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19th Century Victorian inlaid walnut card table
About the Item
Decorative high victorian walnut card table circa 1870.
Shaped burr walnut top with inlaid patterns and cross banded decoration. Top swivels to reveal a storage well and opens to a green baize playing surface.
Standing on 4 turned legs united by similar stretcher with stringing detail. Scrolled legs with original ceramic castors.
Minor surface marks, surface fading to top surface.
Depth open: 36 1/4"
- Dimensions:Height: 29 in (73.66 cm)Width: 37.75 in (95.89 cm)Depth: 19.5 in (49.53 cm)
- Style:High Victorian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1870
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:Debenham, GB
- Reference Number:Seller: PT261stDibs: LU878642192412
About the Seller
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Established in 1964
1stDibs seller since 2009
906 sales on 1stDibs
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Associations
LAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Shipping from: Debenham, United Kingdom
- Return Policy
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Dimensions in inches:
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Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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