Dining Room Sets

A stunning vintage modern Danish teak pedestal base dining table with two leaves by Skovby Mobelfabrik. This attractive set caters to many with the ...

A solution for upper middle-class furnishing, with effect and impact. Visible quality and elegance of design. The set for three persons consists of: a table H 48 cm x diameter 119 cm...

This dining room consists of a dresser, three sideboards including a pair of small open sideboards and a large sideboard with doors, a table, six chairs and two armchairs. In walnut ...

This stylish vintage chrome dining set includes six matching Stendig style chairs with matching chrome frame dining table. Making a beautiful Mid-Century Modern statement in any sett...

Stylish Louis table with 6 chairs from the late 19th century. Antique furniture with a more beautiful form will add elegance to any interior. A table with chairs beautifully decora...

Space Age period dining room set designed by Boris Tabacoff and manufactured for Mobilier Modulair Moderne in 1970s circa period, France. The set consists of the round dinning table...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Very nice dining room set by Giotto Stoppino from the 1970s in Italy. This set consists of a dining table and four matching dining room chairs. The table has a tubular, chrome-plated...

A Fine and rare Italian 19th Century Baroque Renaissance revival style carved oak thirteen-piece dining suite. Comprising of a large rectangular center-pedestal dining table with four extensions and drop-support-legs at the end, the apron with carvings of entwined vines, ten dining chairs and two armchairs, all with an embossed leather backrest with figures of maiden wearing a helmet, carved figural corners and an ornamental crown...

German architect turned designer, Rainer Daumiller, popularized these playful pine dining sets through the Danish brand, Hirtshals Savvaerk, in the 1960s and ‘70s. Designed to be fun...

A set of eight finely carved and gilt dining chairs, all finely distress paint decorative with original horsehair seats. Each alternating chair measures 18 in W, 43 in H, 15 in D. wi...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Mario Bellini design first edit two horse "scacchi" for C&B italy production years 1968 this is very rare set first edition from C&B Italy and not for the after b&b. auction ...

Table + 6 chairs, France, circa 1890. Very good condition. Wood: oak dimensions table: height 78 cm, length 153 cm, depth 113 cm chairs height 108 cm height seat 45 cm...

Very comfortable dining room table including six stools. The stools and table follow the same shapes creating a consistent and robust set. The table is made of solid elm and the top ...

Dark solid oak dining table with a set of six matching chairs. Dimensions: Table (may be fully disassembled): H(table/tabletop) 74/4 cm, W 200 cm, D 84 cm Chairs: H 98 cm, H(sea...

Unique dining set consists of 6 rattan rope wrapped dining chairs upholstered in a tropical palm leaf print and matching pedestal table with glass top. Steel frame construction, heav...

Very handsome , woven reed table base w/ glass top, and 8 matching , woven reed chairs; 2 arm chairs, and 6 side chairs. Chairs and table base are wel...

Mid-Century Modern folding dining set by Hyllinge Møble, Denmark, 1970s.

Welded polychromed and patinated steel "skyline dining" table by Paul Evans. Welded signature and date to base ‘Paul Evans 73’. Dimensions of the base: H:29 W:40 D:18 in. USA c.1973 ...

An outstanding rare one of a kind American Victorian Chinoiserie Carved Dining Room Suite, Circa 1880s. Made from mahogany with a meticulous high relief Chinese Oriental dragon carved theme throughout. The suite features, a large hutch...

Danny Ho Fong mid century iron and cane dining table with 6 stools The dining table measures: 73 wide x 30 deep x 26 high, with a chair clearance...

A light-brown, antique German Biedermeier dining room table made of hand crafted Cherrywood, shellac polished and partly veneered in good condition. The round center table is supported by four black ebonized cross beams, standing on four slim arched wooden...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

Angelo Mangiarotti for Skipper, dining table ‘Eros’, white marble, 1970s, with Rainer Daumiller Set of Six Dining Chairs in Pine This sculptural table by Angelo Mangiarotti is a ski...

"McGuire" 1970s dining room set in black lacquered rattan Complete of: – Trolley with extendable top bar cart server buffet (dimensions: 110 x 5...

1970’s White powder coated patio set by Russell Woodard. Set consists of two arm chairs, two side chairs and table with glass top. Newly powder coated white, new glass top and new yellow with green thread Sunbrella cushions...

Mid Cent Rattan / Cane Dining Table & 6 x Chippendale Style Dining Chairs, 1970s Magnificent mid century rattan / Cane set of six vintage Chinese Chippendale style dining chairs plus matching table by ‘Angraves’ from the “Invincible” range. Brown in colour. The Table has a 10mm Glass top with polished edges. The chairs and table have cane lapping on all joints and other areas in abundance, the seats of the chairs are heavily woven wicker. In great condition Plaque reading: Angraves, Invincible, Brook Street, Thurmaston, North Leicester Excellent quality and craftsmanship, in great condition. Please note these are made from natural materials, so they may differ slightly in finish and colour. Angraves of Leicester: manufactured high class cane furniture in Britain for almost a century. From 1912 through to 2011, when the company along with its highly skilled craftsmen were bought out by Soane Britain...

Beautiful large round wenge dining table with 8 matching chairs in the style of Jules WABBES. The table can be extended with two original leaves. If there are 6 chairs at the table, ...

Richard Young for Merrow Associates. A chrome dining table with the original smoked glass circular top and a set of eight rare 160Z Merrow chairs which are arguably the best-lookin...

Beautiful tripod dining table model "Eros" from the Italian designer Angelo Mangiarotti from the 70s. The legs (independent) and the top are in Car...

German beer garden wood folding table with two wood folding benches. Sturdy and well made wood surfaces and metal folding legs. Folding mechanism is...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

Set worked of gilded Cutlery for entremets. A soup spoon, a fork and a coffee spoon. Very nice set. Shells are visible on the handle of the fork and the...

This outstanding 13-piece Victorian dining suite by R.J. Horner of New York boasts intricate hand carving rarely seen in furnishings of the era....

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A spectacular ‘Scimitar’ dining set designed by Bulgarian designer Boris Tabacoff for Mobilier Modular Moderne (MMM) in the 70’s. The chairs and table have a heavy chromed steel base...

A wonderful vintage table, a piece of original furniture realized at the beginning of the 19th century by French manufacture. The little heart-shaped showcase-table is decorated w...

This gorgeous dining set is produced by Glostrup Mobler from Denmark. The chairs are beautiful sculptured. The back of the chair and the joints has some beautiful details. It´s solid oiled scandinavian pine wood. The dining table has an ellipse shape. Unfortunately the extension top is missed so you can´t use the extension, only the normal measures. It contents 4x dining chairs...

Hello, We would like to offer you this fine ebonized Biedermeier set. The pieces were made in Vienna circa 1825. Viennese Biedermeier is distinguished...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

Dining room set from Italy by Romeo Rega. This set features a table made of chrome and brass with a glass top. There are four chairs of chro...

Elm wooden dining table and benches, France 1970s. Unique piece made in the 1970s by a woodworker in the South of France from old Elm wood, locally sourced in ...

Individual items are not for sale separately. A very popular supplier and manufacturer of furniture, Maple & Co. It is a perfect example of the English aristocracy and is still in great demand. The whole set is remarkable in that it has been kept intact this entire time, including the original 12 chairs at the table. The table has a rare unfolding system with two double action screw table expanders. One person alone can easily unfold the table by turning the handle. The system is patented by the company Joseph Fitter...

This 1970s signed Lion In Frost Lucite sculptural base dining table and original tufted leather Lion Frost dining chairs make for a great ensemble. The glass can be a much larger one to put on at your end. The base is solid. It is now at 46" round diameter. This was a replacement glass top. The leather of cream colored is the original leather fabric from the time. These are very comfortable to sit in. The tubular Lucite chairs...

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

Mid-Century Modern Italian Bamboo game table set. The Table top with green cloth is endorsable to become a normal dining table equipped with two bamboo seats...

Circa 1880 19thC English Large Scrub Top Pine Farmhouse table with bleached top, stout tapered and pegged legs. W244 x D68 x H75 cm Apron 62 cm Circa 1880 19thC English Large Scr...

Osvaldo Borsani set of eight unique high back swivel dining chairs for Tecno 1971, Original cotton velvet upholstery, aluminum with bronzed finish. A copy of the blueprint included ...

Mid-Century Modern Italian set of 4 bamboo dining chairs with original floral fabric cushions. All the binding of the chairs are made with leather laces. The chairs can become a s...

This vintage modern glass and chrome dining set is stylish and functional. A stunning chrome base under a beautiful glass tabletop is sure to enlight...

There is no mistaking the style and sophisticated design of this dining set comprising an exquisite rare English antique Elizabethan Revival pollard oak extending dining table, circa...

Impressive antique 19th century Italian Renaissance sideboard set of two. Made entirely of carved walnut wood. The carving work is specta...

Billy Haines style faux bamboo and bronze dining set. The table and chairs have faux bamboo wood frames with bronze mounts. The table has a smoked glass top. There are four chairs wi...

Code: FQ58 Period: 19th century Style: Renaissance Dining room of the School of Arts in Monza, 19th century, walnut hand-carved consists of: sideboard showcase with leaded cathedral glass; sideboard with central mirror; console with large mirror; table with 12 chairs lined leather. Measures cm (height, length, depth): sideboard with showcase...

Individual items are not for sale separately. A very popular supplier and manufacturer of furniture, Maple & Co. It is a perfect example of the English aristocracy and is still in great demand. The whole set is remarkable in that it has been kept intact this entire time, including the original 12 chairs at the table. The table has a rare unfolding system with two double action screw table expanders. One person alone can easily unfold the table by turning the handle. The system is patented by the company Joseph Fitter...