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Fine 19th Century Gilt Bronze Mounted Center Table by Joseph Zwiener

$115,000
£87,799.40
€100,561.06
CA$161,114.48
A$180,145.70
CHF 94,493.95
MX$2,181,997.01
NOK 1,192,800.24
SEK 1,126,908.02
DKK 750,588.62

About the Item

An Exceptionally Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Mahogany Center Table By Joseph Zwiener Joseph Zwiener The rectangular marble top above a spring loaded central drawer with a hidden button, raised on square tapering legs, the whole cast with beautiful female masks, floral garlands, ribbons, cascading flowers and set with Jasper plaques, The reverse composed in the exact same manner. After the 18th Century model by Jean-Henri Riesener. Stamped E. ZWIENER on the underneath of the carcass, and ZN to the back of the bronze mounts. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener, a Berlin cabinetmaker who made furniture in a very similar style, most notably for the above mentioned Freidrich Wilhelm II. Research suggests however, that the German born Joseph-Emmanuel Zwiener, based in Paris from 1880-1895 and Julius Zwiener, recorded in Berlin after 1895, are probably one and the same. Since the eighteenth century, it had been a common practice for foreign cabinetmakers to gallicise their names whenever they worked in France. Details: Height – 30 inches / 76cm Width – 45 inches / 114cm Depth – 24 inches / 61cm
  • Creator:
  • Similar to:
    Jean-Henri Riesener (Cabinetmaker)
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 45 in (114.3 cm)Depth: 24 in (60.96 cm)
  • Style:
    Belle Époque (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    Circa 1870
  • Condition:
    Refinished. Wear consistent with age and use.
  • Seller Location:
    Long Island City, NY
  • Reference Number:
    Seller: CC6971stDibs: LU905633922242

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