Yunhwan Kim, Unintended Low Cabinet II, ROK, 2019

Seoul-based designer Kim Yunhwan’s remarkable hand carved furniture began as series of small objects – trays, vessels, bowls – that had, what he ...

Using ceramic surfaces as her canvas Hatch extends her historically-inspired contemporary repertoire with Memorandum, a wall installation comprised of 35 hand-painted plates. The ce...

Portali Milan, July 2007 “Portali” is a collection of 18 pieces of white pottery, intended as if they were small equal surroundings; yet, in each of these portals a different vas...

Misha Kahn [American, b. 1989] A Little of This and a Little of That, 2022 Ceramic Measures: 36 x 48 x 20.25 inches 91 x 122 x 51 cm Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...