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Wavy Front Tall Dresser by Edmond J. Spence

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Architectural walnut dresser by Edmond Spence
By Edmond J. Spence
Located in Atlanta, GA
A long dresser in walnut designed by Edmond J. Spence and made in Sweden. It features a slightly curved front and three stacks of twelves drawers in total supported by brass-capped f...
Category

Vintage 1950s Swedish Mid-Century Modern Dressers

Materials

Brass

Rare Japanese Export Marquetry Cabinet with Drawers on Stand
Located in Atlanta, GA
A piece of functional art made in Shizuoka for export to the western market, this Japanese chest with drawers on stand, circa 1900s features intricate marquetry work using a traditio...
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Early 20th Century Japanese Japonisme Cabinets

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Brass

Rare Solid Mexican Cocobolo Wood Desk Don Shoemaker
By Don S. Shoemaker
Located in Atlanta, GA
A bespoken and rare desk by celebrated Mexican designer and woodworker Don Shoemaker, model no F46. Designed in 1970s and executed in 1981, the desk is constructed with patchwork of ...
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Vintage 1980s Mexican Modern Desks and Writing Tables

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Cocobolo

Deep Relief Steel Front Sideboard Cabinet PE-42 by Paul Evans
By Paul Evans
Located in Atlanta, GA
A large and stunning sculpted-front cabinet by Paul Evans (1931-1987), model PE-42, made in 1970 in his studio for Directional. The model was one of the largest case pieces made by P...
Category

Vintage 1970s American Mid-Century Modern Cabinets

Materials

Slate, Steel

Pair of Tall ORG tables by Fabio Novembre for Cappellini
By Cappellini, Fabio Novembre
Located in Atlanta, GA
A pair of tall red ORG table designed by Fabio Novembre (Italian, born 1967) in 2001 for Cappellini. Made of glass top supported by polypropylene rope-covere...
Category

21st Century and Contemporary Italian Post-Modern Side Tables

Materials

Steel

Early Tall Ceramic Vase with Unique Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
An early ceramic vase in a cylinder form by potter Brother Thomas Bezanson (1929-2007). Unusually tall at 21.75 inches, the vase strikes the viewer with its slender silouette with a tapering neck and mouth opening. What is extraordinary about this piece is the complex glaze Bezanson applied on the surface. Three vertical black glaze stripes are featured around the surface. On one side, stacks of horizontal finger-like marks were placed on a brown and silvery iridescent background, characterized as "Honan tenmoku" glaze. The other side, the glaze took on a brilliant silver oxidation in a mottled effect. The top conical portion is largely covered with a thick and oily "black olive" glaze, which is dripping down in high saturation. Circles surrounding the rim was less iron-saturated, forming a more orderly visual border. In close range, the different glazes across the vase displays subtle changes of shimmering, iridescent and textured effects and are visually mesmerizing. Bezanson's ceramic and glaze techniques was rooted in Asian ceramic tradition but utterly modern looking. The vase was marked on the base "Benedictine Monks Weston Vermont", "^60 BRENER" and Bezanson's decipher as shown. The decipher indicated that this vase was made in Weston VT circa 1965-1970, same period of another vase with similar glaze effect in our gallery (shown in the last photo), showcasing the highly sophisticated techniques Bezanson mastered and used fluidly in his ceramic work. Brother Thomas Bezanson (1929-2007) was a Canadian born artist and Benedictine monk primarily known for his porcelain pottery and mastery of complex glazes. Strongly influenced by Asian pottery, often adapting traditional Chinese and Japanese pottery methods and materials to his work. He is renowned for his original glaze recipes and perfect forms and always sought to create something new and beautiful. His exacting standards made for the shattering of over 80% of each firing. One "rescued" piece however is now in the collection of the Museum of Fine Arts, Boston. His estate is represented by Pucker Gallery...
Category

Mid-20th Century American Modern Vases

Materials

Ceramic

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