Vladimir Kagan for Kagan-Dreyfuss Table w Alexandra Kasuba Tiles, c 1949, Signed

This rare gem of a side table is by Vladimir Kagan, during his early years with Hugo Dreyfuss featuring his highly-sought-after-by-collectors mosaic tiles on the table top and sculpt...

This important piece of design history was not only designed by Vladimir Kagan and handcrafted by Kagan-Dreyfuss in circa 1949 New York... this was also owned by Kagan himself and kept throughout his entire adult life (see provenance notes below). Each of the two pieces (lower credenza and upper dry bar / hutch) are signed on the back with Kagan-Dreyfuss New York stamps. The expansive size provides exceptional storage and use options. Kagan-Dreyfuss (Vladimir Kagan's partnership with Hugo Dreyfuss from circa 1950-1960) stamped pieces are amongst the most sought after by collectors and investors of art and design. Furniture with Kagan-Dreyfuss stamps are extremely hard to find and demand exceptional value, and this credenza with hutch is double stamped (one on each piece). Featuring a cerused oak exterior, with tambour doors on the lower credenza, sculpted handles (which slide to reveal a keyhole, no key is present however can be rekeyed) on the upper hutch...

This very rare and important sculptural double dresser was designed by Vladimir Kagan and handcrafted by Kagan-Dreyfuss Inc during the 1950s in New York. Each of the two chests are s...

This rare and early (circa 1949) open-sided tiered side / end table by Vladimir Kagan, during his early years either right before or in the beginning of his partnership with Hugo Dre...

An iconic coffee table designed by Vladimir Kagan For Kagan-Dreyfuss, New York, 1950s. Very unique Patinated etched / embossed and Bookmatched brass top over three large legs joined ...

A rare example of the Venetian Mosaic glass boomerang table. An identical table is pictured in the complete Kagan Book, 2004 Branded below- Kag...

An early and exceptional custom coffee table designed and built by Vladimir Kagan in his New York City workshop in the late 1940s. This is the only example of this design we have seen outside of the Vladimir Kagan book...

Designed by George Greenamyer for Vladimir Kagan. Ceramic base measures 14.5"W x 14.5"D x 15.25"H. Signed. From Greenamyer's web site: In 1964 I was one of 5 artists who founded the Pulpit Rock Artists Community in Woodstock, CT, to create studio space for new graduates. I exhibited my ceramic sculpture and I was commissioned to make ceramic furniture by Vladimir Kagan Associates. My teaching career started in 1968. My welding and foundry background was a key factor in my being offered a full-time position and being told to develop a sculpture department. In 1981 I became a full professor. I had the opportunity in the late 80s to design, with my shop technician, a "state of the art" metalworking and foundry facility. My classes were in welding, blacksmithing, foundry and 3D design. I have also taught workshops at Haystack in Maine, Penland in North Carolina and at other colleges. In 2005, I was designated professor emeritus. I still teach one welding class In the early 70s, I switched from ceramic to metal sculpture, which I exhibited where ever I could. In 1976, I completed my first major public art commission for the Massachusetts Bay Transportation Authority. In 1977, I won an Artists Fellowship Grant from the Massachusetts Arts and Humanities Foundation and a Louis Comfort Tiffany Foundation Grant. In 1979 I was a research fellow at the Center of Advanced Visual Arts at MIT to pursue my interest in kinetics. In the early 80s I had a large solo show at the Lopoukhine Gallery in Boston, the Laumeier Sculpture Museum in St. Louis and the Neil Gallery in New York City, where I was represented for 3 years. My sculpture is in the permanent collection of several Massachusetts museums: the Fuller Art Museum, Brockton; the Art Complex Museum, Duxbury; the DeCordova Museum and Sculpture Park, Lincoln and on the campus of Boston University and Massachusetts College of Art and Design. During the mid 80s to early 90s, I did the ice sculpture component of seven ice sculpture/performances in collaboration with other artists at First Night, Boston, and the Laumeier Sculpture Park in St. Louis, MO. In 1995, I was one of 18 artists who created a miniature golf hole for Strokes of Genius and in 2007, one of 12 artists that created sites for model trains called Trainscapes, both at the DeCordova Museum and Sculpture Park in Lincoln, MA. In the mid-80s I made the choice to focus my career efforts on public art commissions obtained through national competitions. Public art commissions allowed me to produce work in a size I could never afford. I liked the challenge of solving the design problems of the site and selecting a narrative that makes sense to the project and the committees. I could incorporate kinetics (sometimes fiber optics) and hired a mechanical and a structural engineer...