Veneer Cabinets

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

Good quality Art Nouveau inspired cabinet on chest circa 1890. Comprising of 2 parts.  Top section of a double and single door cupboard containing a shelf.  Doors glazed with latice...

A Spanish ormolu mounted cabinet on original stands. The banks of drawers either side of a central cupboard all with red tortoise shell panels and turned columns. Standing on claw fe...

This original 19th century Biedermeier Nightstand has a very pretty walnut veneer. The small cabinet has one door, behind the door is a shelf....

Sectional cabinet with hinged doors and exposed drawers made of walnut veneer wood, smoked glass and chrome-plated aluminum foil.

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

Biedermeier Mahogany Veneer Corner Cabinet, Circa 1870 This piece of furniture is made of softwood veneered with mahogany and dates from around 1870. It is designed for placement in...

BODEGA CABINET Bodega Collection refers to cellar art or better known as chiaroscuro, a technique of extreme contrast of light and shadow used by Caravaggio. Cabinet designed by Jo...

A Pair of French Empire Design Figured Walnut Three Drawer Nightstand Chests With Mounted Gilt Provenance: From an Establishment on Belgrave Square London see images7 Known to be ...

18th century Baroque cabinet with secretaire, Germany, 1760, walnut veneer. Beautiful piece in excellent condition, professionally rest...

Italian circa 1930s Art Deco nightstand, Consorzio Esposizione Mobili Cantu, Gio Ponti attributed, in blond walnut and turned beech, polish...

Basjoo limited edition. Marked by a delightful palette of white and rose and gold colors, Basjoo is inspired by the unattainable perfection of nature. Every detail of this piece of ...

A very nice near pair of French demi loon single door cabinets, standing on brass feet, and with marble tops, excellent colour and condition. Would sell seperately. 35.5" high 28.5"...

'Secret' Throughout the centuries philosophy, religion, literature were drawing breath to obtain the secret. The knowledge was inherited from one to another, was hidden, lost, stole...

A so-called Maria Theresa cabinet (furniture type named after the Austrian empress) or Baroque hall cabinet from the 18th century. On ball feet standing two-door coniferous corpus...

A pair of English George II style cabinets in burled walnut and pine from the 19th century. The pair of nicely carved cabinets have cabriole legs and have of two drawers and doors ...

Beautiful Biedermeier walnut veneer bedside table or column cabinet from Germany. All around with very nice walnut veneer and a beautiful veneer picture. The opening handles are made...

Add timeless elegance to your home or office with this original Baroque cabinet featuring a built-in secretary desk, crafted in Germany circa 1750. This exquisite piece originates fr...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

LOTV Vinyl Cabinet by Pastform Dimensions: D 40 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy...

Pair of early 20th century Venetian Baroque nighstands in massive gilt hand-carved walnut, black laquered. Gilt bronze handle. Restored and polished to wax. Measure cm: H 64 x W 6...

Produced in the 1960s by Celina Decorações, this wall cabinet is made of plywood with rosewood veneers, with beautiful grains and color variation. It has two drawers connected by a s...

Unique and exclusive Italian pair of grey lacquer and walnut veneer sideboards/cabinets by the Architect Paolo Pallucco. His work is distinguished by experimentation and innovation i...

Late 18th century walnut veneer wall vitrine display case, Copenhagen, Denmark The display case has with two small drawers with original brass hardware.   

Midcentury scandinavian dark wood cabinet chest of drawers or office furniture with concealed doors and pull-out drawers, Denmark 1960s. Please note...

Lorn Vinyl Medium Cabinet by Pastform Dimensions: D 38 x W 100 x H 105 cm. Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobe...

Impressive two-door baroque cabinet or armoire in oak and walnut. From a Danish manor house, c. 1730-1750. This large-sized cabinet features an architecturally architecture includi...

LOTV + Cabinet by Pastform Dimensions: D 41 x W 175 x H 57 cm Materials: Stained and varnished wood. Available in different wood color finishes: Whiskey, Rum, BPA, Nobel, Brandy, Sc...

Form TV stand is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, combining natural oak, natural walnut, dark walnut and ...

A petite Dutch walnut cabinet from the 19th century, with single drawer over door and bronze mounts. Created in the Netherlands during the 19th century, t...

A fine quality late 19th Century French marble topped side cabinet, with radiating veneers, floral marquetry inlay, gilded ormolu mounts, two doors opening to reveal shelves within. ...

Outstanding baroque cabinet with fall top secretaire, South Germany, 1750-1760. Beautiful walnut veneer with exquisite figural and landscape marque...

Beautiful antique Biedermeier Corner Cabinet in cherry veneer from South Germany around 1820.Cherry veneered on softwood. Partly ebo...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Danish Mid-Century Modern Teak cabinet by Illum Wikkelsø for Soren Willadsen This cabinet was designed by Illum Wikkelsø and produced by Danish company Soren Willadsen in the 1950s....

A wonderful tall pair of French Louis XVI kingwood cabinets with outstanding oval Sevres style porcelain plaques depicting cherubs, covered with gilt ormolu mounts, each with a singl...

Cylinder burl walnut pedestal cabinet. Late empire. Oak beautifully veneered with walnut. A large front door that opens to reveal a set of four shelve...

Fabulous vintage traditional Sheraton style mahogany sideboard cabinet. A classic timeless and luxurious style inspired by the 18th and 19th century design. The Kittinger furniture...

Modernist Cabinet made of chrome plated metal and walnut veneer. Designed and manufactured by Robert Slezak, c. 1930. Restored on request. Delivery time c. 12-15 weeks.

A Spanish tortoiseshell and bone inlaid, ebonized walnut marquetry cabinet on stand. The upper section with a pediment with a double headed eagl...

Definitely a statement piece, this fantastic “Kovacs” modular shelving was designed in the ’60s by the Brazilian master Jorge Zalszupin.  Super versatile, the design itself allows t...

Samoa bar cabinet is a high quality product by Mambo Unlimited Ideas, crafted in polished or matte wood veneer structure and feet, brass applications and lacquered doors. It features...

Two available. Unique and exclusive Italian grey lacquer and walnut veneer sideboard/cabinet by the Architect Paolo Pallucco. His work is distinguished by experimentation and innovat...

This very fine English late 19th-early 20th century (probably Victoria or Edward VII period) Georgian style chest on stand or highboy is made of the most finest burl walnut featuring...

Very hard to find ‘Kaidan’ cabinet in very good condition. Designed by Kazuhide Takahama in 1962. Manufactured by Gavina SPA, Bologna. The kaidan (Which means stairs) is a transfo...

Pillar cabinet with cambered body, one drawer and door, and pillar supports with brass bases and capitals. Mahogany veneered.

Classic Biedermeier fall top desk, South German, 1820, walnut veneer on the outside and mahogany veneer on the inside. It has a beautiful veneer grain. T...

Remarkable 18th century nutwood baroque cabinet out of Austria around 1770. This absolutely artfully handcrafted baroque cabinet was part of the inventory of a private castle - more ...

We present you this mahogany cabinet from the 2nd half of the 19th century, with fronts veneered with pyramidal mahogany. The piece of furniture is of the cabinet type, with four dr...

A rare Dutch Renaissance 17th-century Maternity room or Child's cabinet, in Dutch called 'Luiermandskast' circa 1650, possibly the circle of Herman Doomer...

Cabinet Paradise Walnut with structure and doors in solid walnut root veneer in varnished finish and with solid brass in hammered and polished finishes. Inside in solid poplar root ...

Norm Large TV Cabinet by Pastform Dimensions: D 40 x W 190 x H 56 cm. Materials: Stained and varnished wood. Available in different wood color finish...

Cabinet Dresser Tarius High with wooden structure with solid walnut veneer in matte finish. With polished solid brass details and with brushed aged brass base. With 2 doors, 1 clear ...

Bar cabinet Allan with wooden structure in walnut matte veneer. Bar with 2 doors and 4 storage parts inside. Bar with 2 drawers with easy glide system. Base ...

The Hague, circa 1760 Oak, veneered with amboyna root, brass fittings with lacquer gilding. H: 242 cm. , W: 120 cm. , D: 62 cm. Provenance: Private collection Germany The bureau cabinet is a piece of furniture that has become very popular in the Netherlands since the early 18th century. This example was made around 1760. The single curved base cabinet...

Corner cabinet, The Hague circa 1775 Dimensions: 270 cm high, 132 cm wide, and 72 cm deep. Oak core veneered with mahogany, gilded bronze fittings. Provenance: Passed down from gener...

Iconic and unparalleled, the Pixel Cabinet presents a ground-breaking work of pioneering design. This piece carries the dedication and art of those who built it, a variety of traditi...

Biedermeier cabinet with two doors, two drawers and a protruding cornice. The wardrobe is veneered in cherry and has been polished by hand. The doors have panels with segmental arche...

Biedermeier cabinet, South German 1810. Small cabinet or nightstand of the Biedermeier period. The cabinet has a beautiful walnut veneer. It stands on high legs and has one door and ...

Extraordinary Art Deco storage cabinet-bookcase, solid mahogany with mahogany veneer outside and sycamore inside with a wide base, french polish. Two curved doors...