large TV Cabinet by Pastform Dimensions: D 40 x W 190 x H 56 cm. Materials: Stained and varnished wood. Available in different wood color finish...

A good quality late Victorian / Edwardian golden burr oak & oak drop sided cabinet. Circa 1890-1910. The cabinet is in excellent condition and has been sympathetically re-finished i...

Informed by the refined craftsmanship of mid-century Italian design, the Serge Cabinet features sculptural two-legged brackets, with a gently tapered silhouette and articulated edge....

19th-Century Small Walnut Cabinet With the Motif of Sunflowers by George Davis A small piece of furniture made of walnut wood in the style of a cabinet, dating back to the 4th quart...

Northern German Baroque cabinet from the late 18th century. Walnut veneered on oak. Ebonized head strip and profile strips on the base. Two-door body standing on 5 feet with bevelled corners. Profiled base with large drawer. Curved, blown gable with center console. Original lock and key. Partly restored. Newer door...

Space tv stand is a high quality product by Mambo Unlimited Ideas, crafted in natural oak and natural walnut plywood veneer. It features four drawers and two ...

Teak Veneer Storage Cabinet on Wheels, Side or End Table, Nightstand, Vintage, Mid Century, MCM, Bedroom, Living Room, Office This multipurpose teak storage cabinet on wheels serves...

Louis XVI style fall top secretaire, France second half of the 19th century, mahogany veneer with white marble top. In very good condition. The se...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Two bodies furniture; lower part with swing doors, upper part with swing doors and showcase with sliding doors; ebony stained and veneered wood, fluting...

- Made of veneered palisander - Carefully refurbished.

19th Century, French Louis XVI Style Wood Secretaire Sideboard Rare veneered wood secretaire sideboard, France, late 18th century - early 19th century Measurements: cm W 105 x H 11...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

One unit or four? doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...