Brutalist Oak Credenza, USA 1960's

This piece by René Gabriel is emblematic of the French post-war period known as "reconstruction.” In this period, a host of designers stepped up to the need to rebuild the countr...

Elegant oak sideboard by Charles Dudouyt with diluted legs and carved doors.

Oak sideboard with a lattice diamond pattern, original hardware and patina, on a trapeze shaped base, possibly by Atelier Saint Sabin.

Guillerme & Chambon two door cabinet Solid oak construction on a plinth with two doors, interesting wood lock sliding mechanism and heavy bronze hinges.

Amazing sideboard/credenza in natural oak wood with a nice grain in the wood. 4 round pattern doors with inside lots of storage space. In absolute perfect, refinished condition, 3 ...

Danish Modern Brutalist Credenza in Oak, 1960s. Beautiful and sculptural Mid-Century Modern Danish highboard in oak that offers plenty of storage space. Made in Denmark in the 1960s with intricate hand carved motifs and wrought iron drawer pulls. This high sideboard could very well be designed by Henry/Henning Kjærnulf, as he is well known for combining baroque and early medieval...

Pretty piece in solid elm with entirely original patina, celebration of craftsmanship and mid-century design, composed of 3 doors closing with shelves. A large central shelf allows y...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...