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Mattia Bonetti Unique “Jelly” Bedroom Console Table circa 2009

$15,000

£11,554.25

€13,193.60

CA$21,397.82

A$23,405.22

CHF 12,282.49

MX$279,913.50

NOK 155,004.30

SEK 144,600.30

DKK 98,532

About the Item

Portman Gallery offers: Mattia Bonetti Unique “Jelly” Bedroom Console Table circa 2009 metallic painted oak, plexiglas monogrammed MB 19 1/4 x 29 1/8 x 10 3/8 in. (48.9 x 74 x 26.3 cm) If possible, I would like to hand deliver this item (free). Please let me know in your inquiry where you are located. Condition: Overall in excellent condition. The painted wood base displays a vibrant green and silver surface with a few very minor abrasions to the edges, consistent with gentle use and not visually distracting. The plexiglas tabletop presents with very faint scattered surface scratches consistent with gentle use. Provenance: Francis Sultana, London Sotheby’s, New York, 2021 ‘‘Mattia Bonetti’s artistic creativity is limitless. He has the skill and the imagination to create a range of artistic worlds; from the most meticulous and exact, to the most bizarre and outlandish, his works are always so diverse and yet always retain an element of his own distinctive style.’’ Jacques Granges, Interior Designer. Mattia Bonetti (born 1952) is a Paris-based artist and designer. His work has been called whimsical, surreal and unique. Consistently merging the boundaries between art and design, Bonetti, who was born in Lugano, Switzerland, initially studied textile design at the Centro Scolastico per l’Industria Artistica. Moving to Paris in 1972, Bonetti initially worked within his chosen field of textile design, but then developed a career as a stylist and photographer. Working in black and white film, Bonetti would shoot miniature interiors that he had made by hand, which in turn led to his love of furniture. Bonetti’s work has always begun with a free-hand sketch, which is then fabricated in materials including patinated bronze, gilding, acrylic, wood, rock crystal, marble, glass and gemstones. In the 1970s Bonetti met the designer Elizabeth Garouste, and their partnership began with the interior décor of the famous Parisian nightclub Le Palace and restaurant Le Privilege. Employing a neo-Baroque language, blended with prehistoric and primitive touches, Bonetti’s terracotta masks were labelled “Barbarian design.” The pair set the pace for cutting edge Parisian design, creating a unique and inventive neo-Baroque language that was to become synonymous with themost sophisticated continental contemporary interior and furniture design. In 1987 Garouste and Bonetti began work with Christian Lacroix on his couture house interior. Employing cushions and curtains in ochre with rococo swishes of black, French 18th Century chairs were upholstered in electric blue, lilac, orange and raspberry. Hot-red consoles were given branches for legs and stools were designed to look like tree stumps. Indeed, nature has never been far from the work of Mattia Bonetti, wherever his imagination and his materials might take him. Following the re-design of Picasso’s Chateau de Boisgeloup in Paris for the artist’s grandson, Princess Gloria von Thurn und Taxis invited Mattia to re-design the private apartments of the Palace of St Emmeram in Germany. “I always wanted contemporary design to sit alongside contemporary art.” In 1988 Garouste and Bonetti first began to work with David Gill who had recently opened his eponymous gallery in London’s Fulham Road. Drawn to the pair’s use of luxurious and innovative materials and imaginative shapes, it is a relationship that has continued for thirty years. In 2014 David Gill Gallery showed new work by Bonetti including tables, upholstery, lighting and accessories – now iconic themes such as Grotto, Atlantis and Bubblegum appeared in materials such as patinated bronze, marble, gilded rock crystal and glass. In June 2015 David Gill Gallery hosted the UK launch of a Two Volume book on Bonetti’s career and work by Jacqueline du Pasquier and Jean Jacques Wattel published by Editions Louvres Victoire. Consistently working with many of the same craftsmen and ateliers since the beginning of his career, Bonetti’s work exploits the most luxurious of materials but also pushes technological boundaries, using the most contemporary skills available including 3D printing, modern acrylics and robotics. Every Mattia Bonetti piece comes entirely from his personality - he does not follow trends and or styles or even collections, he continues to create individual pieces that continue to blend the fantastical with the imaginative, the inventive with the artistic. A true trailblazer for contemporary avant-garde design. The work of Mattia Bonetti is included in numerous public collections, including the Centre Pompidou in Paris, the Cooper-Hewitt National Design Museum in New York, the Musée des Arts Décoratifs in Paris and the Victoria & Albert Museum in London.” - via David Gill Gallery, Bonetti’s Primary Dealer, accessed Fall 2023

Creator:
Mattia Bonetti (Artist)
Dimensions:
Height: 19.3 in (49 cm)Width: 29.14 in (74 cm)Depth: 10.24 in (26 cm)
Style:
Post-Modern (Of the Period)
Materials and Techniques:
Oak,Plexiglass,Silvered
Place of Origin:
France
Period:
2000-2009
Date of Manufacture:
2009
Condition:
Wear consistent with age and use.
Seller Location:
Brooklyn, NY
Reference Number:
1stDibs: LU7498236834602

Shop All Mattia Bonetti

Mattia Bonetti

Outlandish, whimsical and unique are only just a few words that can be used to describe the works of artist and furniture designer Mattia Bonetti. His imaginative pieces are marked by an unexpectedly successful marriage of peculiarity, sophistication and luxury.

Born in 1952 in Lugano, Switzerland, Bonetti studied textile design at the Centro Scolastico per le Industrie Artistiche. In 1972, he moved to Paris, where he worked as a textile designer, stylist and photographer. As a photographer, Bonetti did shoots of miniature interiors — many of which he made himself. This eventually led to his developing a passion for furniture design.

During the late 1970s, Bonetti’s fledgling career designing furniture skyrocketed after meeting French designer Elizabeth Garouste. Their first project together was designing the interiors of the restaurant Le Privilege and nightclub Le Palace in Paris, with both initiatives earning the pair critical acclaim for their artful blend of neo-Baroque style with prehistoric “Barbarian” elements. Bonetti and Garouste embarked on a design partnership that lasted more than 20 years before Bonetti decided to pursue a solo career in 2002.

Throughout the 2000s, Bonetti’s oeuvre has run the gamut, with the designer drawing inspiration from almost everywhere — UFOs, ancient Greece, children’s toys — nothing is off-limits. He uses an eclectic range of luxurious materials such as gold leaf, marble, rock crystal, acrylic, glass, fine woods and patinated bronze to create everything from side tables, wall mirrors and sofas to coffee tables, sideboards and armchairs. Bonetti assembles the materials in otherwise unlikely combinations. “I like to bring together materials that are very opposite,” he says. “The juxtaposition makes the character of each one strong.”

Bonetti’s reputation as a master of avant-garde design has yielded commissions for several notable projects. He has created pieces for the Metz Saint-Etienne Cathedral, partnered with decorator Jacques Grange for The Mark Hotel in New York City and designed interiors for the Hotel Cristal Champs Elysées in Paris.

Today, Bonetti’s works are held in the collections of many institutions such as the Victoria and Albert Museum, the Musée des Arts Décoratifs, the Centre Pompidou and Cooper Hewitt, Smithsonian Design Museum.

On 1stDibs, find a range of modern Mattia Bonetti tables, case pieces, storage cabinets and seating.

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