Cees Braakman Japanese Series Du-01 Teak Sideboard for Pastoe, Netherlands, 1955
View Similar Items
Cees Braakman Japanese Series Du-01 Teak Sideboard for Pastoe, Netherlands, 1955
About the Item
- Creator:Cees Braakman (Designer),Pastoe (Manufacturer)
- Dimensions:Height: 28.35 in (72 cm)Width: 59.06 in (150 cm)Depth: 17.72 in (45 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1955
- Condition:Wear consistent with age and use.
- Seller Location:Munster, DE
- Reference Number:1stDibs: LU1391218207111
Cees Braakman
Revered Dutch mid-century modernist designer Cees Braakman had been creating furniture since his teenage years when he was promoted to head of design at UMS Pastoe in 1948. Today’s vintage furniture enthusiasts know that Braakman found inspiration in works by Scandinavian artisans such as Alvar Aalto and Herman Miller luminaries Charles and Ray Eames — Braakman’s clean-lined dining chairs, sleek sideboards and other case pieces are demonstrative of those influences.
UMS Pastoe was established in 1913 by German-Jewish entrepreneur Frits Loeb and became rapidly successful largely owing to its reputation for well-made tables and chairs. However, the Dutch brand is best known by collectors for the modular sideboards, storage cabinets and other spare, streamlined case pieces that it produced during the postwar years.
The Utrecht-born Braakman took over for his father, Dirk, who had by then been managing the company for more than 20 years and had designed a variety of furnishings for the manufacturer by himself. A year before he assumed his new role at Pastoe, Cees visited the United States where he became enamored with the designs of Charles and Ray Eames and the other creative minds associated with legendary American furniture manufacturer Herman Miller.
While many Dutch designers who are now celebrated by vintage furniture collectors — names like Gerrit Rietveld and Friso Kramer are in this list — found inspiration in Piet Mondrian and the country’s De Stijl art movement, they also looked to Scandinavian modernists such as Alvar Aalto and Americans such as the Eameses. Cees Braakman was no different.
Braakman’s 1940s-era tour to the States included a visit to the Herman Miller factory in Zeeland, Michigan. At the time, architect-designer-journalist George Nelson was director of design at the firm and had enlisted a range of designers to collaborate with Herman Miller and create what are now icons of mid-century modernism. Braakman took notice of industrial manufacturing techniques at HM and in particular, the company’s innovations in furniture design owing to experimentation with molded plywood and fiberglass-reinforced plastic.
The Dutch designer introduced the first line of modern furniture at UMS Pastoe thereafter — a table, a chair, a bed and more created in molded plywood and featuring oak veneers, specifically tailored for smaller living spaces. Braakman was convinced that Pastoe should move on from the restrictions that a collection or set of furniture presented to consumers.
Furniture for a bedroom, for example, should be practical and built as individual pieces that could be adapted as more space became available. New production methods and creative marketing came into focus under Braakman’s leadership, and his own lines of oak and birch furniture — which were created around cupboards that could be reconfigured as needed, or armchairs that could be combined to form a sofa — earned acclaim and were commercially very successful.
UMS Pastoe was recognized for its innovative furniture at the Milan Triennial in 1957 and Le Signe d’Or in Belgium, and Cees Braakman’s work can today be found at the Stedelijk Museum in Amsterdam.
Find vintage Cees Braakman furniture on 1stDibs.
Pastoe
Dutch furniture company UMS Pastoe was established in 1913 by German-Jewish entrepreneur Frits Loeb and became rapidly successful largely owing to its reputation for well-made tables and chairs. Today, however, the brand is best known by collectors for the modular sideboards, storage cabinets and other spare, streamlined case pieces that it produced during the postwar years.
Influential mid-century modernist designer Cees Braakman had been creating furniture since his teenage years when he was promoted to head of design at Pastoe in 1948. The Utrecht-born designer took over for his father, Dirk Braakman, who had by then been managing the company for more than 20 years and had designed a variety of furnishings for the manufacturer by himself. A year before he assumed his new role at Pastoe, Cees visited the United States where he became enamored with the designs of Charles and Ray Eames and the other creative minds associated with legendary American furniture manufacturer Herman Miller.
While many Dutch designers who are now celebrated by vintage furniture collectors — names like Gerrit Rietveld and Friso Kramer are in this list — found inspiration in Piet Mondrian and the country’s De Stijl art movement, they also looked to Scandinavian modernists such as Alvar Aalto and Americans such as the Eameses. Cees Braakman was no different.
Braakman’s 1940s-era tour to the States included a visit to the Herman Miller factory in Zeeland, Michigan. At the time, architect-designer-journalist George Nelson was director of design at the firm and had enlisted a range of designers to collaborate with Herman Miller and create what are now icons of mid-century modernism. Braakman took notice of industrial manufacturing techniques at HM and in particular, the company’s innovations in furniture design owing to experimentation with molded plywood and fiberglass-reinforced plastic.
The Dutch designer introduced the first line of modern furniture at UMS Pastoe thereafter — a table, a chair, a bed and more created in molded plywood and featuring oak veneers, specifically tailored for smaller living spaces. Braakman was convinced that Pastoe should move on from the restrictions that a collection or set of furniture presented to consumers. Furniture for a bedroom, for example, should be practical and built as individual pieces that could be adapted as more space became available. New production methods and creative marketing came into focus under Braakman’s leadership, and his own lines of oak and birch furniture — which were created around cupboards that could be reconfigured as needed, or armchairs that could be combined to form a sofa — earned acclaim and were commercially very successful.
UMS Pastoe was recognized for its innovative furniture at the Milan Triennial in 1957 and Le Signe d’Or in Belgium, and Cees Braakman’s work can today be found at the Stedelijk Museum in Amsterdam. Over the years, designers such as Jan van Grunsven, Radboud Van Beekum and Rob Eckhardt collaborated with UMS Pastoe.
Find vintage UMS Pastoe furniture on 1stDibs.
- Antoine Philippon Jacqueline Lecoq Sideboard by Behr 1962 Pointe De DiamantBy Behr, Antoine Philippon and Jacqueline le CoqLocated in Munster, NRWHighboard with diamond shaped doors (Pointe de Diamant) designed by Antoine Philippon and Jacqueline Lecoq. Manufactured by Behr, Germany in 1962. From first possession, provenance:...Category
Vintage 1960s German Mid-Century Modern Sideboards
MaterialsNickel
- Florence Knoll Sideboard Wall Mounted 1952 Seagrass Teak by Knoll InternationalBy Florence Knoll, KnollLocated in Munster, NRWExtremely rare wall-hung sideboard (Mod°123) from 1952, designed by Florence Knoll for Knoll International - this version was produced in 1952 in a small edition by Knoll in Stuttgar...Category
Vintage 1950s German Mid-Century Modern Sideboards
MaterialsSeagrass, Teak
- Aldo Tura Sideboard Red Goatskin Highboard Brass Details Hollywood Regency ItalyBy Aldo Tura, Atelier TuraLocated in Munster, NRWIncredibly impressive sideboard made of lacquered goatskin in a warm shade of red, designed by Aldo Tura in Italy 1962. On the right, it has 5 drawers, next to which is a compartme...Category
Vintage 1960s Italian Mid-Century Modern Sideboards
MaterialsBronze
- Vitra Planophore Bookshelf Roomdivider Edward Barber & Jay Osgerby Jean ProuvéBy Edward Barber and Jay Osgerby, VitraLocated in Munster, NRWEdward Barber and Jay Osgerby have designed Planophore 2014 for Vitra as a dual-purpose - room divider and bookshelf. Its open sides create a horizontal emphasis underscored by the solid shelves with rounded bottom edges, which are reminiscent of aircraft wings and appear to float on the vertical panels. This also explains the name of the shelf: the original Planophore made its debut in 1871 as the first stable model aeroplane...Category
2010s German Modern Sideboards
MaterialsAluminum
- Florence Knoll Sideboard Wall Bar Unit Teak 1954 Knoll International Mid CenturyBy Florence Knoll, KnollLocated in Munster, NRWWall mounted sideboard unit by Florence Knoll, made by Knoll International, Stuttgart in 1954. Rare opportunity to acquire an original Knoll Internat...Category
Vintage 1950s German Mid-Century Modern Shelves
MaterialsTeak
- Lothar Quinte Series of Three "Fan-Images" LithographsBy Lothar QuinteLocated in Munster, NRWLothar Quinte is a German artist of the new abstraction of the 1960s and the 1970s. Epreuve d'artiste 11 / 15 5 / 20.Category
Vintage 1960s German Mid-Century Modern Prints
MaterialsPaper
- Iconic Pastoe Credenza, Sideboard, Japanese Series, Model DU03 by Cees BraakmanBy Cees Braakman, PastoeLocated in Schagen, NLMindblowing and timeless design, this large sideboard/Credenza by Cees Braakman for Pastoe, The Netherlands. This piece was made from teakwood veneer and features four drawers and tw...Category
Mid-20th Century Dutch Mid-Century Modern Credenzas
MaterialsMetal
- Teak Sideboard DU03 by Cees Braakman for UMS Pastoe, 1958, NetherlandsBy Cees BraakmanLocated in Langemark-Poelkapelle, BEMinimalist Sideboard DU03 by Cees Braakman for UMS Pastoe, 1958. The sideboard is made of Teak wood and has a black lacquered metal frame. This cabinet has black plastic typical Japa...Category
Mid-20th Century Dutch Mid-Century Modern Sideboards
MaterialsMetal
- Pastoe sideboard, Japanese Series by Cees BraakmanBy Cees Braakman, PastoeLocated in Brussels, BEThe minimalist sideboard DU03, designed by Cees Braakman for Pastoe in 1958, is a Dutch design classic. Crafted from teak wood, it features a sleek black lacquered metal frame. The...Category
Vintage 1960s Dutch Mid-Century Modern Sideboards
MaterialsMetal
- CR-Series Sideboard by Cees Braakman for Pastoe, Netherlands, 1960sBy Pastoe, Cees BraakmanLocated in Antwerp, BECR Series sideboard by Cees Braakman for Pastoe from the 1960s is a timeless and rare piece of furniture that embodies craftsmanship and style. This sideboard is meticulously crafted...Category
Vintage 1960s Dutch Mid-Century Modern Sideboards
MaterialsMetal
- Pastoe Cees Braakman Du03 Sideboard in Wenge 1958By Cees BraakmanLocated in Roosendaal, Noord BrabantThis is for an iconic and nice minimalist sideboard model number DU03, designed by Cees Braakman and manufactured by Pastoe UMS, Holland 1958. This unique sideboard was made on reque...Category
Vintage 1950s Dutch Mid-Century Modern Sideboards
MaterialsMetal
- Mid-Century Cees Braakman 'DU04' Japanese Series Credenza for Pastoe in TeakBy Cees Braakman, PastoeLocated in Los Angeles, CATeak Credenza with black enameled Model DU04 of the Japanese Series designed by Cees Braakman for Pastoe, 1958. This model has a delicate black enameled metal base, two cabinets and ...Category
Vintage 1950s European Mid-Century Modern Credenzas
MaterialsMetal