Revival Furniture

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive exampl...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, pg.244. This is a single vertical palmette design rug ...

This is a superb dining set comprising a superb Vintage Regency Revival dining table  with twelve Regency Revival dining chairs all dating from the second half of the 20th Century. ...

Pair of Mid Century Neoclassical Style Mirrors. Lovely bevel mirrors with decorative finials and an oval medallion in the top center. Mahogany wood tone. Perfect for a master bathroo...

Eye-catching elephant table in off-white glazed ceramic. Spain, 1960s This elephant shaped end table stand was beautifully constructed. Its design combines Colonial Revival and Holl...

Anonymous Europe; ca. 1900 Polychrome and gilt wood Approximate size: 30.25 x 24.75 x 13.75 inches A 19th century small chest-of-drawers, intricately hand-painted with lovely flora...

The round top with inset mirrored glass with a galleried back edge and ring decoration, supported by by three round, tapering legs joined by a conforming lower glass shelf and termin...

Wonderful Gothic architectural print. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Published circa 1880. On wove quality paper. Unframed.     

Carved Alabaster Table Lamp with Urn Form and Light Inside, Italy, 1930s Alabaster Urn Lamp. Outstanding Neoclassical carved alabaster urn lamp with handles.Italy, 1930s Elegant neoc...

Spanish Gothic Style Walnut wardrobe with Five hangers and carvings The doors features heads and symbols from gentlemen of this period. The original iron hardware makes so special t...

Bent Buffet sideboard with flap in Renaissance style by Bassano's Ebanistery of the 1940s, in walnut and walnut folder. With two drawer sides, the central stage with internal shelf, ...

Bookcase in carved wood in Henri II style or Renaissance style with inspirations from Greek and Roman architecture. A large drawer in the lower part, two mesh and molded doors, with ...

A set of dining table decorative objects including an antique silver cup, decorative fruit cup or sugar bowl on foot, and a pair of silver candle holders...

A French renaissance revival carved figural side table with 4 carved cherubs fugures on legs and a center top carved figure of a lady. A central st...

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originate from the Caucasus region, specifically from the town of...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, pg.24. This is a medallion rug from the late 19th cent...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.4. This is a Star Kazak design late 19th-century ru...

Unusual pair of rectangular nightstands or side tables in a neoclassical style from the early 20th century with fluted legs and green and white marble. They have a drawer with a bron...

Handcrafted and truly impressive Neo-Gothic Church fixture that can also be used for candles. Over the decades we have sold a number of very good antique bronze, Gothic light fixtures for both candles and electrical bulbs. However, we never offered one as high and with as many Gothic details as this hand-crafted chandelier. You will rarely come across a Gothic work of religious art that is more elaborate and with as many Gothic details as this fit-for-a-castle pendant...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

This is a superb vintage Regency Revival dining set comprising a monumental Vintage Regency style dining table and a set of eighteen Federal style dining chairs, dating from the  sec...

A good antique 19th century Italian Renaissance Revival carved walnut cassone chest, circa 1850. The chest having a lift up hinged lid with a carved scalloped molding below, the hing...

Wonderful Gothic architectural print. Balcony in the Campo St. Benedetto, Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880 On w...

Wonderful craftsmanship, deeply carved, solid oak, Gothic Revival wall coat rack. Anyone who has ever visited a Gothic (Revival) church or another Gothic style building will immedia...

A 19th Century Victorian Rococo Revival Rosewood Quadpod Music Stand Measures 13" in width and 13" in depth at the base, 13" in width and 11" in depth at the top and stands 41.5" tall.

74303 Antique Persian Baluch Rug, 01'06 x 01'09. Persian Baluch rugs, originating from the Baluchistan region and crafted by the Baloch people, are distinguished handwoven textiles k...

Antique French A. Perrier & L. Feippel Limoges mantel vase or urn. Made of porcelain featuring Neoclassical styling with a wreath of floral swags and ribbons, and gilt gold embossed...

A unique bronze, iron and marble telephone stand (better use today is a bar cabinet) Attributed to New York Designer and Manufacturer, Oscar Bach. Stand has an marble top with a heavy veining and a bright finish. The door in the front has ornate bronze figural work with green enameled steel-panel backdrop, framed by green enameled wrought-iron frame. Similar treatment to either side. The back has a slot with slip in a door to allow for the telephone cord...

The source of the carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th century carpet i...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

The design source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.144. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd (a village slightly to the southeast of Chondzoresk) region, Caucasus area. At Chelaberd, carpets were manufactured according to strict regulations; and, as a result, dimensions, motifs, and borders are approximately the same throughout. This example bears large medallions on its red ground; the colored features stand out well against the white ground. There has been all manner of suggestions as to the identity of this cruciform motif spiked with long-stemmed flowers: according to various traditions, it has been taken for a bird in flight, a sun flashing its beams of light, crossed swords, or even the coat of arms of a family or town. As a result, this type of carpet is habitually called an ‘Eagle Kazak (Adler in German)’, ‘Sun or Sunburst Kazak...

This is a wonderful pair of gilt neoclassic style footed lamps with graceful sculpted acanthus leaves and slim articulated legs that terminate in padded feet. The set are urn form wi...

An impressive authentic antique European Neoclassical style carved walnut table. circa 1900 France, late 19th / early 20th century, executed in timeless ancient Greco Roman taste, h...

An exceptional highly carved pair of walnut wall brackets consisting of dramatic well-carved faces of mythological creatures with wide eyes, opened mouths and wild flowing hair. Subs...

Great pair of Italian Renaissance Revival wrought iron church torchères raised on a large tripod base, early 19th-century. The candleholders are finely handcrafted with elegant detailing and are black painted. Both pieces are in good condition, with original black paint, remained melted wax...

This is a beautiful antique French Louis Revival circular centre table with ornate ormolu decoration typical of the Louis XIV period, circa 1870 in date. The inset marble top has a ...

This fireplace surround has been built in Belgian Bleu granite with Rouge de Rochefort marble details. The caricatures are very unique with strong impressions. This is one of a kind ...

The design source of the rug comes from the book Tapis du Caucase – Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.144. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd (a village slightly to the southeast of Chondzoresk) region, Caucasus area. At Chelaberd, carpets were manufactured according to strict regulations; and, as a result, dimensions, motifs, and borders are approximately the same throughout. This example bears large medallions on its red ground; the colored features stand out well against the white ground. There has been all manner of suggestions as to the identity of this cruciform motif spiked with long-stemmed flowers: according to various traditions, it has been taken for a bird in flight, a sun flashing its beams of light, crossed swords, or even the coat of arms of a family or town. As a result, this type of carpet is habitually called an ‘Eagle Kazak (Adler in German)’, ‘Sun or Sunburst Kazak...

Stunning handcrafted chair, dated 1770 with a lion head sculpture.  This rare Renaissance Revival chair is as stabile as the day it was made and the woodwork is in very good to exce...

This lovely letter opener by Fabergè has all the hallmarks of their signature style. An ornate handle topped with a swan is attached to an absolutely stunning blade of carved and pol...

A magnificent and large scale Spanish 20th century Baroque style, ormolu and white marble freestanding console. The most impressive console is raised by elegant scrolled acanthus lea...

Wall clock. Gilt bronze. France, 19th century. Gilt bronze wall clock of the type known as a "cartel" due to its shape, featuring Parisian movement and a white dial with Roman numer...

A Putto with an Imp like expression on his face stands holding an urn as he pours a liquid, perhaps wine, from it. In the original gray paint (worn with losses). The vessel is closed...

Recently restored pair of vintage walnut framed barrel back chairs with white upholstery.

Large and high quality carved antique sculpture of Joseph holding the child Jesus. If you are looking for a great value for money, work of religious art then this quality carved church relic could be gracing your home or monastery or house of prayer soon. This may not have been carved out of the most expensive or hard woodtype, but that is not what this antique is about. This striking and meaningful sculpture is all about the natural manner in which both the little boy Jesus and Saint Joseph have been hand-carved out of wood and how an accomplished sculptor clearly has spent a whole lot of time, focus and dedication to get the details of this large and meaningful sculpture very right. In this case, the hands and feet, the curly hair, the serene facial expressions, the perfectly natural body postures AND the perfect draping of the cloths are the most eye-catching details. Ones that most mortals would never be able to create like this and it will have taken this skilled artisan weeks rather than days to create. We believe that this unique antique is made of basswood or pine and it has been hand patinated (original). This was probably done to make the entire sculpure look more warm and calm (no wood grains taking away anything from the beautiful details we described). This meaningful and quality crafted work of religious art is ready for you to enjoy and, to us, it breathes a holy serenity and beauty that will never fail to impress. No matter where you decide to have it on display, this ecclesiastical antique will never fail to impress and if you already have a place in mind for 'them' then maybe you should be their next custodian. Mind you, our price for this hand carved antique church statue...

20th C. antique-style brass chandelier with a rich, aged gold finish. The patina adds depth and character, giving it an authentic, vintage look. The chandelier has a circular frame w...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

This large Spanish early 20th century features a beautiful one plank rectangular top over four wide carved drawers. Each drawer, featuring slightly different hardware, is adorned wit...

A charming antique Victorian Renaissance Revival dresser & mirror, circa 1880s. Made from walnut with vibrant burled panels along the front and matchbook burling along the sides. Fe...

Early 20th century carved teak side table circa 1920. Circular top with molded edge, raised on 3 carved swan neck supports which link to a shaped base and plinth feet. Recently re-...

Classic fabulous indoor outdoor patio set in cast aluminum by Molla of Italy. Impeccable castings in aluminum and then powder coated. Ball and claw fo...

Hendrik Petrus Berlage. Dutch. A captivating set of four Gothic Revival oak side chairs with a progressive architectural A frame design to the...

Two matching mid-century hexagonal Italian Gothic lantern pendants.. Cast metal in a traditional wrought iron form. Worn black finish over silver. Glass panels in amber with a red...

Charles Bevan for Marsh & Jones Late Kendal. An exhibition quality Gothic Revival Burr Walnut drop leaf Sutherland table with fine inlaid decoration to the top in exceptional origina...

A pair Dutch Royal Delft vases. Tall decorative vases on an octagonal foot. The vases are hand crafted and hand painted in enchanting blue colors, blue camaieu. Floral decoration wit...

19th century low pair of console tables or nightstands in mahogany Price per item. Low table Console table Nightstand Side table End table.

Beautiful carved oak Antique Italian Renaissance revival bench or settee with lift top seat~~c. 1880s Highly carved~~these benches are always in high demand Versatile piece wit...

19th century Spanish antique walnut chest of four drawers and original iron hardware. You can use like a commode or chest of drawers This elegant console was crafted in Spain, circa ...

Very large Renaissance Revival silver gilt and enamel sculpture by Böhm Austrian, c. 1880 Height 68cm, width 42cm, depth 29cm This stunning sculpture, created around 1880 by Herman...

19th century Spanish antique walnut chest of four drawers and original iron hardware. You can use like a commode or chest of drawers or large nightstand. This elegant console was cra...

Stunning and rare Lladro retired serious clown with guitar by Salvador Furio. This is titled "Serious Clown with Guitar' and was sculpted by Salvador F...

EXCELLENT 19th Century Antique French Oak Renaissance Revival Library Office Executive Desk with 10 Drawers and Barley Twist Legs~~c. 1880s With so many people working from home no...

Floral glass accents. 43 1/4" h x 63" w x 2 1/2" d. Condition Missing pieces. Cracks.

A set of eight English Chinoiserie dining chairs, crafted between 1880 and 1920 in the Regency Revival style. These ebonized chairs are richly adorned with gilt-painted landscapes, p...

Royal China Set of 12 dinner or decorative plates with 22K gold over fine porcelain. All in good condition; no cracks or chips. Circa 1930's. The classic scene in the middle of women...

This stunning hand-painted icon from the mid-19th century is a remarkable example of religious art steeped in tradition and spiritual symbolism. Icons have long held a significant role in Orthodox Christianity, serving as windows to the divine and tools for prayer and contemplation. Crafted with meticulous attention to detail, this piece exemplifies the skill and devotion of its maker. The wooden panel and frame are entirely gilded, lending the icon a luminous and reverent quality. The outlines of the Madonna have been finely etched into the gilding, while her face and hands, along with those of the Christ Child, are delicately painted in oil. This contrast between the warm glow of the gold and the naturalistic rendering of the figures creates a powerful visual and emotional impact. Adding to its authenticity, the base of the icon features a Cyrillic inscription, hinting at its origins and cultural significance. The craftsmanship and style suggest it was created during the mid-19th century, making it not only a sacred object but also an invaluable piece of history. This icon is a perfect addition to any collection of religious art or as a meaningful decorative piece for your home. It can be displayed in a devotional space, hung on a gallery wall, or placed on a shelf to create a focal point that inspires reflection and reverence. Whether you are an experienced collector or a first-time buyer, this gilded icon...