Veneer Cabinets

Mahogany veneered pillar cupboard with two drawers and a slightly convex door. The door is flanked by solid columns with leaf capitals. The cabinet stands on square feet and ends wit...

We present you this mahogany cabinet from the 2nd half of the 19th century, with fronts veneered with pyramidal mahogany. The piece of furniture is of the cabinet type, with four dr...

Windellade cabinet, Zurich region 1770-1780 walnut veneer. In very good condition. The cabinet will be shipped from Europe. Shipping costs to Bosto...

Remarkable 18th century nutwood baroque cabinet out of Austria around 1770. This absolutely artfully handcrafted baroque cabinet was part of the inventory of a private castle - more ...

Mid century sideboard-cabinet, catalogue No. U-450, designed by Jiri Jiroutek. It´s made of beechwood, veneer, plywood and laminate. In very good condition. The cabinet comes from...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

This pair of clean cherry veneer cabinets with brass details and breadsticks doors and basement can fit in all kinds of environments (either classic or modern ones). Each cabinet com...

This original 19th century Biedermeier Nightstand has a very pretty walnut veneer. The small cabinet has one door, behind the door is a shelf....

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A very rare and elegant Biedermeier cabinet of architectural form. Very simple in design with a fantastic and warm burr-ash veneer, accentuated with ebonized thread inlay, discs and ...

Biedermeier cabinet, South German 1810. Small cabinet or nightstand of the Biedermeier period. The cabinet has a beautiful walnut veneer. It stands on high legs and has one door and ...

Add timeless elegance to your home or office with this original Baroque cabinet featuring a built-in secretary desk, crafted in Germany circa 1750. This exquisite piece originates fr...

Two bodies furniture; lower part with swing doors, upper part with swing doors and showcase with sliding doors; ebony stained and veneered wood, fluting...

19th-Century Small Walnut Cabinet With the Motif of Sunflowers by George Davis A small piece of furniture made of walnut wood in the style of a cabinet, dating back to the 4th quart...

A versatile and sleek chest, the Belvedere has a timelessness that allows it to integrate seamlessly into a range of stylish interiors. Opt for two providing pleasing symmetry as b...

LOTV Vinyl Slide Cabinet by Pastform Dimensions: D 41 x W 150 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finis...

Neoclassical Demilune Cabinet, c. 1830 – Elegant Mahogany Credenza This exquisite Neoclassical demilune cabinet, dating to circa 1830, showcases refined European craftsmanship and ti...

Rare and important 19th century French kingwood and parquetry inlaid display or vitrine cabinet, signed by the renowned designer and cabinet maker François Linke. The shaped bonnet atop large glass double doors and inset parquetry panels trimmed in bronze. Finely appointed overall with remarkably detailed gilt bronze mounts depicting caryatid masques, maiden busts, shells, acanthus leaves, and fleur de lis. The entire on gilt bronze animal...

Definitely a statement piece, this fantastic “Kovacs” modular shelving was designed in the ’60s by the Brazilian master Jorge Zalszupin.  Super versatile, the design itself allows t...

Space tv stand is a high quality product by Mambo Unlimited Ideas, crafted in natural oak and natural walnut plywood veneer. It features four drawers and two ...

Classy Large Vinyl Cabinet by Pastform Dimensions: D 35 x W 160 x H 57 cm. Materials: Stained and varnished wood. Available in different wood color finishes and combinations. Availa...

Black Patinated Monolithic Sideboard by Tino Seubert Dimensions: D 160 x W 45 x H 50 cm. Materials: Walnut carcass, patinated brass cladding, walnut burl veneer. Tino Seubert W...

'Swing' Our dreams reflected in woodcarvings and a sensation of grandeur embody this impressive, more than two-meter-high wine bar that will mesmerize you and your guests. Inspired ...

alvar & aino aalto design glass cabinet. this is most earliest products of aalto furniture. alvar & aino try to sell their furniture in UK as finmar. So this is original condition. ...

Danish Mid-Century Modern Teak cabinet by Illum Wikkelsø for Soren Willadsen This cabinet was designed by Illum Wikkelsø and produced by Danish company Soren Willadsen in the 1950s....

LOTV Vinyl Cabinet by Pastform Dimensions: D 40 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Forst Cabinet by Un’common Designed by Małgorzata Korycka. Dimensions: D 35 x W 80 x H 130 cm. Materials: Oak and brushed Carrara marble. Available in different oak finishes. Availa...

Exceptional. late 19th century nutwood half cabinet or so-called "vertiko" from the historicism period in Austria. This beautiful designed half cabinet from around 1880 shows an abso...

Pillar cabinet with cambered body, one drawer and door, and pillar supports with brass bases and capitals. Mahogany veneered.

An English mahogany vitrine cabinet from the mid 19th century with glass doors, dark banding, fabric and drawers. Created in England during the second quarter of the 19th century, th...

English Mahogany Wood & Veneer Cabinet Circa 1890 A two-part piece of furniture consisting of a base on tall, turned legs and an upper section. The base features three doors, with t...

TV Mini Small Cabinet by Pastform Dimensions: D 35 x W 100 x H 55 cm. Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy, Schwarz, Nevada, Honey, Dark Brown and Natura. Available in three different widths: 100/120/140 cm. Please contact us. The furniture is entirely made of wood covered with oak veneer. Our furniture is made of only natural materials, so individual models may differ in the arrangement of grain and color. TV Mini Brown Chest of Drawers...

LOTV TV Cabinet by Pastform Dimensions: D 40 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy, S...

Biedermeier cabinet with two doors, two drawers and a protruding cornice. The wardrobe is veneered in cherry and has been polished by hand. The doors have panels with segmental arche...

Remarkable 19th century Biedermeier walnut cabinet/ bookcase/ vitrine coming from the early period in Austria around 1835. Elaborately veneered in finest burr walnut the glossy surfa...

Norm Large TV Cabinet by Pastform Dimensions: D 40 x W 190 x H 56 cm. Materials: Stained and varnished wood. Available in different wood color finish...

Art Deco auxiliary or entrance unit with walnut and burr walnut veneers, consisting in a cabinet with two doors (one concealing a mini-bar), topped by an engraved bevelled mirror wit...

This Napoleon III Demi Lune cabinet is of exquisite quality. The half moon shaped cabinet has two doors and one central drawer. It has a very pretty kingwood veneer with a gorgeous...

Iconic and unparalleled, the Pixel Cabinet presents a ground-breaking work of pioneering design. This piece carries the dedication and art of those who built it, a variety of traditi...

Ward Bennett nine drawer cabinet Brickell Furniture burlwood USA c 1960s Nine drawer cabinet with inset chrome ring handles, includes two...

TV Mini Brown High Small Cabinet by Pastform Dimensions: D 35 x W 90 x H 75 cm. Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA,...

A monumental pair antique Pietra Dura inlaid ebony veneered pier cabinets. Have the original black marble tops, wonderful gilded ormolu mounts and inlaid foliate decoration to the do...

Made by G Plan for their 'Sierra' line, this vintage teak cabinet comes with 1 drawer and 2 door cabinet storage. Teak wood grain throughout with accenting dark teak handles. British...

Samoa bar cabinet is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, brass applications and lacquered doors. It features...

Very hard to find ‘Kaidan’ cabinet in very good condition. Designed by Kazuhide Takahama in 1962. Manufactured by Gavina SPA, Bologna. The kaidan (Which means stairs) is a transfo...

André Beaudoin, Art Deco cabinet in sycamore and bronze, circa 1940-1950. Good proportion, A.B monogrammed keys Complete interior Patina to review.

LOTV + Light Medium TV Cabinet by Pastform Dimensions: D 40 x W 175 x H 60 cm. Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, ...

Lane Medium Cabinet by Pastform Dimensions: D 40 x W 100 x H 85 cm. Materials: Stained and varnished wood. Available in different wood color finishes: BPA, Nobel, Brandy, Whiskey, R...

This Rosewood Bookcase, designed by Jorge Zalszupin (1922-2020) and manufactured by L'Atelier in the 1960s, is a great way to have the diversity of different tones of Rosewood in jus...

'Dancers Twins' Dance is the language of the soul; every movement is like a word or a thought. It is defined by the inevitable synchronization, which is ...

The Ludovica Cabinet features a frame made of 1" brass or steel angles. The polished stone top measures 1" thick with eased edges. Drawers and cabinets are...

LOTV Vinyl Cabinet by Pastform Dimensions: D 40 x W 150 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy...

19th Century, French Louis XVI Style Wood Secretaire Sideboard Rare veneered wood secretaire sideboard, France, late 18th century - early 19th century Measurements: cm W 105 x H 11...

The Leopold Cabinet features a frame made of 1" brass or steel angles. The polished stone top measures 1" thick with eased edges. Drawers and cabinets are ...

The Marot cabinet A Magnificent Walnut Burr Cabinet on stand or 'kruisvoetkabinet' in the style of Daniel Marot Circa 1720, probably made for George Clifford III in Amsterdam or the Hague The cabinet is one of the rarest examples of a so-called Kruisvoetkabinet, which is translated to Cabinet on stand. The cabinet is raised on a stand with eight legs and tree drawers. Below the drawers and on the sides are five carved ornaments. The hollow formed corners are mounted with carved ornaments too. The upper part of the cabinet has two doors decorated with panels and on each door two carved ornaments in Marot style. The cabinet has a double dome top.The interior of the cabinet has tree shelves and five drawers. The brass fittings and handles are original and finished with gilt lacquer. The cabinet is made of oak and veneered with burr walnut. The carvings, turned parts and the ball feet are made of solid walnut. This cabinet is a unique piece of Dutch furniture. Cabinets on stand became popular in the third quarter of the 17th century and were made until the second quarter of the 18th century. Most of the dutch cabinets on stand...

French Consulat period mahogany commode with three-drawers, ebonized griffin feet and pilasters, and black fossil marble top. Gilt bronze escutcheons i...

Lapiaz cabinet takes exceptional craftsmanship and design to a new realm. Finding beauty in the most unexpected places, this contemporary design piece i...