Teak Five-Drawer Dresser by Peter Hvidt and Orla Mølgaard-Nielsen
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Teak Five-Drawer Dresser by Peter Hvidt and Orla Mølgaard-Nielsen
About the Item
- Creator:John Stuart (Retailer),Hvidt & Mølgaard (Designer)
- Dimensions:Height: 37 in (93.98 cm)Width: 35.25 in (89.54 cm)Depth: 19 in (48.26 cm)
- Style:Scandinavian Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use.
- Seller Location:Dorchester, MA
- Reference Number:1stDibs: LU83788955293
Hvidt & Mølgaard
Warm, exceptionally versatile and crafted with a range of appealing materials, vintage Peter Hvidt and Orla Mølgaard-Nielsen furniture showcases the Danish duo’s penchant for innovation and durable design. For decades, the pair created sleek coffee tables, seductive lounge chairs and other pieces that are characterized by the practicality and elegance commonly attributed to Scandinavian modernism.
Both Hvidt and Mølgaard-Nielsen attended what is now the Royal Danish Academy of Fine Arts, with Mølgaard-Nielsen having completed his studies under the Danish furniture design pioneer and architect Kaare Klint. Trained as an architect and cabinetmaker, Hvidt established his own firm in 1940 and taught at his alma mater for a few years. After they won a design competition held in Stockholm, Hvidt partnered with Mølgaard-Nielsen in 1944 to establish their firm in Copenhagen.
The collaboration between Hvidt and Mølgaard-Nielsen yielded more than 250 designs and lasted over 30 years. Aside from having created a wardrobe for the Queen of Denmark as well as numerous architectural structures, the pair’s flagship achievements include 1944’s teak Portex chair, which is Denmark’s first-ever stacking chair (and is occasionally attributed to Hvidt alone), and the AX chair.
A masterpiece of technical expertise and innovative woodworking, the sculptural AX armchair shares commonalities with the work of legendary Finnish designer Alvar Aalto — whose output included similarly curvaceous seating such as the Paimio armchair, often designed in partnership with his wife, Aino. It features double-curved laminated wood in the seat and back — which could be mass-produced — and is an early example of knock-down furniture. This meant that it could be easily dismantled and assembled at its destination, which rendered the chair economical for transport on cargo ships and therefore could reach a worldwide audience.
While vintage Hvidt & Mølgaard furniture isn’t as popular as the work of Finn Juhl, a like-minded Danish modernist who helped popularize Scandinavian design in America as well as the use of teak in furniture, the innovative AX chair is similarly as expressive and inviting as Juhl’s seating. The AX was designed in collaboration with manufacturer Fritz Hansen during the late 1940s and went into production in 1950. It gave way to a series that includes tables and other types of seating.
Hvidt and Mølgaard-Nielsen collaborated regularly with Fritz Hansen, France & Søn and Søborg Møbelfabrik. Their work can be found in New York’s Museum of Modern Art, Copenhagen’s Design Museum and the National Gallery of Victoria in Melbourne.
Find vintage Hvidt & Mølgaard dining tables, coffee tables, modular sofas, storage cabinets and more on 1stDibs.
John Stuart
Grand Rapids, Michigan, was once known as “Furniture City” for its local mass-production industry that flourished from the mid-19th century into the early 20th century, led by furniture manufacturers like John Stuart. Stuart’s eponymous company, which would build showrooms in New York and Philadelphia, designed and sold elegant reproductions of various furniture styles, including 18th-century French and English furniture as well as what we now call mid-century modern home furnishings built by European craftsmen in the entrepreneur’s Grand Rapids factory.
In 1845, a British cabinetmaker named George Widdicomb arrived in New York before moving to Grand Rapids. There he set up a small cabinet shop in 1857 with a dozen craftsmen, including his son John Widdicomb. The store quickly found success due to Widdicomb’s English training and the dearth of other quality furniture makers in the region. Toward the end of the 19th century, Grand Rapids had earned an international reputation as a leader of American furniture manufacturing, and while the Widdicomb family would navigate some difficulty after the Civil War, they emerged anew as Widdicomb Brothers and Richards, and then the Widdicomb Furniture Company. Widdicomb’s son started his own company in 1897, the John Widdicomb Company, and in 1929, the Grand Rapids–born John Stuart joined the company as a director.
Stuart, who had been in the furniture industry since 1913, was named president of John Widdicomb Company in the early 1940s and by then had formed John Stuart, Inc., with partner Herbert M. Rothschild. John Stuart, Inc.’s offerings included oak buffets and other dining-room furnishings crafted in the Tudor and Elizabethan styles, with cabinet doors and drawer fronts characterized by meticulously carved natural-world motifs and other decorative flourishes. Stuart also oversaw the design of reproductions of sophisticated walnut and mahogany Queen Anne side tables and dining chairs, with the latter marked by pronounced, vase-shaped curves in the back splats and cabriole legs. In 1952, the manufacturer and distributor’s founder sold the business, including the right to trade under his name, to the John Widdicomb Company.
Find a wide variety of vintage John Stuart furniture on 1stDibs.
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