Holland + Son Centre table, circa 1860

A good quality Regency period breakfast table, raised on a square section pedestal, platform base with carved scrolling feet.

An enchanting early 19th Century Swedish simulated Amboyna centre, having this hand carved pineapple pedestal and supported by three Doves to the base. Circa 1820-40 Batch 81 C/C

A charming 19th century French kingwood, ormolu-mounted occasional table with inset French 'Sevres' porcelain plaques to the top. The central plaque depicting a romantic scene, the o...

A fine quality 19th century French marquetry inlaid side table, having swag and foliate decoration, gilded ormolu mounts and raised on cabriole legs. The top hinged to reveal a stora...

A large scale, hand-carved, veneered and inlaid, walnut and fruitwood center table with a book matched top centered on a  radiant medallion. The base featuring a central, turned colu...

• One of the finest pieces of 19th century English furniture ever made • Firmly attributed to the Royal cabinetmaker, Holland & Sons • Made using stunning rare & exotic timbers, Th...

19th century oak side table from France, with a beveled and hand carved decorated edge around the top, surrounding an exquisitely hand carved central scene, depicting scrolls, acanth...

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...