Mahogany Serving Table of the Georgian Period

A very fine Georgian serving table of the Regency Period Constructed in a Cuban mahogany having richly marked veneers and possessing a deep colour and patination; rising from ‘ha...

A Fine Library Table in the manner of Gillows of Lancaster Constructed in a very fine and distinctively marked Brazilian goncalo alves; of end support form, rising from a scrolled s...

A magnificent library table Attributed to Jackson & Graham Of free standing rectangular form, constructed in coromandel, with inlays in thuya, ebony, boxwood, and honeysuckle; the fluted legs rising from square brass castor-shod feet; the frieze housing two lockable drawers fitted with rare ‘tamper proof’ Chubb locks and having quadrant moulded cedar lined interiors; the platform having a central panel of beautifully chosen matched coromandel veneers, with an outer guard border of a running pattern of stylised anthemions; the ebony edges having a thumb nail moulding, circa 1865 The firm of Jackson & Graham established in 1836 by Thomas Jackson and Peter Graham at 37 Oxford Street London, and for the next fifty years produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive of Cairo and the royal palace in Siam. They were particularly noted for their fine marquetry work, the use of Wedgwood plaques, rare woods, and fine casting of bronze mounts. They engaged the leading designers of the period, inter alia, Owen Jones, Bruce Talbert, Alfred Lorimer and Eugene Prignot. In the mid-1850s the workforce was recorded as 250, and by 1875, the company was employing 600 workers. They were feted exhibitors at many of the Great Exhibitions of the 19th century, and frequent prize winners. At the Paris International Exhibition of 1878, the furniture jury noted of them ‘ the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found’. In 1885 the company was absorbed by Collinson and Lock, who continued their standard of excellence. Charles Chubb was apprenticed as a blacksmith before starting business as a ships’ ironmonger in Winchester. Jeremiah soon joined the business, and by 1818 the brothers had branched out into lockmaking, founding the famous Chubb Company. The business really got started when Jeremiah Chubb patented his new ‘detector lock’ in 1818. The lock was constructed so that if someone tried to pick it or open it with the wrong key it became inoperable. To make the lock work again the owner had to use a special key supplied with the lock. The aim of the detector lock was to prevent burglaries, and to warn the owner that someone had tried to break into their property. The lock soon became popular, and sales of the Chubbs’ products increased even more when they won a government competition to design a lock that could only be opened using its own key. After the invention of the detector lock, the Chubbs decided to move to Wolverhampton, which already had an established lock making industry. By 1838 they were making 28,000 locks a year at their Wolverhampton factory. Another product was added to the Chubb range in 1835 when a patent was taken out for a burglar resistant safe, and in 1837 the Chubb safe...

A library table in the manner of Morel & Seddon later retailed by Edwards and Roberts Of kidney form, the sled bases, standing on oblate bun feet having spandrel blocked end suppo...

With a rectangular top and plain frieze, the legs with shell carved knee and bellflower within a shaped lambs tongue carving, ending on carved fur and cloven feet.

A Very Good Quality Late 18th Century Georgian Mahogany Sofa Table, Having Superbly Figured Two Flap Top Bearing Crossbanded Decoration, Over Two Drawers To Frieze Opposed By Dummy D...

English/Irish Georgian style (19th Century) mahogany table desk with carved lion heads on legs with claw feet and red leather top.

With serpentine top with cast brass edge and also crossbanded edge over a conforming frieze finely carved with paterae, anthemion, lyres, beading, cornucopias etc. Raised on ten circ...