Bruno Paul Sideboard from the 1928 New York Line

Paul Poiret's career began in the Belle Epoque, when fashion was defined by imprisoning corsets, restrictive tailoring, and ethereal colors. Opening his own fashion house in 1904, he...

Great grandson of the famous writer Victor Hugo, the painter Jean Hugo (1894-1984) was in the thick of the Paris art scene between the wars. A member of the avant garde, he was a friend of Picasso, Cocteau and Colette and was associated with the Neo Romantics. His small gouaches on paper were avidly collected by Dr. Albert Barnes, and can be seen today in the Barnes Collection in Philadelphia. Hugo's most desirable work -- landscapes, interior scenes, set designs -- date from the mid 1920s to the late 1930s. This whimsical painting, signed and dated 1927, is set in a curtained, classical interior furnished with Victorian lighting fixtures...

This iconic woodblock print by Chikanobu Toyohara (1838-1912), titled 'A Mirror of Japanese Nobility,' depicts Emperor Meiji, his consort, and the heir t...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...