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Vladimir Kagan Snail Coffee Table Base

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  • Vladimir Kagan Snail Table
    By Vladimir Kagan
    Located in New Haven, CT
    This iconic design by Vladimir Kagan of his snail coffee table is handmade. Original unaltered walnut Veneer. Sold by Selig. The coffee table base is shown without the glass top. Not...
    Category

    20th Century American Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Walnut

  • Vladimir Kagan Coffee Table
    By Vladimir Kagan
    Located in San Francisco, CA
    A Vladimir Kagan "Snail" coffee table made of a walnut veneer base with original rectangular glass top.
    Category

    Vintage 1950s Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Glass, Walnut

  • Vladimir Kagan Mosaic Glass Coffee Table
    By Kagan-Dreyfuss, Inc.
    Located in West Palm Beach, FL
    A rare example of the Venetian Mosaic glass boomerang table. An identical table is pictured in the complete Kagan Book, 2004 Branded below- Kag...
    Category

    Vintage 1950s American Tables

  • Walnut + Glass Coffee Table Attributed to Vladimir Kagan, 1950s
    By Vladimir Kagan
    Located in Chicago, IL
    A 1950s coffee table attributed to Vladimir Kagan featuring a sculptural carved tri-symmetric walnut base with beautiful graining. This table has a round . Measure: 75” thick glass t...
    Category

    Vintage 1950s American Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Glass, Walnut

  • Ceramic Base Cocktail Table by George Greenamyer for Vladimir Kagan
    By Vladimir Kagan
    Located in Dallas, TX
    Designed by George Greenamyer for Vladimir Kagan. Ceramic base measures 14.5"W x 14.5"D x 15.25"H. Signed. From Greenamyer's web site: In 1964 I was one of 5 artists who founded the Pulpit Rock Artists Community in Woodstock, CT, to create studio space for new graduates. I exhibited my ceramic sculpture and I was commissioned to make ceramic furniture by Vladimir Kagan Associates. My teaching career started in 1968. My welding and foundry background was a key factor in my being offered a full-time position and being told to develop a sculpture department. In 1981 I became a full professor. I had the opportunity in the late 80s to design, with my shop technician, a "state of the art" metalworking and foundry facility. My classes were in welding, blacksmithing, foundry and 3D design. I have also taught workshops at Haystack in Maine, Penland in North Carolina and at other colleges. In 2005, I was designated professor emeritus. I still teach one welding class In the early 70s, I switched from ceramic to metal sculpture, which I exhibited where ever I could. In 1976, I completed my first major public art commission for the Massachusetts Bay Transportation Authority. In 1977, I won an Artists Fellowship Grant from the Massachusetts Arts and Humanities Foundation and a Louis Comfort Tiffany Foundation Grant. In 1979 I was a research fellow at the Center of Advanced Visual Arts at MIT to pursue my interest in kinetics. In the early 80s I had a large solo show at the Lopoukhine Gallery in Boston, the Laumeier Sculpture Museum in St. Louis and the Neil Gallery in New York City, where I was represented for 3 years. My sculpture is in the permanent collection of several Massachusetts museums: the Fuller Art Museum, Brockton; the Art Complex Museum, Duxbury; the DeCordova Museum and Sculpture Park, Lincoln and on the campus of Boston University and Massachusetts College of Art and Design. During the mid 80s to early 90s, I did the ice sculpture component of seven ice sculpture/performances in collaboration with other artists at First Night, Boston, and the Laumeier Sculpture Park in St. Louis, MO. In 1995, I was one of 18 artists who created a miniature golf hole for Strokes of Genius and in 2007, one of 12 artists that created sites for model trains called Trainscapes, both at the DeCordova Museum and Sculpture Park in Lincoln, MA. In the mid-80s I made the choice to focus my career efforts on public art commissions obtained through national competitions. Public art commissions allowed me to produce work in a size I could never afford. I liked the challenge of solving the design problems of the site and selecting a narrative that makes sense to the project and the committees. I could incorporate kinetics (sometimes fiber optics) and hired a mechanical and a structural engineer...
    Category

    20th Century American Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Ceramic, Glass

  • Snail Coffee Table
    Located in St.Petersburg, FL
    An unusual snail shaped coffee table, in the style of Selig, circa 1960s. Walnut with original glass.
    Category

    Vintage 1960s American Mid-Century Modern Coffee and Cocktail Tables

    Materials

    Walnut

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